sistema show control - Tesis Electrónicas UACh - Universidad ...

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For compatibility with Controlled Devices which do not automatically replace an existing cue with a new cue upon receipt of the GO command, Controllers should optionally prompt the programmer to simultaneously create a GO_OFF command. 0B GO_OFF optional; required if Q_list is sent 00 delimiter optional; required if Q_path is sent 00 delimiter optional 10 GO/JAM_CLOCK Starts a transition or fade to a cue simultaneous with forcing the clock time to the 'Go Time' if the cue is an 'Auto Follow' cue. Transition time is determined by the cue in the Controlled Device. If no Cue Number is specified, the next cue in numerical sequence GOes and the clock of the appropriate Cue List JAMs to that cue's time. If the next cue in numerical sequence is a 'Manual' cue (i.e. if it has not been stored with a particular 'Go Time,' making it an 'Auto Follow' cue), the GO/JAM_CLOCK command is ignored. If a Cue Number is specified, that cue Gop and the clock of the appropriate Cue List JAMs to the cue's time unless the cue is 'Manual' in which case no change occurs. Rules for Controlled Devices with multiple Cue Lists are the same as for GO, above. 10 GO/JAM_CLOCK optional; required if Q_list is sent 00 delimiter optional; required if Q_path is sent 00 delimiter optional 11 STANDBY_+ Places into standby position the next cue in numerical order after the cue currently in standby. If Q_list is not sent, the Open Cue List containing the next cue in numerical order is used. If more than one Open Cue List have cues with an identical number then those cues will move to their respective standby positions. If Q_list is sent in Standard Cue Number Form, only the next cue in the Cue List specified moves to the standby position. 11 STANDBY_+ optional A3-16
12 STANDBY_- Places into standby position the previous cue in numerical order prior to the cue currently in standby. If Q_list is not sent, the Open Cue List containing the previous cue in numerical order is used. If more than one Open Cue List have cues with an identical number then those cues will move to their respective standby positions. If Q_list is sent in Standard Form, only the previous cue in the Cue List specified moves to the standby position. 12 STANDBY_- optional 13 SEQUENCE_+ Places into standby position the next parent cue in numerical sequence after the cue currently in standby. 'Parent' refers to the integer value of the cue's number prior to the first decimal point (the "most significant number") For example, if cue 29.324.98.7 was in standby and the cues following were 29.325, 29.4, 29.7, 29.9.876, 36.7, 36.7.832, 36.8, 37., and 37.1, then cue 36.7 would be loaded to standby by SEQUENCE_+. If Q_list is not sent, the Open Cue List containing the next cue in parental sequence is used. If more than one Open Cue List have cues with a completely identical number then those cues will move to their respective standby positions. If Q_list is sent in Standard Form, only the next parent cue in the Cue List specified moves to the standby position. 13 SEQUENCE_+ optional 14 SEQUENCE_- Places into standby position the lowest numbered parent cue in the previous numerical sequence prior to the cue currently in standby. 'Parent' refers to the integer value of the cue's number prior to the first decimal point (the "most significant number") For example, if cue 37.4.72.18.5 was in standby and the cues preceding were 29.325, 29.4, 29.7, 29.9.876, 36.7, 36.7.832, 36.8, 37., and 37.1, then cue 36.7 would be loaded to standby by SEQUENCE_-. If Q_list is not sent, the Open Cue List containing the previous parental sequence is used. If more than one Open Cue List have cues with identical lowest numbered parent cues in previous parental sequence then those cues will move to their respective standby positions. If Q_list is sent in Standard Form, only the first parent cue in the previous sequence of the Cue List specified moves to the standby position. 14 SEQUENCE_- optional 15 START_CLOCK A3-17
Page 1 and 2:
Instituto de Acústica Profesor Pat
Page 3 and 4:
INDICE v
Page 5 and 6:
2.3.1. Iluminación 29 2.3.1.1. Dim
Page 7 and 8:
ANEXOS 109 ANEXO 1. TEORÍA GENERAL
Page 9 and 10:
RESUMEN El presente trabajo muestra
Page 11 and 12:
1.1. INTRODUCCION El mundo del espe
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CAPITULO 2. REVISIÓN BIBLIOGRÁFIC
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• Show control se refiere a cualq
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máquina dedicada a una determinada
