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MDR6 - Samson

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GAIN<br />

CLIP<br />

5<br />

10<br />

15<br />

5<br />

10<br />

15<br />

5<br />

10<br />

15<br />

10<br />

5<br />

0<br />

5<br />

0 10<br />

0<br />

PAN<br />

L<br />

30<br />

0<br />

0<br />

0<br />

HF<br />

5 12K<br />

10<br />

15<br />

MF<br />

5 2.5K<br />

10<br />

15<br />

LF<br />

5 80Hz<br />

10<br />

15<br />

R<br />

AUX<br />

10<br />

5<br />

0<br />

10<br />

10<br />

15 15<br />

20<br />

30<br />

40<br />

MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6<br />

REC<br />

5<br />

20<br />

30<br />

40<br />

GAIN<br />

CLIP<br />

10<br />

10<br />

10<br />

10<br />

5<br />

0<br />

5<br />

5<br />

15<br />

5<br />

15<br />

5<br />

15<br />

0 10<br />

0<br />

PAN<br />

L<br />

30<br />

0<br />

0<br />

0<br />

5<br />

15<br />

5<br />

15<br />

R<br />

HF<br />

12K<br />

10<br />

MF<br />

2.5K<br />

10<br />

LF<br />

5 80Hz<br />

15<br />

10<br />

AUX<br />

10<br />

5<br />

0<br />

10<br />

10<br />

15 15<br />

20<br />

20<br />

30<br />

40<br />

REC<br />

5<br />

30<br />

40<br />

10<br />

10<br />

10<br />

10<br />

5<br />

0<br />

5<br />

5<br />

15<br />

5<br />

15<br />

5<br />

15<br />

LINE IN<br />

0 10<br />

0<br />

BAL<br />

L<br />

0<br />

0<br />

0<br />

5<br />

15<br />

5<br />

15<br />

R<br />

HF<br />

12K<br />

10<br />

MF<br />

2.5K<br />

10<br />

LF<br />

5 80Hz<br />

15<br />

10<br />

AUX<br />

10<br />

5<br />

0<br />

10<br />

10<br />

15 15<br />

20<br />

20<br />

30<br />

40<br />

REC<br />

5<br />

30<br />

40<br />

10<br />

10<br />

10<br />

10<br />

5<br />

0<br />

5<br />

5<br />

15<br />

5<br />

15<br />

5<br />

15<br />

LINE IN<br />

0 10<br />

0<br />

BAL<br />

L<br />

0<br />

0<br />

0<br />

5<br />

15<br />

5<br />

15<br />

R<br />

HF<br />

12K<br />

10<br />

MF<br />

2.5K<br />

10<br />

LF<br />

5 80Hz<br />

15<br />

10<br />

AUX<br />

10<br />

5<br />

0<br />

5<br />

10<br />

10<br />

15 15<br />

20<br />

20<br />

30<br />

40<br />

REC<br />

30<br />

40<br />

LEFT/MONO<br />

AUX RET<br />

RIGHT<br />

2T IN<br />

AUX RETURN<br />

5<br />

C/ROOM<br />

+PHONES<br />

LEFT<br />

CR OUT<br />

RIGHT<br />

2T OUT<br />

LEFT<br />

MIX OUT<br />

RIGHT<br />

LEFT RIGHT LEFT RIGHT<br />

2TK TO RETURN<br />

5<br />

0 10<br />

0 10<br />

MIX/2T<br />

5<br />

0 10<br />

HARD<br />

DISK<br />

10<br />

5<br />

0<br />

5<br />

AUX OUT<br />

MONO OUT<br />

5<br />

0 10<br />

10<br />

10<br />

10<br />

10<br />

15 15 15<br />

20<br />

20<br />

20<br />

30<br />

40<br />

48V<br />

10<br />

5<br />

0<br />

5<br />

30<br />

40<br />

PEAK<br />

+6<br />

0<br />

-6<br />

-20<br />

POWER<br />

5<br />

0<br />

5<br />

30<br />

40<br />

Operating the <strong>MDR6</strong><br />

BASIC OPERATION<br />

The following section explains the basic operation of the <strong>MDR6</strong>.<br />

CONNECTING MICROPHONES AND<br />

INSTRUMENTS<br />

1. Before connecting mics or instruments, make<br />

sure that the power of all your systems components<br />

including the <strong>MDR6</strong> is turned off.<br />

Also, make sure that the Left and Right MIX<br />

faders are turned all the way down.<br />

Vocal<br />

SAMSON R21<br />

Bass Guitar<br />

Direct Box<br />

Lead Guitar<br />

Signal Processor<br />

Stereo Signal<br />

ENGLISH<br />

2. Connect the cables to your microphones and<br />

instruments, and insert the other end of the<br />

cable firmly into the appropriate input on the<br />

<strong>MDR6</strong>.<br />

SIGNAL FLOW<br />

SIGNAL FLOW<br />

SIGNAL FLOW<br />

SIGNAL FLOW<br />

MASTER SECTION<br />

Keyboards<br />

NOTE: SETTING THE INPUT GAIN - When connecting<br />

a microphone to channels 1 + 2, it’s a<br />

good idea to start with the Gain Control turned<br />

all the way down. Set the input fader to the "0"<br />

position and slowly raise the GAIN control until<br />

you see the CLIP LED turn on. Now, back the<br />

GAIN control down so that the CLIP LED only<br />

lights for a short time during the loudest input<br />

the channel will see.<br />

3/L<br />

5/L<br />

5 60<br />

5 60<br />

-26 +26 -26 +26 4/R<br />

6/R<br />

MONO<br />

MODE<br />

MASTER SECTION<br />

3. Switch on the power of any peripheral devices,<br />

and then power up the <strong>MDR6</strong>.<br />

_<br />

_<br />

_<br />

_<br />

_<br />

_<br />

NOTE: It is important to remember the Golden<br />

Rule of audio … " LAST ON, FIRST OFF".<br />

Translated, this means that when turning on<br />

your system, you should always turn your power<br />

CHANNEL 1 CHANNEL 2 CHANNEL 3/4 CHANNEL 5/6 PHONES<br />

L MIX R<br />

amplifiers or powered monitors on LAST, and when turning your system off, turn your power amps off FIRST. This helps<br />

avoid any loud pops caused by inrush current at power up, which can sometimes damage loudspeakers.<br />

4. Turn on your power amp or powered monitors and raise the level control to the manufacturers’ recommended operating<br />

level.<br />

5. Set the Left and Right MIX faders in the <strong>MDR6</strong>’s master section to the "0" position.<br />

6. While speaking into the mic (or playing the instrument), adjust the channel Fader control so that the "0" LED of the<br />

MAIN section peak level meter lights occasionally.<br />

7. You can shape the tone of each channel by adjusting the equalizer controls as desired.<br />

13

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