Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
. Transplantation <strong>of</strong> image layer<br />
1. Pour the image layer separation solution into a vessel 8-10cm<br />
deep, maintaining the solution temperature at 15-18°. A high<br />
temperature is apt to cause the dissolution <strong>of</strong> the emulsion layer,<br />
while a low temperature is unfavourable for the separation <strong>of</strong> image<br />
layer from the support.<br />
2. Cut <strong>of</strong>f c.1-2mm from the edges <strong>of</strong> the negative <strong>of</strong> which the<br />
image layer shall be transplanted, in order to prevent the possibility<br />
<strong>of</strong> adhesion between the support and its upper and lower gelatin<br />
layers.<br />
3. Place the negative, whose emulsion layer has wrinkled, into the<br />
separation solution, constantly observing the changes <strong>of</strong> image layer.<br />
Whenever the edges <strong>of</strong> image layer are found wrinkling, twist gently<br />
with the fingers so as to separate image layer from subbed layer.<br />
When there appears a greater part <strong>of</strong> image layer separated, hold this<br />
with thumb and forefinger and carefully remove from subbed layer as<br />
quickly as possible, taking care not to remove from the separation<br />
solution. Leave the unfolded protective layer floating face-upward in<br />
the solution.<br />
4. Then remove image layer from the separation solution with a<br />
bottom-upward accepting support, place onto the working table,<br />
spread out smoothly with a Chinese writing brush, ease out airbubbles<br />
and moisture, and then dry the newly-formed film in the air.<br />
The whole transplantation work is now completed.<br />
c. Note<br />
1. Separation should begin from all sides, i.e., firstly separate 1-2cm<br />
from each edge, followed by the whole image layer.<br />
2. Wherever a crack appears on the layer, the separation direction<br />
must be shifted immediately. Dividing the image layer into pieces<br />
must be avoided at all costs.<br />
3. If the subbed layer is separated along with the image layer, it must<br />
be cleared away from the latter. The method is as follows: place the<br />
image layer face downwards, remove from the separation solution<br />
with film-base whiteout gelatin layer, then put onto the working<br />
table; suppress the image layer with a writing brush (not with the<br />
finger or other hard materials), and give the subbed layer a firm but<br />
gentle push with the tip <strong>of</strong> another writing brush, so that it can be<br />
gradually cleared away. Since such a process takes time, clean water<br />
can be poured onto all sides <strong>of</strong> the image layer to prevent it sticking<br />
to the support. When the entire subbed layer has been cleared away,<br />
replace the image layer into the separation solution, then remove it<br />
with a subbed film-base, smooth it out, brush out any air-bubbles<br />
and moisture.<br />
4. Before beginning such restoration work we must carefully inspect<br />
the negative to be restored. This process cannot restore any negative<br />
<strong>of</strong> which the emulsion layer is soluble in water. The cellulose nitrate<br />
negative which has been restored by the image layer transplantation<br />
37 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 58/59 / 1999<br />
Restauration des ondulations du substrat<br />
adhésif<br />
La conservation de matériel photographique<br />
dans un milieu à haute humidité relative<br />
peut provoquer des dégradations telles que le<br />
gonflement de la couche d’émulsion,<br />
rétrécissement du support, séparation des<br />
particules de plastique qui vont se loger de<br />
manière irrégulière entre l’émulsion et le<br />
support. L’ensemble de ce processus peut<br />
provoquer des ondulations de la couche<br />
d’émulsion. Les négatifs ayant subi ces<br />
altérations ne sont généralement plus aptes<br />
à servir au tirage de copies. Les auteurs de<br />
l’article présentent une méthode qui permet<br />
de restituer la forme originale des négatifs<br />
photographiques par la suppression des<br />
ondulations. Si cette méthode s’avère être<br />
efficace pour les négatifs conservés dans des<br />
boîtes qui permettent la circulation d’air, elle<br />
ne l’est pas pour les négatifs conservés dans<br />
des boîtes hermétiques.<br />
(1) The Photographic negative <strong>of</strong> Premier<br />
Zhou Enlai paying a visit to Moskow<br />
(2) Photograph printed with the<br />
transplantational restored negative <strong>of</strong><br />
photograph 1