MUSEU TÊXTIL - BOOK I - CONTRASTING SHAPES

CONTRASTES DE FORMA
C O N T R A S T I N G S H A P E S
A R T E T Ê X T I L E M I S T A 2 0 1 4 — 2 0 2 0
RODRIGO FRANZÃO
SÃO PAULO, 30 DE NOVEMBRO, 2020 — 20 DE FEVEREIRO, 2021
MUSEU TÊXTIL

TODOS OS DIREITOS RESERVADOS E PROTEGIDOS PELA LEI 9.610 DE 19/02/98.
É PROIBIDA A REPRODUÇÃO TOTAL OU PARCIAL, POR QUAISQUER MEIOS,
SEM A AUTORIZAÇÃO PRÉVIA, POR ESCRITO, DO MUSEU TÊXTIL.
PROJETO
MUSEU TÊXTIL
DESIGN, EDIÇÃO e CURADORIA
RODRIGO FRANZÃO
TRADUÇÃO
FLÁVIO AUGUSTO DE OLIVEIRA
COPYRIGHT ©
MUSEU TÊXTIL, SÃO PAULO, 2021
EDIÇÃO BRASILEIRA
CAPA
MAITE IZQUIERDO (B. 1978, CHILE)
RED TEAR, 2016
ESTA EXPOSIÇÃO FOI ORGANIZADA EM FORMATO VIRTUAL VIEWING ROOM E 360º VIRTUAL TOUR COM CLASSIFICAÇÃO LIVRE
E ENTRADA GRATUITA PROMOVIDA PELA PLATAFORMA MUSEUTEXTIL.COM
O USO DAS IMAGENS PRESENTES NESTE LIVRO FORAM AUTORIZADAS PARA O MUSEU TÊXTIL PELOS RESPECTIVOS ARTISTAS
PARA COMPOR A EXPOSIÇÃO VIRTUAL, "CONTRASTES DE FORMA" (30 DE NOVEMBRO DE 2020 - 20 DE FEVEREIRO DE 2021)
NENHUMA IMAGEM DEVE SER UTILIZADA OU REPRODUZIDA DESTE LIVRO PARA FINS COMERCIAIS SEM
A AUTORIZAÇÃO DOS ARTISTAS E DO MUSEU TÊXTIL
LIVRO EDITADO PARA O MUSEU TÊXTIL POR RODRIGO FRANZÃO
THIS EXHIBITION WAS ORGANIZED IN VIRTUAL LAYOUT VIEWING ROOM AND 360º VIRTUAL TOUR WITH FREE CLASSIFICATION
AND FREE ENTRANCE PROVIDED TO MUSEUTEXTIL.COM PLATFORM
THE USE OF THE IMAGES IN THIS BOOK HAVE BEEN AUTHORIZED FOR THE MUSEU TÊXTIL BY THE RESPECTIVE ARTISTS
TO COMPOSE THE VIRTUAL EXHIBITION, "CONTRASTING SHAPES" (NOVEMBER 30TH, 2020 - FEBRUARY 20TH, 2021)
NO IMAGE SHOULD BE USED OR REPRODUCED FROM THIS BOOK FOR COMMERCIAL PURPOSES WITHOUT
THE AUTHORIZATION OF THE ARTISTS AND MUSEU TÊXTIL
BOOK EDITED FOR THE MUSEU TÊXTIL BY RODRIGO FRANZÃO
ISBN: 978-65-00-16078-9
Impresso por:
Clube de Autores Publicações, S/A
Joinville, Santa Catarina, SC

Instituído em 2020, o Museu Têxtil, se propõe a promover o intercâmbio
cultural e artístico entre o Brasil e outros países, para mostrar acima de tudo a
universalidade dos conceitos e expressões de arte presentes nas pesquisas,
técnicas e estilos que são apresentados por Artistas Têxteis, de Técnicas Mistas e
Artes Dimensionais.
Nossa proposta é divulgar o trabalho de artistas que utilizam
estratégias têxteis como suporte em suas criações. Além disso, pretendemos
fomentar um ambiente de pesquisa, produção e exposição dessa manifestação
cultural e forma de expressão artística.
Sendo a arte um casamento entre o real e o utópico, o Museu Têxtil
intenciona expor, por meio da enfática retórica autorreferencial de artistas de
diferentes culturas, os alicerces que estruturam suas pesquisas artísticas
investigando o significado representacional pelo qual o artista usa os sentidos e
fala aos sentidos para aludir um mundo físico tangível a qual nos estabelecemos.
Established in 2020, the Museu Têxtil aims to promote cultural and
artistic exchange between Brazil and other nations, to show primarly the
universality of concepts and expressions of art present in research, techniques and
styles that are presented by Textile Artists, Mixed Techniques and Dimensional Arts.
Our focus is to promote the work of artists who use textile strategies as
support in their creations. In addition, our intention is to foster an environment of
research, production and exhibition of this cultural manifestation and form of
artistic expression.
Since art is a marriage between the real and the utopian, the Museu
Têxtil seeks to exhibit, through the emphatic self-referential rhetoric of artists from
different cultures and background, the foundations that structure their artistic
research by investigating the representative meaning by which the artist uses the
senses and refers to the senses of alluding a tangible physical world to which we
are established.
Museu Têxtil

TEXTO CURATORIAL | Curatorial Statement
EXIBIÇÃO | Exhibition
OBRAS | Artworks
BIOGRAFIAS | Biography
BIBLIOGRAFIA | Bibliography
ÍNDICE DE ARTISTAS | Artists Index
CRÉDITOS FOTOGRÁFICOS | Photographic Credits
9
15
33
81
97
101
105

T E X T O C U R A T O R I A L
C U R A T O R I A L S T A T E M E N T
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10

