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Les figures spatio-temporelles dans le roman africain subsaharien ...

Les figures spatio-temporelles dans le roman africain subsaharien ...

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source de va<strong>le</strong>ur et d’autorité. La description de cet espace<br />

domestique est révélatrice d’autres significations. En dehors de son<br />

espace domestique, un autre lieu de prédi<strong>le</strong>ction de Koomson est la<br />

boîte de nuit l’Atlantic-Caprice. La résidence du Panorama met en<br />

lumière <strong>le</strong> moyen de l’acquisition des biens matériels. Le salon de<br />

Koomson bril<strong>le</strong> de mil<strong>le</strong> feux :<br />

« It was amazing how much light there was in a place like this.<br />

It glinted off every objet in the room. Next to each ashtray there<br />

were two shiny things: a silver box and small toy-like pistol.<br />

The man wondered what the pistols were for. Light came off the<br />

marb<strong>le</strong> tops of the litt<strong>le</strong> side tab<strong>le</strong>s. Peop<strong>le</strong> had wondered what<br />

use the State Marb<strong>le</strong> Works Corporation could be. They need<br />

not have wondered. There were uses here. The room itself was<br />

only half of the larger space. To the right of the door was what<br />

seemed to be the dining room, though whenever he turned<br />

round in his seat to look at it, all the man could see was a row<br />

of glass-covered shelves and with a multitude of polished<br />

dishes and glasses. The sitting room was cut off by a long, high<br />

frame, beautiful polished, also with shelves all covered with<br />

small, intricate objects that must have come from foreign lands,<br />

though of what use they were the man could not decide. To his<br />

own <strong>le</strong>ft there was one of the new te<strong>le</strong>vision sets, and then<br />

farther on the corner was fil<strong>le</strong>d by two large contraptions whose<br />

outsides were highly polished wood. One of them the man<br />

recognized as a radio set, though it was amazingly large. The<br />

other he found impossib<strong>le</strong> to place. Then there were five deep,<br />

soft chairs, all with red cushions, and a carpet on the noise<strong>le</strong>ss<br />

floor. There were also the two sofas. » 233<br />

233 A.K. Armah, The Beautiful Ones Are Not Yet Born, op. cit., p. 145-146. « On<br />

était étonné de constater la luminosité de cette pièce. El<strong>le</strong> éclatait sur tous <strong>le</strong>s<br />

objets. A côté de chaque cendrier, il y avait deux éléments brillants : une<br />

boîte d’argent et un pisto<strong>le</strong>t miniature. L’homme se demanda à quoi servaient<br />

<strong>le</strong>s pisto<strong>le</strong>ts. La lumière irradiait du plateau de marbre des tab<strong>le</strong>s basses. Des<br />

gens s’étaient demandé à quoi pouvait bien servir une Société Marbrière<br />

110

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