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2.1.3.1. Basados en Eventos. El adm
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En nuestro ejemplo mostrado en deta
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2.2. DISPOSITIVOS CONTROLADORES DEL
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mediante el lenguaje ensamblador MP
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externo. Un programa de control det
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una manera completamente transparen
Page 32 and 33:
La programación es hecha sobre un
Page 34 and 35:
2.2.3.3. Maquina de Control del Sho
Page 36 and 37:
2.3. SISTEMAS INVOLUCRADOS EN UN SI
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un dispositivo controlado. Sin emba
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2.3.1.2. Controladores de Iluminaci
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2.3.1.2.2. Consolas de Iluminación
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Dentro de las luminarias Floodlight
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archivos numerados del 1 al 15 pued
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El 8TraXX también puede ser contro
Page 50 and 51:
CONEXIONES DEL PANEL TRASERO - Alim
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El panel trasero de la AudioBox cue
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estado de los datos. En 1997, QSC d
Page 56 and 57:
Los controladores escénicos mecani
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2.3.4. Sistemas de Proyección [23]
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interfaces que permiten la sincroni
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corriente eléctrica de miliamperio
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2.4. PROTOCOLOS Un protocolo [25] e
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número de proyectores de diapositi
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En esta versión de Show Control, n
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En los anexos se encuentra un diagr
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2.5. FORMAS DE SINCRONIZACIÓN [35]
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diapositivas y en total sincronía
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2.6. SISTEMAS SHOW CONTROL EN EL ME
Page 78 and 79:
ShowProMI DI Sinodial Stage Researc
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genera una nota MIDI que dispara el
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disparado al mismo tiempo el sistem
Page 84 and 85:
La Galería de Historia muestra la
Page 86 and 87:
CAPITULO 3. MATERIAL Y METODOLOGÍA
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correspondientes al de un Tom de ba
Page 90 and 91: 3.2.3. Sistema de Iluminación Se i
Page 92 and 93: Fig. 40. Conexión DMX 512 desde la
Page 94 and 95: Fig. 45. Lista de Cue del software
Page 96 and 97: En tal caso aparecieron los siguien
Page 98 and 99: Fig. 53. Lista de Cue configurada p
Page 100 and 101: los 4 primeros botones Flash, con l
Page 102 and 103: 4. RESULTADOS Al ejecutar la pista
Page 104 and 105: CAPITULO 5. CONCLUSIONES 99
Page 106 and 107: CAPITULO 5. CONCLUSIONES • Show C
Page 108 and 109: CAPITULO 6. REFERENCIAS 103
Page 110 and 111: CAPITULO 6. REFERENCIAS [1] Harada,
Page 112 and 113: AGRADECIMIENTOS En primer lugar, ag
Page 114 and 115: ANEXO 1. TEORÍA GENERAL DE ILUMINA
Page 116 and 117: TEORÍA DE ILUMINACIÓN TEATRAL Par
Page 118 and 119: Una opción de menor costo pero efe
Page 120 and 121: LUMINARIAS Una LUZ de ESCENARIO en
Page 122 and 123: luminarias PAR son altamente eficie
Page 124 and 125: A2-6
Page 126 and 127: NOTE: This version is not the lates
Page 128 and 129: Optionally, Controlled Devices may
Page 130 and 131: Decimal points should be separated
Page 132 and 133: 1 = first frame in 4 or 8 field vid
Page 134 and 135: 44 Dissolvers 45 Shutter Controls 5
Page 136 and 137: 4.4. SOUND COMMANDS The following c
Page 138 and 139: 00 delimiter optional; required if
Page 142 and 143: Starts the 'Auto Follow' clock time
Page 144 and 145: 1D OPEN_CUE_PATH required 1E CLOSE
Page 146 and 147: CIRCUITO DE INTERRUPTORES CONTROLAD
Page 148 and 149: ANEXO 5. ORGANIGRAMAS A.5.1. MENSAJ
Page 150 and 151: F 0 STATUS 1 - - - - - - - SYSTEM E
Page 152 and 153: F 0 SYSTEM EXCLUSIVE ¿ ? TIEMPO RE
Page 154 and 155: SET nº ¿Read/Write? 1,2,3,4 R/W 4
Page 156 and 157: OPERACIONES BÁSICAS 1. Crossfades
Page 158 and 159: 6. Destellando un Canal o Escena Lo
Page 160: Los tiempos de fades pueden ser pos
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