A imaginação do artista sempre estará presente na forma e na
técnica que este utiliza para organizar tudo aquilo que compõe uma obra de
arte. Seja na metodologia abordada para manipular os elementos do seu lúdico
envolvimento com o mundo, como na poética com que este criativamente
edifica o objeto fruto de seu desejo; o artista busca um diálogo puro e direto com
o desconhecido. Este pode ser traduzido como a identidade idealizada
resultante de sua própria reflexão sobre tudo aquilo que o cerca, fazendo-se
existir entre o incompreensível coletivo que o mesmo narra como sendo real e
fictício.
A exibição, “Contrastes de Forma”, não apenas, discursa sobre esta
dinâmica, mas também nos ajuda a entender que em plena tentativa do artista
de se tornar independente de toda a relação com as narrativas de sua realidade
visual e de empenhar-se em compreender que a arte não tem nada a ver com a
imitação do mundo, mas que a obra de arte pretende nos ajudar a conviver
pacificamente com este; surge então, desta experiência, a forma. Revestimento
que envolve uma matéria invisível preenchida de ideologias e sentimentos
ocultos, impulso que advém da experimentação e observação de própria
autoria.
Este artefato que nasce da fusão do que o artista observa e daquilo
que experiencia, carrega consigo o conteúdo que em sua essência é na
verdade a fuga da incompreensível realidade, inventada pelo homem para
escapar de sua particular necessidade de coexistir, expandindo assim nossa
percepção do que somos e do mundo que a nós foi emprestado.
Os artistas têxteis presentes nesta exposição, por consequência,
apresentam ao observador subjetivamente que para toda a interpretação que a
forma venha a ter, teremos que vivenciar o que estiver implícito em seu
significado e que este envoltório que materializa a leitura que temos de nossa
própria identidade em objeto de arte é, na verdade, uma abordagem
alternativa para tudo aquilo que representa o homem e seu mundo, que
convencionamos designar por recortes imagéticos com base em nossas
escolhas, constituídos por um conjunto de conhecimentos que em comum já
possuíam comunicação.
Os 23 (vinte e três) trabalhos de arte têxtil e mista selecionados para a
exibição, “Contrastes de Forma”, e idealizados por artistas de 10 (dez)
nacionalidades com culturas distintas elucidam, não somente, a própria
espontaneidade do ser humano em manipular os elementos do mundo, porém,
mais uma vez, faz-nos refletir sobre a necessidade de edificarmos nossos desejos
e de repensarmos sobre tudo aquilo que nos cerca. Seja através de narrativas de
cenas reais ou fictícias, quando oferecido pelo artista, o objeto artístico ganha
vida ao ser observado e manipulado criativamente em nosso imaginário.
Rodrigo Franzão
Artista e Curador
11

12

The artist's imagination will always be present in the form and technique
they use to organize everything that makes up a work of art. Be it in the
methodology approached to manipulate the elements of their playful
involvement with the world, or in the poetics in which it creatively builds the object
fruit of their desire; the artist seeks a pure and direct dialogue with the unknown.
This can be translated as the idealized identity resulting from the artist's own
reflection on all that surrounds them, making them exist between the collective
incomprehensible that the same narrates as being real and fictitious.
The exhibition, "Contrasting Shapes", not only discusses this dynamic, but
also helps us to understand that in the artist's attempt to become independent of
all the relationship with the narratives of their visual reality and to commit to
understand that art has nothing to do with imitating the world, but that the work of
art intends to help us live peacefully with it; then, from this experience, form
emerges. A layer that involves an invisible matter filled with hidden ideologies and
feelings, an impulse that comes from experimentation and observation of one's
own authorship.
This artifact that is born from the fusion of what the artist observes and
what they experience, carries with it the content that in its essence is actually the
escape from the incomprehensible reality, invented by man to escape from his
particular need to coexist, thus expanding our perception of who we are and of
the world that has been lent to us.
The textile artists present in this exhibition, therefore, subjectively present
to the observer that for any interpretation that the form may have, we will have to
experience what is implicit in their meaning and that this envelopment that
materializes the reading we have of our own identity as an art object is, in fact, an
alternative approach to everything that represents man and his world, which we
conventionally designate as imagetic cutouts based on our choices, consisting of
common knowledge communication.
The 23 (twenty-three) works of textile and mixed art selected for the
exhibition, "Contrasting Shapes", and idealized by artists from 10 (ten) nationalities
with distinct cultures not only elucidate the very spontaneity of the human being
in manipulating the elements of the world, but, once again, makes us reflect on
the need to build our desires and rethink everything around us. Whether through
narratives of real or fictional scenes, when offered by the artist, the artistic object
comes to life by being creatively observed and manipulated in our imaginary.
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E X I B I Ç Ã O
E X H I B I T I O N
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NATSUKO HATTORI (b. 1987, Japão)
Summer Memory, 2014
Tecido e algodão costurado sobre canvas
91,4 cm x 91,4 cm
Fabric and sewn cotton on canvas
36 in x 36 in
34

35

MAITE IZQUIERDO (b. 1978, Chile)
Red Tear, 2016
Têxteis mistos sobre tela
170 cm x 150 cm x 15 cm
Mixed textile on canvas
66,9 in x 59 in x 5,9 in
36

37

ARIADNA PASTORINI (b. 1965, Uruguai)
Cambiante, 2016
Tecido, fita adesiva de alto impacto
100 cm x 220 cm x 50 cm
Fabric, high impact adhesive tape
39,3 in x 86,6 in x 19,6 in
38

39

BRANKICA ZILOVIC (b. 1974, Sérvia)
Life, 2018
Bordado sobre feltro
430 cm x 186 cm
Embroidery on felt
169,2 in x 73,2 in
40

