Journal of Film Preservation - FIAF

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DEBRIE has during a period of 100 years acquired an International reputation in the manufacture of Film laboratory equipment. The merger in 1993 with CTM, a very forward looking company with dynamic postproduction equipment broadened DEBRIE’s product line and allowed the group to supply a very wide range of machines and systems for the Motion Picture Industry, the preservation and restoration of moving images. The DEBRIE TAI step printers are highly advanced equipment recommended for linear, blow-up and reduction optical printing. This includes the famous and unique Archive suited printer which is able to print out the most delicate of visual details. Till the mid 50’s, films were made on highly inflammable and chemically instable nitrate stock. To prevent these masterpieces from being lost and to preserve their splendor, they must be restored and duplicated on modern acetate and safety stock. STEP OPTICAL PRINTER: TAI
In order to guarantee safe passage of the original through the wet printer gate and a stable image for the duplicate, the TAI step printer is equipped with unique film transports systems with pin & registration pin whereby the distance inbetween is adjustable. The new generation of TAI step optical printer now features: • full modularity: all machines feature interchangeable printing heads for both original & unexposed film stock format including liquid gate & projection lenses. These heads may be changed in minutes without the use of special tools. Translation of the camera film transport mechanism is controlled by block micrometer. Sprocket location, film transport rollers & printing aperture gate rollers are all factory pre-aligned. The lens support is mounted on ball rails to make movement easier & is controlled by micrometric screw & clock micrometer. • new original optical components along with a reduced distance between the lamphouse & the optical bar providing a major increase in light available at the printing aperture and higher operating speed (5 to 25 fps). • new PC based printer control system including diskette driver & program tape reader. • new unique wet printing liquid circulation system assuring reliable anti scratch & bubble free wet printing. • new closed wet printing gate with special devices to capture solvent vapours and to exhaust fumes. • new extended drying cabinet ensuring that the film is perfectly dried before it is being spooled. CTM / DEBRIE also manufactures: Processing machines A complete range of demand drive from 50 to 200 fpm suitable for every type of film ECN2, ECP2, Black & White. Video color analyser For professional grading, the Setter allows: negative & positive film inspection directly on video, Data collection, Color analysis ie grading of negative/positive film with storage in memory of RGB, FCC, fades. Different models of 16, 35, 16/35 mm, 2 or 4 plates flatbeds viewing tables with projection by prism in order to view & check copies. Possibility to view movies in their original speed 16, 18, 20, 22, 24 or 25 frames per second & to accept shrunk copies. Upon request, low cost film to tape transfer system for the format of your choice (silent or with sound), 16 or 35 mm, negative or positive. Your video copy is instantly for workprint or demonstration purposes. Complete range of Inspection desks and manual electric rewinders or electronic rewinders for all film formats 16, 35 mm with or without shrinkage. A low cost environmentally safe film cleaner Designed for CTM rewinding table, 2 mounting devices with PTR rollers made from polyurethane allow to remove from both side of film, dust, dirt & unwanted particles. No less than 95 % cleaning efficiency. Rollers can be cleaned with water. A sprocketless film cleaning machine safe for your old films. It works with Perchloroethylene and uses both ultrasonic cavitation and 5 velvet covered rollers for eliminating all marks of grease, dust, dirt, fingerprints, oil. Variable speed up to 4000 m/h (220 feet/minute). CTM / DEBRIE: 125 Avenue Louis Roche - 92230 GENNEVILLIERS - FRANCE Tel: +33 1 40 85 82 82 - Fax: +33 1 40 85 82 63 - E-mail: ctm@club-internet.fr
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Journal of Film Preservation 58/59
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October / octobre / octubre 1999 Ne
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Cette classification n’est pas an
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aussi les atteintes biologiques et
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culturel : cette demande externe es
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et d’usage (39). A leur tour les
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Au fur et à mesure que le temps pa
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porte une part de perte d’informa
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narité et recherche» Conférence
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La mémoire des archives Eric de Ku
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idéologies particulières qui gouv
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Si tout semble apte à devenir mati
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de l’architecture classée de la
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première des logiciels ; une fois
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tout autant pour sa valeur de “be
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n’existent que projetés ; un peu
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automatiquement exclues de ces acti
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Soyons clair. Il n’est nullement
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Film & Photo Ltd Specialist motion
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. Transplantation of image layer 1.
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3. Place a small strip of the cut e
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the faded color image. Take the fer
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y different processing techniques,
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pollutant. But it has three disadva
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3. sodium sulfite anhydrous 15g 4.
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A la hora de utilizar este tipo de
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una formulación a otra y cualquier
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como adhesivo en cintas sensibles a
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adhesividad del polímero dan lugar
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transformaciones sufridas por la pl
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Figura 12: Ejemplo de un fotograma
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Diagnóstico de acidez en acetato d
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Recreating Motion Pictures From Vis
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collection represents a rare and re
Page 69 and 70: A corrected and expanded inventory
Page 71 and 72: Ecole de Pointe-aux-Trembles: l’I
Page 73 and 74: qui prône une éducation rigoureus
Page 75 and 76: He organized and led a series of in
Page 77 and 78: A Coruña Centro Galego de Artes da
Page 79 and 80: Toronto Cinematheque Ontario/The Fi
Page 81 and 82: Not to Hollywood Hillel Tryster The
Page 83 and 84: and Milka Badjura. In the thirties
Page 85 and 86: efore 1945. As an economic organisa
Page 87 and 88: source text now used by the archivi
Page 89 and 90: addition, it will endeavour to acqu
Page 91 and 92: 1. Anthology Film Archives Awarded
Page 93 and 94: de estas tareas, se han resuelto di
Page 95 and 96: para impulsar la ganadería importa
Page 97 and 98: years? Currently, Iskusstvo kino (
Page 99 and 100: own motion picture camera, filing a
Page 101 and 102: Asia. Cameras were also sent to Cub
Page 103 and 104: collections, the George Kleine Coll
Page 105 and 106: screenings in the NFT and Museum Ci
Page 107 and 108: We cannot be complacent: we know ho
Page 109 and 110: provided by the Ahmanson Foundation
Page 111 and 112: Comedies, and comedy-dramas: It’s
Page 113 and 114: In addition to the traditional sect
Page 115 and 116: Scuola Nazionale di Cinema, N°1, d
Page 117 and 118: Réseau Européen de Formation pour
Page 119: This publications list and the orde
Page 123 and 124: FIAF International FilmArchive CD-R
Page 125 and 126: JTS Paris 2000 - Joint Technical Sy
Page 127: Contributors to this issue... Ont p
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Journal of Film Preservation - FIAF

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