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Journal of Film Preservation - FIAF

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3. Place a small strip <strong>of</strong> the cut edge into solution A for 5-<br />

10mins; observe whether the emulsion layer <strong>of</strong> the sample<br />

strip comes <strong>of</strong>f automatically. We can then formally begin<br />

the transplantation operation.<br />

4. Put the negative to be restored into solution A.<br />

Constantly shake the enamel pan. When the emulsion<br />

layer comes <strong>of</strong>f automatically from the support, firstly take<br />

out the support and subbed layer, letting the image layer<br />

remain in the solution for about 10min for the plastic to<br />

dissolve.<br />

5. Take the emulsion layer out <strong>of</strong> solution A and put it<br />

into solution B for 5min. The gelatin layer spreads rapidly<br />

and the wrinkles <strong>of</strong> the image layer are smoothed out, the<br />

bubbles disappear, and the residual plastic continues to<br />

dissolve.<br />

6. Hold up the emulsion layer from solution B with an<br />

accepting support which is bottom-upward, smooth out<br />

the layer with a Chinese writing brush, get rid <strong>of</strong> the<br />

bubbles, dry the newly-restored negative in the open air.<br />

7. If traces <strong>of</strong> stripes appear on the dried negative, it can be<br />

placed into fresh water to wet it, then copy a reversal<br />

negative film. All traces <strong>of</strong> stripes can be cleared up this<br />

way.<br />

39 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 58/59 / 1999<br />

(3) A dried-up and restored cinematographic film<br />

negative<br />

(4) Photo printed with the transplantation negative <strong>of</strong><br />

photograph 3

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