41

ANDREA MYERS (b. 1979, EUA)
Rainbow Rise, 2018
Colagem e tecido costurado à máquina
152,4 cm x 152,4 cm
Machine sewn fabric collage
60 in x 60 in
42

43

KRISTINA PENHOET (b. 1967, EUA)
Within Limits, 2019
Lã feltrada e linha enrolada
76,2 cm x 101,6 cm x 25,4 cm
Felted wool and wrapped thread
30 in x 42 in x 10 in
44

45

LAURA RAMÍREZ GARCÍA (b. 1982, Argentina)
Handmade nature II, 2019
Bordado sobre canvas
60 cm X 75 cm
Hand embroidery on canvas
23,6 in x 29,5 in
46

47

PRETA WOLZAK (b. 1967, Holanda)
Arctic Charade "Pyrexia", 2019
Tinta acrílica, lã, algodão, seda, lantejoulas, couro sobre tela
130 cm x 140 cm
Acrylic paint, wool, cotton, silk, sequins, leather on canvas
51,1 in x 55,1 in
Leia mais sobre essa série de trabalhos na biografia da artista (p. 86)
Read more about this series of works in the artist's biography (p. 86)
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VERONICA GONZALEZ UGARTE (b. 1973, Chile)
Gray Extinction, 2019
Técnica mista sobre seda e papel
82 cm x 106 cm
Mixed media on silk and paper
32,2 in x 41,7 in
50

51

SOPHIA RUPPERT (b. 1993, EUA)
Time Intensity Method, 2019
Algodão rasgado e costurado
177,8 cm x 228,6 cm x 7,6 in
Torn and sewn cotton
70 in x 90 in x 3 in
52

53

CAROLINA VAZ (b. 1989, Portugal)
Untitled, 2020
Bordado (Ponto Russo)
40 cm x 85 cm x 2 cm
Embroidery (Punch Needle)
15,7 in x 33,4 in x 0,7 in
54

55

MYLENE RIZZO (b. 1967, Brasil)
Ares de Brasilidade, 2020
Bordado sobre canvas
30 cm x 40 cm
Embroidery on canvas
11,8 in x 15,7 in
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57

VANESSA FREITAG (b. 1982, Brasil)
Cuerpos Simbióticos, 2020
Escultura têxtil
55 cm x 60 cm x 15 in
Textile sculpture
21,6 in x 23,6 in x 5,9 in
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59

MARIE POURCHOT (b. 1977, França)
Ego and Persona, 2020
Acrílica, Tinta de Linóleo, Linha de seda e algodão bordados sobre linho
40 cm x 50 cm
Acrylic, Linoleum paint, Silk and cotton thread embroidered on linen
15,7 in x 19,7 in
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61

JOÃO BRUNO VIDEIRA (b. 1973, Portugal)
Veins, 2020
Cordas de lã feitas à mão
100 cm x 100 cm
Handmade wool ropes
39,3 in x 39,3 in
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63

RENATO DIB (b. 1973, Brasil)
Pequena Bandeira Furo nº2, 2020
Painel em tecido
46 cm x 51 cm
Fabric panel
18,1 in x 20 in
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65

STAR TRAUTH (b. 1970, EUA)
The Purge, 2020
Mídia mista (Fibra manipulada e aquecida feita de papel e resíduos de plástico)
60,9 cm x 60,9 cm x 6,3 cm
Mixed Media (Hand and heat manipulated fiber made from paper and plastic waste)
24 in x 24 in x 2,5 in
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SARAH KRESPIN (b. 1993, Inglaterra)
Ce qu'il reste (Whatever remains), 2020
Papel reciclado, pigmento e costura
49 cm x 60 cm
Recycled paper, pigment and stitches
19,3 in x 23,6 in
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JÉSSICA GONÇALVES COSTA (b. 1988, Brasil)
Do Lar, 2020
Bordado (Ponto Russo)
35 cm x 54 cm
Embroidery (Punch Needle)
13,7 in x 21,2 in
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71

