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Virus TI Snow

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28<br />

QUICKSTART MANUAL<br />

Filters Menu<br />

We use filters in synthesizers for changing and shaping the timbre of a sound. The <strong>Virus</strong> <strong>TI</strong> <strong>Snow</strong> has two<br />

filters, which can be run in series or parallel. ‘Series’ means that the output of Filter 1 goes straight into Filter<br />

2, and it is the output of Filter 2 that you hear.<br />

Soft Knob Parameter Meaning<br />

#1 Filt 2 Offset/<br />

Cutoff2<br />

This determines the offset of Filter 2, relative to that of Filter 1. Filter 2 Cutoff<br />

is set by default to follow Filter 1 Cutoff at the same frequency.<br />

By adjusting this parameter, you cause Filter 2 to operate at a different<br />

frequency from Filter 1, which will change the perceived depth of the filters.<br />

Please note this parameter is highly dependent on other parameters within<br />

the filter section, and may not always have an audible effect.<br />

In certain patches, this parameter will be displayed as ‘Cutoff 2’. This is<br />

when the Cutoff Link parameter is set to Off.<br />

#2 Saturation Type Choose a distortion/lo-fi effect for the output of Filter 1. Adjust the intensity<br />

of the effect with the Value 3 knob (see below).<br />

Try out all the different saturations, which vary from standard overdrives to<br />

more exotic digital varieties. There are also a couple of 1-pole filters in there,<br />

should you need one of these instead.<br />

#3 Osc Volume<br />

(Saturation)<br />

From -64 to 0 (default) this controls the volume of the oscillators. From<br />

0 to +63 this determines the level of saturation for Filter1, so long as the<br />

Saturation parameter (Value 2 knob) is enabled. ‘Saturation’ is the term used<br />

to describe the effect of increasing the input signal to a level beyond that<br />

which is healthy, thereby creating distortion or additional overtones, which in<br />

many cases sound really great.<br />

Please be aware that certain Saturation types will have an audible effect<br />

even with Saturation at +0.<br />

‘Parallel’ means the oscillator signal is divided into two channels, one of which goes into Filter 1, the other<br />

into Filter 2. In this case, you hear a mixture of the outputs of both filters. The following parameters are available<br />

to edit via the 3 Value knobs.<br />

Mod Menu<br />

Please select patch “Tutorial 5” RAM8 8-5). Press EDIT/SHIFT + MOD to enter the Modulation menu.<br />

‘Modulation’ is the term used to describe a function which changes the value of another parameter over<br />

time. Specifically for this purpose, the <strong>Virus</strong> has 3 LFOs or ‘Low Frequency Oscillators’. These are different<br />

from the oscillators used to generate the sound, as they operate at much lower speeds.<br />

The LFOs have been designed to run at an independent rate, or to slave to the overall tempo of the current<br />

patch or Multi. If they are set to Rate, then you can choose a value between 0 - 127, and if they are set to<br />

Clock, you can choose a divider setting, based on a whole bar of 4/4, whereby 1/4 represents a rate equivalent<br />

to quarter notes or crotchets.

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