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Journal of Film Preservation - FIAF

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source text now used by the archivists, i.e., the catalogue <strong>of</strong> the film<br />

material (two volumes) published in 1982. He had pr<strong>of</strong>essionally<br />

classified all documentary films, feature films and animated films<br />

produced up to 1977 that had been acquired by the archive. The<br />

catalogue contained 965 titles. This catalogue was reprinted in 1998. In<br />

1998 the archive also published also the third volume <strong>of</strong> the catalogue,<br />

in which Mr. Nemanic had classified another 299 films that had been<br />

subsequently received by the archive up until 1995. He produced two<br />

other catalogues, one on the film work <strong>of</strong> Bo_idar Jakac between 1929-<br />

1955. The second catalogue deals with the film activity <strong>of</strong> Metod and<br />

Milka Badjura in the period from 1926 to 1969. In 1995 an exhibition<br />

dedicated to Metod and Milka Badjura was mounted and on this<br />

occasion a special catalogue was published. A catalogue was also<br />

published for the exhibition on the newsreels <strong>of</strong> the years 1946-1951.<br />

• Public presentation <strong>of</strong> archival film material<br />

The Slovene <strong>Film</strong> Archive has presented its films at special performances<br />

in Ljubljana in the theatre <strong>of</strong> the Slovenska Kinoteka and Cankarjev<br />

dom. In other Slovene towns special thematic evenings have been organised<br />

and enabled local people to view films that had been shot in their<br />

region.<br />

The silent film festival in Pordenone (Italy) is the most prestigious international<br />

festival at which the archive’s films have been screened, but by<br />

no means the only one. <strong>Film</strong>s have also been presented on public and<br />

other TV networks in their entirety or partially and within the framework<br />

<strong>of</strong> various exhibitions.<br />

• Physical conditions<br />

Special safety conditions are needed for film reels due to their specific<br />

characteristics. Therefore the Slovene <strong>Film</strong> Archive’s principal concern is<br />

the physical preservation <strong>of</strong> its films. From the very beginning films were<br />

regularly rewound. The situation has improved since the construction <strong>of</strong><br />

an air-conditioned storage facility in 1979. The archive has therefore<br />

focused primarily on the copying process <strong>of</strong> the nitrate films to acetate<br />

film as well as other films shot on inflammable stock.<br />

The Archive <strong>of</strong> the Republic <strong>of</strong> Slovenia in co-ordination with the<br />

Jugoslovenska Kinoteka in Belgrade managed to take possession <strong>of</strong> all<br />

nitrate films just a few days before the attainment <strong>of</strong> independence and<br />

the war in Slovenia in 1991. These had been the property <strong>of</strong> Triglav <strong>Film</strong><br />

that had been stored in Belgrade since 1971. In that period Slovenia had<br />

no adequate storehouse for inflammable and explosive nitrate films. Due<br />

to these characteristics the archive could not ensure special storage<br />

conditions before coming to an agreement with the Home Office about<br />

the storage <strong>of</strong> the inflammable and acetate films in the air-conditioned<br />

underground rooms <strong>of</strong> the training centre in Gotenica near Ko_evje. A<br />

very large number <strong>of</strong> our archival films, including all inflammable films,<br />

are stored there.<br />

85 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 58/59 / 1999

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