KATHERINE HUNT (b. 1978, EUA)
Blue Delphinium no. 2, 2020
Lona, grafite, cola, acrílico, fibra, pó de índigo
91,4 cm x 152,4 cm
Canvas, Graphite, Glue, Acrylic, Fiber, Indigo Powder
36 in x 60 in
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JULIE SARLOUTTE (b. 1989, França)
Fucking diabolical, 2020
Bordado e colagem
40 cm x 50 cm
Embroidery and collage
15,7 x 19,6 in
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KATHY SIRICO (b. 1990, EUA)
A Bridge, a Chorus, 2020
Acrílica e técnica mista sobre canvas
355,6 cm x 246,3 cm x 2,5 cm
Acrylic and mixed media on canvas
140 in x 97 in x 1 in
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Paula Ceroni Villanelo (b. 1984, Chile)
Desintegración de Curva, 2020
Trabalho de linha dupla puxada
98 cm x 73 cm x 4,5 cm.(cada)
Double pulled thread work
38,5 in x 28,7 in x 1,7 in (each)
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B I O G R A F I A
B I O G R A P H Y
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As informações biográficas foram redigidas pelos próprios artistas, sendo a redação
original mantida a fim de evitar supostos enganos. O primeiro parágrafo refere-se a
formação acadêmica do artista.
The biographical information was written by the artists themselves, the original wording was
kept in order to avoid supposed mistakes. The first paragraph refers to the academic
background of the artist.
Vanessa Freitag
Universidade Federal de Santa Maria/RS/
Brasil e CIESAS-Occidente/Guadalajara/
México
Nasceu em 1982 em Santa Rosa/RS, Brasil
- Trabalha em León/Gto, México
Tenho bacharelado em Desenho e Plástica,
Licenciatura em Arte Educação e
Mestrado em Educação, todos pela Universidade
Federal de Santa Maria/RS.
Doutorado em Ciências Sociais com ênfase
em Antropologia por CIESAS-
Occidente (Guadalajara/México). Trabalho
na Universidad de Guanajuato e me
divido entre a docência e a pesquisa
com a linguagem têxtil, especialmente,
esculturas, instalações e objetos sensoriais.
Os temas de interesse giram em torno da
natureza: flora e fauna do Brasil e México;
corpo e identidade; memórias e práticas
artesanais. Participei de exposições individuais,
e também de coletivas no Brasil,
Chile, México, Porto Rico, Romênia, Ucrânia
e Estados Unidos. Recebi uma menção
honrosa na FiBRA - I Bienal de Arte
Têxtil (Porto Alegre/RS/Brasil, 2019) e realizei
uma residência artística no Proyecto
ACE/Argentina (2020).
Marie Pourchot
Université Paul Valery (master ethnologysociology-psychoanalysis),
Montpellier,
France
Born in 1977, Alès, France - Works in Montpellier,
France
Originally a painter, I diversified my artistic
practice after completing a master's degree
in ethnology. Attracted by anthropological
debates, art and crafts, I directed
my ideas and work towards mixed media,
textiles and anthropology. After training in
embroidery, plumasserie and pattern
making, textiles became my main means
of expression, working mainly with embroidery
(embroidery with crochet of Luneville),
linocut and paint. I love colour and
define my work as a "maximalist". This saturation
of colours and information is my
characteristic style allowing me to connect
with the viewer and inspire contemplation.
This excess of colour represents
the complexity of human psychology; perceived,
interpretable and interpreted in
various ways. I seek to catch the eye, to
challenge and generate questions. I want
to create links between the past and the
present, between various subjects and
techniques, and between disciplines. My
work interrogates and defines the expression
of our collective and individual imagination,
our interactions, our intentions, our
perceptions, our identities and our emotions.
It is my representation of the world
with its varied palette of human emotions,
moving and intertwined with each other.
83

Andrea Myers
The School of the Art Institute of Chicago,
Chicago, IL USA
Born in 1979, Kettering, OH - Works in Columbus,
OH
Andrea Myers's work has been exhibited
nationally and internationally including the
Museum of Fine Arts Houston, Hyde Park
Art Center, Evanston Art Center, Toledo
Museum of Art, Art Prize, Art Miami, Steven
Zevitas Gallery, Fiber Arts International, the
Columbus Museum of Art, and coGalleries
(Berlin, Germany), the Textil und Rennsport
Museum, Hohenstein-Ernstthal, Germany
and the Haggerty Gallery, University of
Dallas. She has participated in residencies
at Ox-Bow in Saugatuck, MI, A Studio in
the Woods, a program of Tulane University
in New Orleans, Fortress Man Textile Symposium
in Daugavpils, Latvia, the Textile
Art Center in New York City, the Studios at
MassMoCA and in 2018 traveled to Dresden,
Germany for two months as part of
the Greater Columbus Arts Council artist
exchange program. Recent publications
include TimeOut Chicago, the Boston
Globe, New American Paintings, the Columbus
Dispatch, and Cut Me Up Magazine
issue 5. Andrea was one of five 2011
Efroymson Fellowship recipients, receiving
$20,000, and has also been awarded
artist’s grants from the City of Chicago,
the Ohio Arts Council and the Greater Columbus
Arts Council. She has works in the
collections of Chase Bank, Capital One,
Dayton Metro Libraries and Facebook offices
in Chicago. She is represented by
Hammond Harkins Gallery in Columbus,
OH, GUT Gallery in Dallas, TX, McCormick
Gallery in Chicago, IL and Galerie Klaus
Braun in Stuttgart, Germany. Currently Andrea
is Visiting Professor of Sculpture at
Kenyon College in Gambier, OH.
Natsuko Hattori
Tsukuba university art and design, Japan
Born in 1987 in Fukuoka, Japan - Works in
NY, USA
Natsuko Hattori was born in Fukuoka, Japan.
Her works were exhibited two times
at the Metropolitan Museum of Art. Also
the Wall Street Journal building, First Street
Gallery, Chashima Gallery, Waterfall Gallery,
Porter Contemporary and other over
80 exhibitions. Also held in US cities other
than New York, Europe and Japan. She
has received many awards and grants
including winning the Aoki Shigeru Memorial
Grand Prix Award thrice. Since 2014,
she has been holding a performance titled
“Dancer in MocoMoco”, and works
on spatial art by dance, music, video and
photography. In 2019, her works were exhibited
in the “Reiwa” bookkeeping hall of
the Japanese Consulate General in Japan.
In 2020, Swatch Art Peace Hotel, a
sponsor of the watch company Swatch,
will be invited to Shanghai as a half-year
contracted artist. Currently working actively
in an atelier in New York City and
Japan.
84

