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Journal of Film Preservation - FIAF

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AFI Catalog <strong>of</strong> Feature <strong>Film</strong>s,<br />

1941-1950<br />

Publications / Publicaciones<br />

Ken Wlaschin<br />

The AFI Catalog <strong>of</strong> Feature <strong>Film</strong>s, 1941-1950, the latest volume in the<br />

American <strong>Film</strong> Institute’s series <strong>of</strong> definitive reference books that<br />

document the history <strong>of</strong> American motion pictures, will be published in<br />

April 1999.<br />

The 1940s volume includes entries for 4,316 films documented in two<br />

large volumes <strong>of</strong> text and one large index volume. It is the largest ever<br />

written by the AFI and has been researched for many years. The threevolume<br />

set will published by the University <strong>of</strong> California Press.<br />

Principal research began in 1993 though a core title database had been<br />

compiled in 1991. The Catalog, a division <strong>of</strong> AFI’s National Center for<br />

<strong>Film</strong> and Video <strong>Preservation</strong> in Los Angeles, has a staff <strong>of</strong> eleven persons<br />

under the direction <strong>of</strong> Executive Editor Patricia King Hanson.<br />

Assignments are divided by studio to enable staff members to become<br />

familiar with the production and personnel <strong>of</strong> each company.<br />

Independent films are divided chronologically.<br />

The primary source <strong>of</strong> filmographic documentation was the film itself<br />

and more than 93% <strong>of</strong> the films were viewed. Credits and plot<br />

information for the other 7% were derived from cutting continuity or<br />

studio records, copyright records, censorship records, reviews and news<br />

items. Contemporary and modern sources were studied to obtain the<br />

best possible credits and information.<br />

There are many sources <strong>of</strong> filmographic information available in book<br />

and electronic form but the AFI Catalog is the only project to<br />

systematically document the entire output <strong>of</strong> American film production.<br />

This systematic approach not only enables historians and scholars to<br />

have a document <strong>of</strong> record for American films, but is a benchmark for<br />

American film preservation. AFI’s film catalogs are used by archives all<br />

over the world to identify films without titles from all periods and have<br />

become a major preservation tool.<br />

The project, which began in the late 1960s, has previously published<br />

volumes documenting the first era <strong>of</strong> film production, <strong>Film</strong> Beginnings,<br />

1893-1910, plus feature film volumes covering the decades <strong>of</strong> the 1910s,<br />

1920s, 1930s and 1960s; Within Our Gates: Ethnicity in American Feature<br />

<strong>Film</strong>s, 1911-1960, which covered 2,464 films dealing with the ethnic-<br />

American experience, was published in 1997.<br />

The AFI staff is now working on the next AFI Catalog covering featurefilm<br />

production from 1951-1960.<br />

The project has received primary funding through grants from the<br />

National Endowment for the Humanities. Additional funding was<br />

106 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 58/59 / 1999

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