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la légende des siecles

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who, obnoxious to Napoleon for the share he had taken in Moreau's plot, lived secretly<br />

in the house, and from an old priest named Larivière, who came every day to teach the<br />

three brothers. There too he p<strong>la</strong>yed in the garden with the little Adèle Foucher, who<br />

afterwards became his wife. But this quiet home life did not <strong>la</strong>st long. In 1811 Madame<br />

Hugo set off to join her husband at Madrid, and the boys went with her. At Madrid they<br />

were sent to a school kept by Priests where Victor was not very happy, and from which<br />

he got small profit. Next year the whole family returned to Paris, and in 1815, at the age<br />

of thirteen, he was definitely sent to a boarding-school to prepare for the École<br />

Polytechnique. But his was a precocious genius, and he devoted himself, even at school,<br />

to verse-writing with greater ardour than to study. He wrote in early youth more than<br />

one poem for a prize competition, composed a romance which some years <strong>la</strong>ter he<br />

e<strong>la</strong>borated into the story Bug-Jargal, and in 1820, when only eighteen, joined his two<br />

brothers, Abel and Eugène, in publishing a literary journal called Le Conservateur<br />

Littéraire. About the same time he became engaged to Adèle Foucher, and wrote for her<br />

the romance of Han d'Is<strong>la</strong>nde, which, however, was not published till <strong>la</strong>ter. In 1822 he<br />

and Adèle were married, and in the same year he published his first volume of O<strong>des</strong>. He<br />

was now fully <strong>la</strong>unched on a literary career, and for twenty years or more the story of<br />

his life is mainly the story of his literary output. In 1827 he published his drama of<br />

Cromwell, the preface to which, with its note of defiance to literary convention, caused<br />

him to be definitely accepted as the head of the Romantic School of poetry. Les<br />

Orientales, Le dernier jour d'un condamné, Marion de Lorme, and Hernani followed in<br />

quick succession. The revolution of 1830 disturbed for a moment his literary activity,<br />

but as soon as things were quiet again he shut himself in his study with a bottle of ink, a<br />

pen, and an immense pile of paper. For six weeks he was never seen, except at dinnertime,<br />

and the result was Notre-Dame de Paris. During the next ten years four volumes<br />

of poetry and four dramas were published; in 1841 came his election to the Academy,<br />

and in 1843 he published Les Burgraves, a drama which was less successful than his<br />

former p<strong>la</strong>ys, and which marks the close of his career as a dramatist. In the same year<br />

there came to him the greatest sorrow of his life. His daughter Léopoldine, to whom he<br />

was deeply attached, was drowned with her husband during a pleasure excursion on the<br />

Seine only a few months after their marriage.<br />

In 1845 Hugo began to take an active part in politics. Son of a Vendean mother, he had<br />

been in early life a fervent royalist, and even in 1830 he could write of the fallen royal<br />

family with respectful sympathy. Yet by that time his democratic leanings had dec<strong>la</strong>red<br />

themselves, and he accepted the constitutional monarchy of Louis Philippe only as a<br />

step towards a republic, for which he considered France was not yet ripe. In 1845 the<br />

king made him a peer of France, but this did not prevent him from throwing himself<br />

with all the ardour of his nature into the revolution of 1848. Divining the ambition of<br />

Louis Napoleon, he resisted his growing power, and when the Second Empire was<br />

established the poet was among the first who were exiled from France. He took refuge<br />

first in Jersey, and afterwards in Guernsey, where he lived in a house near the coast,<br />

from the upper balcony of which the cliffs of Normandy could sometimes be discerned.<br />

Thence he <strong>la</strong>unched against the usurper a bitter prose satire, Napoléon le Petit, and a<br />

still bitterer satire in verse, Les Châtiments, and there he wrote two of his greatest<br />

novels, Les Travailleurs de <strong>la</strong> Mer and Les Misérables, two of his finest volumes of<br />

poetry, Les Contemp<strong>la</strong>tions, the greater part of the first series of La Légende <strong>des</strong> Siècles,<br />

and the two remarkable religious poems, Dieu and La Fin de Satan. He returned to<br />

France on the fall of Napoleon in 1870, to be for fifteen years the idol of the people,<br />

who regarded him as the incarnation of the spirit of liberty. Several volumes of poetry

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