Bulletin de liaison et d'information - Institut kurde de Paris
Bulletin de liaison et d'information - Institut kurde de Paris
Bulletin de liaison et d'information - Institut kurde de Paris
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October 1984 - W 10 I<br />
CINEMA<br />
Thousands of Turks and Kurds in<br />
exile marched through the stre<strong>et</strong>s<br />
of <strong>Paris</strong> on Thursday, September<br />
13, on their way to the Père Lachaise<br />
cem<strong>et</strong>ery for the burial of their comra<strong>de</strong>, the<br />
film-maker Yilmaz Güney, who died of cancer<br />
at the age of 47.<br />
Guney's film~ showed the world the reality<br />
of a Turkey where the struggle b<strong>et</strong>ween<br />
the common people of the countrysi<strong>de</strong> and<br />
the powers-that-be is complicated and<br />
reinforced by the hold of feudal customs and<br />
the economic grip of Western imperialism.<br />
He is best known outsi<strong>de</strong> his own country<br />
for films directed-amazmgly-from a pri-<br />
~on cell in Turkey, such as "The Herd," or<br />
"The Way," among others. From his <strong>Paris</strong><br />
exile shortly before his <strong>de</strong>ath, he ma<strong>de</strong> the<br />
har~hest and cruellest of all his films, "The<br />
Wall," about torture in a children 's prison.<br />
. On the morning of the funeral, hundreds<br />
of people gathered at the Kurdish <strong>Institut</strong>e<br />
in <strong>Paris</strong>-which Güney, himself a Kurd, had<br />
helped found and consistently supported-to<br />
pay their respects to the artist. Among the<br />
mourners was Jack l.ang. French Minister<br />
of Culture, who knew Guney personally and<br />
ma<strong>de</strong> it po~sible for him to direct "The<br />
Wall" in a suburb of <strong>Paris</strong>. By the afternoon,<br />
the tomb where Güney had been laid<br />
to rest at Père Lachaise was surroun<strong>de</strong>d by<br />
wreaths from those whose hopes and ~truggles<br />
he had <strong>de</strong>picted during his life.<br />
All the organizations, without exception,<br />
of the h<strong>et</strong>erogeneous Turkish left were<br />
represented. So were the Kurds of Turkey<br />
and Iran, the "Communists of Greece," the<br />
Armenian War V<strong>et</strong>erans of France, the<br />
Armenian Cultural Association, the French<br />
Guney's wife and friends standing at his tomb<br />
in <strong>Paris</strong>,<br />
Yilmaz Güney:<br />
Artist and Resistance<br />
Symbol<br />
One of Turkey's best known and certainl)' most courageous<br />
film-makers died in exile in <strong>Paris</strong> on September 9. His films,<br />
however, remain as a testament to the man and his work.<br />
By Sam Corbin<br />
~'lathing Work~r'~ Union (CFDT) and<br />
\,llHlUS 1I1lltlm of the hen"b 111m mdu~try.<br />
'\1'0 l'H'~ent wa, I)anlelk Mllterrand, wife<br />
of Ihe I rl'rl\;!1 rre~IJenl.<br />
1he pTllh:ipal Iuneral 01atwll-a moving<br />
t arcwell-- Wéh dch\(:red j rom a wheekhalr<br />
tH' a Turk i~h law rrotessor, Server Tanilll,<br />
\10 ho wa, ~11\J1 b~ a fa,ci,t in btanbulm 1979<br />
dnd l~ paralYled (Hllll the \Iodist down a~ a<br />
rl>~ult01 hl, >IoounJ. Thl~ helo urthe <strong>de</strong>moddlle<br />
re~lstan~c II. lur\..cy now tcaches con-<br />
'T1tulional 1 walked<br />
Ihrl'c houl' t0 the nearest ~chool ever} day<br />
111 ur<strong>de</strong>r to a'4u1rc the IlIdi~pensable rudimellt~<br />
of a f"rmal education.<br />
3