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Journal of Film Preservation - FIAF

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Washington<br />

SBERBANK (Russian Savings Bank - the oldest and largest Russian<br />

financial institution), and GAZPROM (one <strong>of</strong> the richest and largest gas<br />

producers in the world), as well as the support and attention on the part<br />

<strong>of</strong> the French Embassy in Russia, Goskino (Russian Ministry <strong>of</strong> Cinema)<br />

and Russian Union <strong>of</strong> <strong>Film</strong>makers lets us count on a brighter future for<br />

our festival <strong>of</strong> films.<br />

Gosfilm<strong>of</strong>ond <strong>of</strong> the Russian Federation has always been a never-ending<br />

source <strong>of</strong> inspiration for Russian filmmakers, critics and researchers, it<br />

has also always been open to foreign contacts, being a member <strong>of</strong> <strong>FIAF</strong>.<br />

We hope that our new initiative - the festival <strong>of</strong> archival films “Belye<br />

Stolby” will promote better acquaintance with our collection, which is<br />

the third largest in the world, and attract more interest in Russia and its<br />

treasures.<br />

Inventing Entertainment: The Library <strong>of</strong> Congress<br />

Makes Edison Motion Pictures Available on the<br />

World Wide Web<br />

Karen C. Lund<br />

“I am experimenting upon an instrument which does for the eye what<br />

the phonograph does for the ear.” With those words in 1888, Thomas A.<br />

Edison formally announced his intent <strong>of</strong> inventing the motion picture<br />

camera in a caveat filed with the Patent Office. In the thirty years<br />

following, Edison’s name became forever associated with motion picture<br />

history through his inventions and the films produced by his company.<br />

The Motion Picture, Broadcasting, and Recorded Sound Division<br />

(M/B/RS) <strong>of</strong> the Library <strong>of</strong> Congress contains impressive evidence <strong>of</strong><br />

Edison’s entertainment inventions and industries. The division houses<br />

motion pictures, cylinder and disc sound recordings, and journals with<br />

articles and photographs pertaining to the Edison Companies. A large<br />

selection <strong>of</strong> these items, including 341 films and 81 sound recordings,<br />

has been made available on the Library’s American Memory web site ( as<br />

a special presentation entitled “Inventing Entertainment: The Motion<br />

Pictures and Sound Recordings <strong>of</strong> the Edison Companies at the Library<br />

<strong>of</strong> Congress.” This site is part <strong>of</strong> a larger initiative at the Library to<br />

digitize many <strong>of</strong> its holdings and make them accessible via the World<br />

Wide Web under the auspices <strong>of</strong> the National Digital Library. This<br />

article focuses on the motion picture part <strong>of</strong> the web presentation.<br />

Edison’s Work with Motion Pictures<br />

Edison’s involvement with motion pictures is <strong>of</strong>ten traced to his meeting<br />

with Eadweard Muybridge at his West Orange laboratory in 1888.<br />

Edison viewed Muybridge’s Zoopraxiscope, a device which used a<br />

circular disc with still photographs <strong>of</strong> the successive phases <strong>of</strong> movement<br />

around the circumference to recreate the illusion <strong>of</strong> movement. Although<br />

Muybridge hoped to collaborate, Edison decided instead to create his<br />

96 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 58/59 / 1999

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