Ariadna Pastorini
Escuela Nacional de Bellas Artes in Buenos
Aires, Argentina
Born in1965 Born in Montevideo, Uruguay.
Since 1975, She lives and works in Buenos
Aires, Argentina.
In 1985 she began her studies at the Escuela
Nacional de Bellas Artes in Buenos
Aires, Argentina. In 1991 she became National
Professor of Engraving and Drawing.
1992 she held a silk-screen printing workshop
at the Gutenberg Foundation. Her
works contain installations, performances,
sculptures, paintings, serigraphy, objects
and videos. Between 1993 and 2000 Ariadna
Pastorini organized a series of annual
events on the Day of the Dead and All
Saints (November 2). This event has been
reorganized since 2017, in the 2018 edition
participated more than 100 artists. Pastorini‘s
works are represented in important
public and private collections as the Museo
Nacional de Bellas Artes de Buenos
Aires, Argentina, Museo de Arte Moderno
de Buenos Aires, Museo de Arte Contemporáneo
de Rosario, Argentina. Palacio
Nacional de las Artes, Palais de glace,
Centro Cultural de España CCBA, Buenos
Aires Centro de Estudios Legales y Sociales
CELS, Buenos Aires, Bruzzone Collection,
Espigas Foundation. Contests, scholarships
and prizes: 2020 Extraordinary Scholarship
Oxenford Collection, Alfonso y Luz Castillo
Foundation Grant; 2019 Travel Grants for
Artists Oxenford Collection; 2018 Pollock
Krasner Foundation Scholarship. Clamor
Brzeska Award. 2017 First prize and acquisition
Salón Nacional de Artes Visuales 2017,
category ¨Installations and alternative media.¨
Buenos Aires. Creativity Scholarship,
Fondo Nacional de las Artes. 2000 Artistic
Residency Banff Centre for Arts and Creativity
Canada with Fundación Antorchas.
1997 Kuitca Scholarship. Art Critics Association
of Buenos Aires Award to Experimentation
for events viva la muerte.
Maite Izquierdo
Visual Arts, Universidad Católica de Chile,
Santiago, Chile.
3. Born in 1978 in Santiago, Chile - Works in
Santiago, Chile
Maite Izquierdo Armendariz (1978, Santiago,
Chile). Plastic artist, BA in Visual Arts,
Universidad Católica (2001). She has had
eight solo exhibitions and more than 20
national and international group exhibitions
in spaces such as gallery Artespacio;
Bodegón Cultural Los Vilos; Machar Molino
Puerto Varas in Chile and the Pavilion of
Arts, Buenos Aires, Argentina; Galerie Mania
Bretesche, Paris, France; Memorial Latin
America, Sao Paulo, Brazil, Centrale
Muzeum W³ókiennictwa, £ódŸ, Poland
and Gallery 159, Brisbane, Australia. Her
works are present in: the Mandarin Oriental
Hotel Santiago, Hotel Enjoy Castro,
Chiloé and Valparaíso Hotel Casa Bridge.
From 2006 to 2008 she lived in Brisbane,
Australia and was part of Impress Printmakers
Studio Inc. and ATASDA Brisbane
(Australian Textile Arts and Surface Design
Association). 2009 and 2012 she was chosen
for exhibitions of AICA (International
Association of Art Critics). 2015, participated
in the collective ArsFactus in the residence
"Pleasure" in Franklin neighborhood
where she made a piece selected to represent
Chile at # 15 Textile Art Triennial in
Lodz, Poland.
85

Brankica Zilovic Chauvain
Graduated from National School of Fine
Art (ENSBA) in Paris and National School of
Fine Art (FLU) in Belgrade
Born in Serbia (former Yugoslavia) in 1974 -
Works in Paris, France
Brankica Zilovic Chauvain, born in Serbia,
is a French and Serbian visual artist and
educator living in Paris. Her ten years lecturing
experience has directed her educative
focus to creative processes in textile
art, fashion design and contemporary art.
As an artist she creates through the fields
of contemporary art embroidery, installations,
multimedia, painting and drawing.
Her work has been exhibited booth on the
national and international levels. During
the last 17 years, she has developed different
projects with art galleries and institutions
in France, Germany, Italy, China,
Senegal, USA and Serbia, art museums,
French contemporary art centers, local
and regional cultural centers in France
(followed by workshops and lectures),
fashion magazines, advertising agencies
etc. Currently, she is represented by Gallery
Laure Roynette in Paris, L'oeil Gallery in
Geneva and Novembar Gallery in Belgrade.
She obtained a second prize for
painting from Painting Award Antoine
Marin in Paris and 1st MAUTO Award for
installation. She graduated from the
ÉCOLE NATIONALE SUPERIEURE DES BEAUX
ARTS in Paris (DNSAP) and from Faculty of
Fine Arts in Belgrade. Currently she is a professor
at École Superieure Des Beaux-Arts
of Angers (TALM), University of New School
PARSONS in Paris and in Institute Of Applied
Art LISAA in Paris.
Kristina Penhoet
Otis College of Art & Design, Los Angeles,
CA, USA and Southern California Institute
of Architecture, Los Angeles, CA, USA
Born in 1967 in Portland, OR, USA - Works in
Washington, DC, USA
Kristina began working with fiber and textiles
as a small child, learning to crochet
and sew during her summer visits to her
grandparent’s farm on a remote island in
the Pacific Northwest. She continued to
pursue her love of making during quiet
moments while earning a degree in biology
and working in healthcare. When she
realized she needed to commit to a more
creative life, Kristina attended Otis College
of Art and Design in Los Angeles, concentrating
on sculpture and environmental
design, and began working in modelmaking,
film production and stage design.
Inspired by the production design work
and a continued interest in form and
space, she pursued a graduate degree in
architecture. After 10 years of architectural
practice, she rekindled her love of making
and rediscovered fiber as a medium.
Originally from Oregon, Kristina currently
resides in Washington, DC with her family
and a naughty dog that wants to be
good.
86

