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la légende des siecles

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Leste, et prenant les forteresses<br />

Par le corset;<br />

Il triompha de cent bastilles<br />

Qu'il investit.—<br />

Voici pour toi, voici <strong>des</strong> filles,<br />

Petit, petit.<br />

These two passages are good specimens of what Brunetière called Hugo's barbarous and<br />

Merovingian humour, a species of humour which suits well the reproduction of a<br />

mediaeval Chanson, even if it offends the critical in a modern satire.<br />

gentil, used in its original sense of 'noble'.<br />

maillot, Old French form of maillet, a mace or club. sa<strong>la</strong>de, head-piece worn by<br />

knights, a word used in the fifteenth, sixteenth, and seventeenth centuries.<br />

duché, which is now masculine, was formerly of the feminine gender.<br />

liais, lias; pierre de liais is Port<strong>la</strong>nd stone.<br />

douve, as a term in fortification, means the wall of a ditch.<br />

estramaçon, a long, straight, two-edged sword. The word is of Italian origin and first<br />

came into use in the sixteenth century. In an adaptation of a thirteenth-century Chanson<br />

it is out of p<strong>la</strong>ce, as is sa<strong>la</strong>de above.<br />

escarcelle, a kind of <strong>la</strong>rge purse which was carried at the belt.<br />

l 193. The reference to the Sorbonne, which was founded in 1252, is of course an<br />

anachronism.<br />

estoc. See note on MARIAGE DE ROLAND, l 34.<br />

bachelier. In the Middle Ages the word was used of a young man of good birth who,<br />

being too poor to raise his own standard, fought under the banner of a knight, but not as<br />

a squire. The juxtaposition of Je suis bachelier with Je sais lire en <strong>la</strong>tin has given rise to<br />

the suspicion that Hugo, who found the word in one of Jubinal's articles, understood it<br />

in the modern sense. In the absence of further evidence, however, the poet may be<br />

considered entitled to a verdict of 'not proven'.<br />

BIVAR.

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