Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
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Table 1: Results <strong>of</strong> oxidation-development<br />
dual-bath color-restoration technology<br />
(4) This process increases the color stability <strong>of</strong> the<br />
dyes significantly. A print treated in 1976 which has<br />
been stored at room temperature has now retained its<br />
color for over twenty years without discernable<br />
decomposition or fading.<br />
(5) The oxidation-development color restoration<br />
process does not spoil the original dyes. Thus, if a<br />
film does not respond to the color restoration<br />
process, the original image is not affected.<br />
3. The Oxidation-bath Chemical Color<br />
Restoration Process<br />
If we analyze the principle <strong>of</strong> coupling development<br />
<strong>of</strong> an image, we can see that it is the alkaline in the<br />
developing bath - that is, the hydroxy-radical –<br />
which permits the coupler to gain an electron and<br />
form an anion, and then to combine with the cation<br />
<strong>of</strong> the developer to form a dye. In the above<br />
described oxidation-development process there are<br />
numerous unnecessary components. In fact, our<br />
process only utilizes the oxidant and alkaline<br />
components.<br />
According to our research, only a strong oxidant<br />
together with an alkaline substance are sufficient to<br />
produce an oxidative color restoration solution for<br />
water-soluble emulsion film prints Our experiments<br />
demonstrated that an oxidant solution alone not only<br />
cannot restore faded color, but actually induces<br />
fading <strong>of</strong> the indo-aniline cyan layer <strong>of</strong> the<br />
image.Trisodium phosphate, hydroxides, sodium<br />
carbonate and other alkaline substances at high concentration can<br />
restore the cyan layer. But the mixture <strong>of</strong> the two solutions produces a<br />
very strong oxidative-reductive agent for the faded color image.<br />
Evidently, this dual solution produces an “additive” reaction. If we add a<br />
suitable quantity <strong>of</strong> formaldehyde, the emulsion layer will not be<br />
dissolved by the process, even at relatively high temperatures. Thus,<br />
restoration <strong>of</strong> water-soluble cine-color prints can be accomplished by use<br />
<strong>of</strong> a suitable combination <strong>of</strong> oxidant, alkaline substance and<br />
formaldehyde (see Photograph 2).<br />
A secondary value <strong>of</strong> this restoration process is that it has high stability<br />
and strong buffer characteristics. Variation <strong>of</strong> the content <strong>of</strong> the oxidant<br />
and alkaline solution within a certain range will not influence the result<br />
<strong>of</strong> the color restoration process or elongate the processing time. This<br />
treatment is quicker and simpler than other methods <strong>of</strong> color<br />
restoration, requiring only a 3-5 minute treatment in solution, followed<br />
by a 6 minute water wash cycle.<br />
It should be emphasized that water-soluble color cine film positives<br />
found in archives come from various manufacturers, have been produced<br />
42 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 58/59 / 1999