Preta Wolzak
Gerrit Rietveld Academie, Amsterdam the
Netherlands
Born in 1967, Raamsdonksveer, Netherlands
– Works in Amsterdam the Netherlands
Preta Wolzak studies at the Gerrit Rietveld
Academy in Amsterdam, Free Programme
/ Monumental Design, from 1986
to 1991. In the following years she primarily
works on commissioned projects: she designs
and builds furniture, designs exhibitions,
works as a producer and stylist for
photographers, designs private and corporate
interiors, and makes illustrations for
websites and book covers. Preta starts
making jewelry under the name Fortblink
in 2008, and around that time she also
starts working as an autonomous visual
artist. From 2013 onwards her free work
becomes increasingly important. In that
year she opens her own creative store Old
Fort On Dun at the Oudeschans in Amsterdam,
where she has her atelier, shows her
free work, sells her jewelry and presents
work by other artists and designers as well.
From 2014 on, Preta works exclusively on
her free work.
The acrobate stand for the foolish behaviour
of mankind, ruining its environment.
Man turns the world into one big amusement
park, which now even threatens to
spread out to the last untouched areas of
our planet: the North and South Pole.
A série de obras, feita a partir do verão de
2017, leva o espectador para um mundo
lindo e alegre de clareza, otimismo, ousadia
humana e espírito empreendedor. Vemos
acrobatas jovens e novos, usando a
natureza como plano de fundo por sua
excelência em qualidade ou aparência.
Preta Wolzak os transforma em heróis, carregados
de beleza e glamour, executados
em materiais ricos. Mas também há
um lado negro em sua história. Abaixo da
superfície, Preta Wolzak retrata sua indignação
com a forma como as pessoas tratam
o globo. O turismo e a extração de
matérias-primas formam nuvens escuras
sobre as áreas ainda praticamente intocadas,
que já parecem abalados pelas
consequências das alterações climáticas.
A acrobata representa o comportamento
tolo da humanidade, arruinando seu meio
ambiente. O homem transforma o mundo
em um grande parque de diversões, que
agora ameaça até se espalhar até as últimas
áreas intocadas de nosso planeta: o
Pólo Norte e o Pólo Sul.
About the series:
This series of works, made from summer
2017, takes the viewer ta a beautiful,
cheerful world of clarity, optimism, human
daring and entrepreneurial spirit. We see
fresh, young acrobats, using nature as a
backdrop for their excellence in quality or
appearance. Preta Wolzak turns them into
heroes, loaded with beauty and glamour,
executed in rich materials. But there is also
a dark side to her story. Below the surface,
Preta Wolzak depicts her outrage at the
way people treat the globe. Tourism and
the extraction of raw materials form dark
clouds over the still largely untouched areas,
which already seem to be shaken by
the consequences of climate change.
87

Sophia Ruppert
University of Nebraska-Lincoln, Lincoln, Nebraska,
USA
Born in Born in 1993 in Mishawaka, Indiana,
USA - Works in Works in Lincoln, Nebraska,
USA
Sophia Ruppert Earned an MFA in Sculpture
from the University of Nebraska-
Lincoln and a BFA in Sculpture from Southern
Illinois University Edwardsville. Her work
has been exhibited nationally in galleries
and museums including the Alexandria
Museum of Art in Alexandria, Louisiana,
The Virago in Contemporary Art and
Adornment in Seattle, Washington, Art St.
Louis in St. Louis, Missouri, the Rockford Art
Museum in Rockford Illinois, and the Anderson
Gallery and Drake University. She
has been published in The Woven Tale
Press and Friend of the Artist Volume 12.
Recent solo exhibitions include I Poked
You Where We Were Connected at the
Eisentrager Howard Gallery and Plastic
Prayers at Lux Center for the Arts, both in
Lincoln, Nebraska. Her notable awards
include the Dan and Barbara Howard
Creative Achievement Award, the Othmer
Fellowship, and the Provost Scholarship.
In 2020, she received the Mayors Art
Award from the Kimmel Foundation for the
Arts, Gilbert Bayes Award from the Royal
Society of Sculptors in London, and was
selected as an Emerging Artist by Fiber Art
Now. She currently lives and works in Lincoln,
Nebraska.
Veronica Gonzalez Ugarte
Bachelor in Fine Arts. School of Architecture
and Fine Arts, Pontifical Catholic University
of Chile. Santiago, Chile. Degree in
Aesthetics. Faculty of Philosophy, Pontifical
Catholic University of Chile. Santiago,
Chile.
Born in 1973, Santiago, Chile - Works in
Santiago, Chile
My artwork is engaged to nature and its
recurrent patterns and rhythms. I use them
as a base in order to create my compositions.
I´m attracted to repetitive sequences,
combining separate elements to form
a cohesive group. It isn’t a strict conceptual
idea of repetition on itself; my work
doesn’t seek to impose an order or structure,
but rather to enjoy the rhythm of repetition.
Silk and paper have the softness
and malleability that I need in order to
create my desired forms, shapes and even
shadows. The process to carry out my work
is thorough and methodical. I choose as
materials small and simple elements; such
as feathers made out of paper and silk
and then organized in a precise order. This
allows me to build a group of entities that
end up being the final artwork. My goal is
to create projects that inspire, connect
and touch people emotionally, taking the
viewer on a journey through different
ethereal, botanical and peaceful landscapes.
88

Carolina Martins Vaz
ISCTE - Instituto Universitário de Lisboa, Lisboa,
Portugal
Nasceu em 1989 em Lisboa, Portugal - Trabalha
em Lisboa, PT
Desde cedo, Carolina conviveu de perto
com artistas e com o mundo das artes, o
que em criança lhe incutiu a vontade de
experimentar variados tipos de trabalhos
manuais e lhe permitiu explorar inúmeros
materiais, texturas e, principalmente, cores.
Assim, não é de estranhar que o seu
percurso profissional tenha enveredado
também pelo mundo artístico. Com um
Mestrado em Gestão Cultural e um curso
profissional em Produção de Espectáculos,
Carolina manteve esse contacto com
as Artes e com a Cultura, organizando
eventos culturais. Paralelamente, e inspirada
por esse meio fascinante, a sua vontade
de criar foi crescendo e começou a
explorar as artes têxteis, onde foi autodidata
no macramé. Desde então, decidiu
aprender e aprofundar outras técnicas
que lhe permitissem criar peças diferentes
e coser novos pontos ao seu estilo abstracto,
como a tapeçaria e o bordado. O
seu método de criação flui de forma livre
e intuitiva, onde o desenho e o bordado
acontecem de forma orgânica na tela.
Renato Camasmie Dib
Faculdade Santa Marcelina, São Paulo/SP
Nasceu em: 1973 em São Paulo, Brasil -
Trabalha em São Paulo, Brasil
Sou artista plástico há mais de 20 anos,
sempre utilizei o tecido e a costura como
forma de expressão. Desenvolvo muitos
trabalhos utilizando uma diversidade de
técnicas têxteis experimentais e materiais
com importante carga simbólica, seja visualmente
ou materialmente. Principalmente,
utilizo de materiais cotidianos que
possam ser encontrados no lar, têxteis ou
não, mas que sirvam para o propósito do
trabalho. Com estes, elaboro painéis, pinturas
"moles", objetos, esculturas e instalações.
Já participei de muitas exposições
coletivas e individuais em galerias e museus
de São Paulo e no exterior. E também
venho dividindo minhas experiências
através de workshops e cursos de arte têxtil
e criatividade.
89

