Journal of Film Preservation - FIAF

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• Rental of film materials The archive’s material is accessible to all users from Slovenia and from abroad. It may be used for study, scientific and research activity, cultural and educational goals and for commercial purposes. Rental is carried out in accordance with valid archival law, with regulations requiring special application and according to the terms specified by those who had deposited the films. The viewing and the selection are made on an editing table. Those films which have been transferred to videotape are viewed on a VCR. When an individual or an institution wants to rent a film to screen it or copy it to tape, the archive signs a contract with them stipulating conditions of use. • Copyrights According to the Law of authors’ rights and related rights (Official Gazette RS 21/95) users must respect the moral and other rights pertaining to archival films. The Slovene Film Archive keeps detailed records of rentals. Users are obliged to pay rights for subsequent use. • International co-operation From the very beginning the Slovene Film Archive has collaborated with the Jugoslovenska Kinoteka in Belgrade, as it was the only professional institution specialising in the storage of films in the former Yugoslavia. Since then, it has established good relations with Hrvatska kinoteka in Zagreb, Kinoteka na Makedonija from Skopje and with the film archive of Bosnia and Herzegovina now being established. Co-operation with the Austrian film archives in Vienna, Bundesarchiv-Filmarchiv in Koblenz, Czech film archive in Prague and the Institute Luce in Rome together with the Bois d’Arcy in France is remarkably successful. • Affiliation with FIAF The Slovene Film Archive had not been a member of the International Federation of Film Archives (FIAF) prior to the independence of Slovenia in 1991. Due to the decision of the Executive Committee, held in Oslo (Norway) on May 26th, 1993, the Slovene Film Archive had become a provisional member. Soon after the establishment of the ACE in 1996 the Archives was among the first to join this organisation. • Institution and status of the Employees The Slovene Film Archive functions as an organisational unit within the archives of the Republic of Slovenia. The archive’s activity is funded by this budget. It also utilizes funds derived from its commercial income. Seven staff members are employed by the Slovene Film Archive. Duties include management, professional processing, technical processing, rental of films and video cassettes, the stills library and technical management. • Perspectives The Slovene Film Archive is the main institution for the storage and preservation of the Slovene film heritage. During the years of its activity it has collected, and technically and professionally processed more than 90% of the Slovene film production. In the future the Slovene Film Archive intends to acquire new subsidized Slovene film productions. In 86 Journal of Film Preservation / 58/59 / 1999
addition, it will endeavour to acquire work by independent and amateur cameramen, whose productions are important documents of economic, social, sporting and cultural activity in Slovenia in the 20th century. Due to lack of funds to copy films in the past, the Slovene Film Archive kept one third of the films in their original materials, without copies. This situation makes professional processing and presentation of the material impossible. The Slovene Film Archive will devote itself to this activity according to the availability of funds. New digital technology will assist in the preservation of archival film material all over the world and Slovenia intends to take advantage of it as well. Slovenska Kinoteka Silvan Furlan The Slovenian Cinematheque was founded by a decree of the Government of the Republic of Slovenia on August 19, 1996, and was the result of the division of the Slovenian Theatre and Film Museum into the Slovenian Theatre Museum and the Slovenian Cinematheque. The task of the Slovenian Cinematheque is to form, keep and present its international film collection as well as the museum exhibits, relating to the history of film and cinema. It also carries out research and publishing activities in the field of the history of cinema. From the year 1963, when the Film Theatre of the Yugoslav Cinematheque (Jugoslovanska Kinoteka) in Ljubljana was opened, until the disintegration of Yugoslavia in 1991 the Yugoslav Cinematheque was in charge of the programme of the Film Theatre and sent prints from its archives in Belgrade. In the year 1973 the Association of Slovenian Filmmakers founded the Film Museum as a permanent cultural activity. In 1976 the Museum started systematically to collect and arrange the exhibits, relevant to the history of Slovenian and world cinema and also began to document Slovenian film production. In 1979 the Film Museum joined the Slovenian Theatre Museum and the two formed the Slovenian Theatre and Film Museum. With the foundation of the Slovenian Cinematheque in 1996 the Film Museum became an integral part of the new institution. In the spring of 1994 the project “Slovenian Cinematheque” was started within the former Slovenian Theatre and Film Museum. The main goal of this project was the foundation of a new national institution, whose task was to take care of the world film heritage in Slovenia. At that time the basis of all four future departments of the Slovenian Cinematheque was created: Archive, Research and Publishing, Museum, Programme and Screening Departments. The young Slovenian Cinematheque has been faced with an important task: to form a collection of fundamental works of the history of world cinema. To date it has managed to collect more than 1,400 titles, mainly from the last two decades, but it still has to carry out the long-term project of forming the collection of film classics. 87 Journal of Film Preservation / 58/59 / 1999 Ljubljana La Cinémathèque de Slovénie fut créée par décret gouvernemental en 1996. Elle est le résultat de la transformation du Musée du Théâtre et du Cinéma en deux entités distinctes : le Musée du Théâtre et la Cinémathèque. L’article évoque les différentes étapes du processus : les débuts de la programmation de films en 1963, la fondation du Musée du Cinéma en 1973, la création du Musée du Cinéma et de son centre de documentation en 1976, la fusion avec le Musée du Théâtre en 1979 et celle, en 1996, du Musée du Cinéma avec la Cinémathèque. La nouvelle Cinémathèque, admise comme Associé à la FIAF en 1998, entretient par ailleurs d’excellentes relations avec les Archives Slovènes du cinéma rattachées aux archives de la République de Slovénie (archivesqui ont récemment obtenu le statut de Membre de la FIAF).
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October / octobre / octubre 1999 Ne
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Cette classification n’est pas an
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aussi les atteintes biologiques et
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culturel : cette demande externe es
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et d’usage (39). A leur tour les
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Au fur et à mesure que le temps pa
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narité et recherche» Conférence
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La mémoire des archives Eric de Ku
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idéologies particulières qui gouv
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Page 69 and 70: A corrected and expanded inventory
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