Journal of Film Preservation - FIAF

1. Anthology Film Archives
Awarded $10,900 for preservation of Fragments of Faith Forgotten, a film
made by Harry Smith in the mid-1950s.
2. Film-Makers’ Cooperative/New American Cinema Group
Awarded $11,393 for preservation of: Sins of the Fleshapoids (1965) by
Mike Kuchar, Third Eye Butterfly (1968) by Storm De Hirsch intended for
dual screen projection and Angel Blue Sweet Wings (1966), the first film
by Chick Strand.
3. George Eastman House
Awarded $113,000 to preserve: Broadway Love (1918) stars Lon Chaney
in a story about millionaires and chorus girls. When Bearcat Went Dry
(1919), a Lon Chaney film acquired from Netherlands Film Archive. The
Devil’s Claim (1920), stars Sessue Hayakawa. The Trespasser (1929), first
sound film of Gloria Swanson.
4. Louis Wolfson II Media History Center
Awarded $17,650 for preservation of unique films dating from 1920s to
1950s which document Florida culture. Eleven are home movies (16mm
and 8mm) containing rare images of life in this region including home
movie footage of the African American community in Miami in the 1950s
and film of Jewish family at a bar mitzvah in 1939.
5. New York Public Library/Dance Collection
Awarded $18.580 to preserve unique dance performance footage from
films made by Carol Lynn at the Jacob’s Pillow Dance Festival in the mid-
1940s through the 1950s. The 21 items for preservation include early
work of choreographers and dancers.
6. New York Public Librar /Donnell Media Center
Awarded $1,040 to preserve Protest : Columbia 1968 documenting the
historic campus protest at Columbia University. Donnell Media Center
holds only copy.
7. Oregon Historical Society
Awarded $17,580 to preserve: Cruising in British Columbia (1927) by
William and Irene Finley; Columbia, The Gem of The Highways (1919)
about newly opened Columbia River Highway; Irish Melody (1935) by
Robert C. Bruce; and seven reels of Oregon-produced newsreel footage
dating from 1914 to 1930s.
8. Pacific Film Archive
Awarded $16,890 to preserve independent films by Peter Gessner : Time
Of The Locust (1966) is an anti-war film compiled from news footage
while Last Summer Won’t Happen (1968) is about anti-war activists.
9. UCLA Film and Television Archive
Awarded $107,000 for preservation of: Molly O’ (1921) produced by
Mack Sennett and starring Mabel Normand. Big Dan (1923) in which
Buck Jones plays a World War I veteran. Lights of Old Broadway (1925)
and Janice Meredith (1924) starring Marion Davies from the collection of
William Randolph Hearst. The Power And The Glory (1933) with
screenplay by Preston Sturges.
89 Journal of Film Preservation / 58/59 / 1999
Subsides de l’AFI à la conservation de
films
L’AFI communique la liste des archives
cinématographiques des Etats-Unis ayant
reçu le soutien du 1999 AFI/NEA Challenge
Grant, y figurent les entités suivantes : les
Anthology Film Archives, la Film-makers’
Cooperative / New American Cinema
Group, la George Eastman House, le Louis
Wolfson / Media History Center, la New
York Public Library / Donell Media Center,
la Oregon Historical Society; la Pacific Film
Archive, la UCLA Film and Television
Archive, la University of South Carolina, la
University of Washington / Ethnomusicology
Archive, le American Film Institute. Le
fonds est alimenté par des contributions
provenant principalement de Blockbuster,
The Film Foundation et du National
Endowment for the Arts.
Subsidios del AFI a la conservación de
películas
El AFI communica la lista de archivos
cinematográficos de USA que han recibido el
apoyo del 1999 Challenge Grant del AFI y
del National Endowment for the Arts
(NEA): Los Anthology Film Archives, la
Film-makers’ Cooperative / New American
Cinema Group, la George Eastman House,
el Louis Wolfson / Media History Center, la
New York Public Library / Donell Media
Center, el Oregon Historical Society, el
Pacific Film Archive, el UCLA Film and
Television Archive, la University of South
Carolina, la University of Washington /
Ethnomusicology Archive, el American Film
Institute. El fondo esta principalmente
alimentado por contribuciones de
Blockbuster, The Film Foundation y el
National Endowment for the Arts (NEA).