Sarah Krespin
L’Ecole des Arts de la Sorbonne, Paris,
France, Ecole Duperré, Paris, France, ESA-
AT (Ecole Supérieure d’Arts Appliqués et
du Textile), Roubaix, France
Born in 1993 in London, UK - Works in Paris,
France
Sarah Krespin was born in 1993 in London.
At present she is working in Paris after having
graduated with an MA in Fine Arts in
2019 from L’Ecole des Arts de la Sorbonne
(Sorbonne School of art). Her studies at
Duperré and at La Sorbonne lead her to
focus on the possibilities offered by textile
materials interrogating various ways to express
uncertainty in art. Constantly questioning
the idea of a finished piece, she
perceives her sculptures as organic and
changing objects. During an exhibition the
spectator faces a temporarily fixed state
of a sculpture modified at each installation.
In her work gesture is predominant. It
initiates an outcome which is not preconceived.
How can we give form to our uncertainties
? One can find answers in Sarah
Krespin’s woven sculptures or in her
stitched papier mâché work.
Katherine Hunt
MFA from California Institute of Arts
(CALARTS), Valencia, California, USA
Born in Born in 1978 in Milwaukee, Wisconsin,
USA - Works in Works in Taos, New Mexico,
USA
Born in Milwaukee, Wisconsin, Katherine
attended the University of Minnesota for
her BFA in Native American Studies, double
minoring in Women's Studies and Cultural
Psychology. She received her MFA
from California Institute of Arts, studying
abroad Curatorial Studies at La Cinémathèque
Française, Paris, France. While
in Paris, she was Artist-In-Residence with
RE:VOIR, an Experimental film collective.
Following graduation, she was Artist-In-
Residence at Track House, Olympia, WA,
co-creating an immersive installation performance
with original film, sound and set
design. In Los Angeles, Katherine worked
in the Art Department on multiple music
videos, feature films and television shows.
Katherine's work includes 16mm film, video,
performance and installation, with her
most recent practice focusing on mixedmedia
process-based art. Having taught
Studio Art workshops at the Detroit Institute
of Arts, she is currently located in New
Mexico and acts as a Fiber Arts & Visual
Arts Instructor with multiple non-profits.
Alongside art-making, Katherine has sustainably
farmed in France as well as
across the rural USA and created numerous
urban gardens in Minneapolis, New
York and Los Angeles. In 2018, she worked
alongside Moving Arts Española to create
a public art weaving installation and heirloom
native garden on Ohkay Owingeh
Pueblo lands. In April 2020, Katherine was
selected as a recipient of both a Andy
Warhol Foundation for The Visual Arts/ Fulcrum
Fund Grant as well as a Foundation
for Contemporary Arts Emergency COVID-
19 Fund Grant. She has exhibited nationally,
including REDCAT and MOCA-Geffen
Contemporary- Los Angeles, CA, with upcoming
2021 solo and group exhibitions,
both within the USA and internationally.
90

Laura del Valle Ramírez García
Universidad Nacional de San Juan, San
Juan, Argentina
Nacida en 1987 en San Juan, Argentina -
Vive en San Juan, Argentina
Laura nació y creció en un hogar humilde
de la Ciudad de San Juan. Su madre le
enseño a coser, tejer y bordar, era modista
y tenía un taller en su casa. Rodeada
de telas e hilos, sintió mucho interés desde
muy pequeña por la costura y a medida
que el tiempo pasaba, comenzó a colaborar
en algunas tareas del taller. Desde
niña pintaba y dibujaba mucho, también
estudiaba danza, sus padres la motivaron
durante toda su infancia, en su desarrollo
creativo, que le permitió obtener en varias
oportunidades, premios en concursos de
dibujo. En la universidad, estudia la carrera
de Profesor de artes visuales, mientras
avanzaba con sus estudios, trabajaba como
profesora de danza; simultáneamente
comenzó a pintar cuadros, obteniendo
reconocimientos en salones de pintura
provinciales. Durante sus estúdios universitarios,
cursa una materia dedicada al Arte
Textil, que despierta en ella, un gran interés
y admiración por el trabajo con las
fibras. Luego del nacimiento de su segundo
hijo, decide destinar más tiempo a la
maternidad, lo que no le impide dedicarse
desde su hogar, a diseñar y participar
en trabajos de vestuario para la Fiesta Nacional
del Sol, la celebración popular más
grande de su provincia. Comienza a profundizar
la investigación sobre la historia
del bordado y sus manifestaciones en las
diferentes culturas del mundo. Laura siente
que el ritmo de su vida cambia de forma
rotunda, había comenzado a vivir en
un pequeño departamento, en donde
pasa mucho tiempo del día; su espíritu
inquieto va dando paso a la creación de
entornos imaginarios por medio de puntos
y puntadas que construyen formas inspiradas
en elementos de la naturaleza que se
entrelazan con retratos.
En el año 2018, concluye su primer cuadro
textil y obtiene un premio en el Salón de
Artes Visuales denominado “Impulsarte”,
en la Provincia de San Juan; al año siguiente
obtiene el Primer Premio en el mismo
salón. Laura cuenta que además de bordar,
le encanta y valora plenamente en
su carrera artística, el encuentro con la
gente que concurre a las muestras donde
participa con sus obras. Textualmente la
artista comenta: “En las exposiciones que
he participado, muchas personas que allí
concurren, al ver mis obras, recuerdan y
me cuentan historias que emocionan, de
sus abuelas, madres o tías que bordaban,
tejían o cosían, son relatos que conmueven
mis sentidos, que aprecio y guardo
con mucho respeto. También disfruto intercambiar
experiencias y conocimientos
con artistas de mi tierra y de otros países”.
Las obras textiles que realiza Laura Ramírez,
son bordados que por su tamaño y
detalle, requieren mucha dedicación y
tiempo; a simple vista, los espectadores
suelen pensar que son pinturas, pero al
acercarse, pueden apreciar los hilos de
cada puntada que conforma el bordado.
Durante el año 2020, por sus méritos fue
convocada para participar en numerosas
muestras virtuales internacionales, realizadas
de esta forma, por la crisis sanitaria
que envuelve a todo el planeta. También
a partir del 2020, forma parte de exposiciones
virtuales y presenciales junto al colectivo
de artistas sanjuaninos “18 Mundos”.
En la actualidad, continua desarrollando
su estilo personal de bordado contemporáneo,
que incorpora técnicas de
tejido y costura, trabajo que realiza desde
su taller, ubicado en aquel mágico y pequeño
departamento donde comenzó su
camino en el arte.
91

