Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
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worlds. He was a writer whose work knew no boundaries between<br />
pr<strong>of</strong>essional and amateur, between the commercial world and the art<br />
world, between fiction and non-fiction, between the experienced and<br />
the emerging. Erik’s humor and wit still ring in many <strong>of</strong> our ears. His<br />
editorial vision was flawless, spontaneous, and always, always lasersharp.<br />
But above all, Erik’s legacy resonates to insist that optimism,<br />
generosity, and unbridled enthusiasm and inquiry for all human<br />
effort - whether in media or life - are the only media that really<br />
matters.<br />
All <strong>of</strong> us in the fields <strong>of</strong> film, television, video, communications and<br />
new media will miss him. But I suspect his inspiring spirit wafts<br />
through all <strong>of</strong> our classrooms, our archives, our productions, our<br />
writing. Like a clear, cool wind, it clears out the pollen, pushes us to<br />
engage a clearer vision, and reminds us that communication is truly<br />
about connecting with people across any divide.<br />
Memorial services in Vermont and New York will be arranged and<br />
will be posted soon.<br />
In Memoriam Hammy Sotto (1950-2001)<br />
Clodualdo del Mundo<br />
Agustin Sotto, Hammy to his friends and associates, passed away on<br />
the 24th <strong>of</strong> April 2001, at the age <strong>of</strong> 51.<br />
<strong>Film</strong> was Hammy’s passion, equalled only, perhaps by his love for the<br />
opera. But, undoubtedly, his obsession was film research. It must be<br />
this obsession that moved him to organize a group that would be<br />
devoted to film archiving. How else can film research develop<br />
without the support <strong>of</strong> a solid film archiving program? <strong>Film</strong> archiving<br />
was virtually non-existent in the Philippines, then, but the group<br />
decided to call itself the Society <strong>of</strong> <strong>Film</strong> Archivists (SOFIA). In 1993,<br />
as a result <strong>of</strong> the 1993 ASEAN Conference <strong>of</strong> <strong>Film</strong> and Video<br />
Archiving to which Hammy headed the Philippine delegation, the<br />
organization was formed with Hammy as its founding president.<br />
Their goal was to save significant Filipino films that were<br />
deteriorating into oblivion.<br />
Hammy was one <strong>of</strong> those instrumental in making film archiving a<br />
key program <strong>of</strong> the ASEAN Committee on Culture and Information.<br />
With the Comprehensive Program for audiovisual archiving in the<br />
region drawn, the stage was set for the confederation <strong>of</strong> audio-visual<br />
archivists in Southeast Asia. In 1996, the Southeast Asia Pacific<br />
Audiovisual Archive Association (SEAPAVAA) was formed and<br />
Hammy was elected to represent the associate members in its first<br />
Executive Council.<br />
Hammy was a teacher, he taught at De La Salle University and at the<br />
University <strong>of</strong> the Philippines. He was a critic and the chair <strong>of</strong> the<br />
78 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 63 / 2001