Kathy Sirico
San Francisco Art Institute, San Francisco,
California, USA (MFA Degree), Skidmore
College, Saratoga Springs, New York, USA
(Bachelor Degree)
Born in 1990 in Philadelphia, Pennsylvania,
USA - Works in Brooklyn, New York, USA
Kathy Sirico is a Brooklyn-based visual artist
working at the intersection of textiles,
sculpture, painting, collage, and installation.
Through a maximalist approach and
experimental collage-based practices,
Sirico unites materials, strategies, and histories
of fine arts, craft, and architecture
to create large-scale wall-based sculptural
installations and freestanding objects
with new, found, and recycled materials.
Sirico aims to innovate the field of contemporary
abstraction by reimagining
aesthetic power as empathetic, feminist,
and ecologically conscious. Sirico (b.
1990, Philadelphia) holds an MFA from the
San Francisco Art Institute and a Bachelor
of Science from Skidmore College. She
was a 2020 Artist-in-Residence at Mass
MoCA, a 2018 Artist-in-Residence at the
Vermont Studio Center, a 2017 Artist-In-
Residence at the Lucid Art Foundation,
and a 2016 Artist-In-Residence at Recology.
Her work has been exhibited throughout
the United States and internationally.
João Bruno Videira
Universidade da Beira Interior, Covilhã,
Portugal
Nasceu em 1973 em Tomar, Portugal - Trabalha
em Tomar, Portugal
Trabalha em Tomar, Portugal João Bruno
Videira é um artesão autodidata e designer
de móveis desde 2006, quando criou
sua própria primeira marca: água de prata,
com a qual reinventou o uso de uma
matéria-prima tradicional e de excelência
em Portugal - a lã. Desde então ele representou
Portugal em várias feiras internacionais
de design, como a London Design
Fair em 2017 e 2019, a Dutch Design Week
em 2019 e a Dubai Design Week em 2020.
João Bruno costumava trabalhar como
jornalista de TV, até que encontrou na
arte e no design sua nova forma de expressão.
Ele nasceu em Portugal em 1973.
92

Julie Sarloutte
Beaux Arts de Paris, France
Born in 1989, France - Works in: Rosny sous
Bois, France
Julie Sarloutte is a French artist and graduate
of the National School of Fine Arts Paris.
Using string, she creates pieces so detailed,
that at first glance they appear to
be composed of paint strokes, rather than
of individual stitches. She reflects the fascination
of the screen. Taking her inspiration
from technology- TV shows, films and
screens covered by the media. These are
most often the subjects represented by
her embroideries. Transposing these into
embroidery makes an unexpected contrast
between the medium and the subject,
with this abstraction of the relationship
between violence and archaic
“feminine” craft. She takes the time to embroider
what usually happens in the fraction
of a second.
Jessica Gonçalves Costa
Faculdade Santa Marcelina, São Paulo -
Brasil/ Knit-1, Brighton, UK
Nasceu em 1988 em São Paulo, Brasil –
Trabalha em São Paulo, SP
n. 1988. Jessica Costa é artista têxtil
formada em Design de Moda pela
Faculdade Santa Marcelina (São Paulo,
Brasil) e com especialização em Criação
de Malharia pelo ateliê Knit-1 (Brighton,
UK). Atualmente sua pesquisa consiste em
investigar o tricô e tapeçaria de pontorusso
em uma narrativa de representação
gráfica do fazer manual, da mulher como
indivíduo político-social e da sua inserção
no ambiente doméstico. Jessica atua
também como mentora e educadora de
artes manuais em São Paulo, cidade que
reside. Seu trabalho mistura cores,
contemporaneidade e tradição. A
existência que se faz pelas mãos.
93

Star Trauth
Yale University ‘Psychology of Well-Being’,
‘Art and Heritage Management’, Connecticut,
United States of AmericaDuke;
Duke University ‘Politics of Public Art and
Installation’, North Carolina, United States
of America; MIT ‘Art-Visualizing Japan’,
Massachusetts, United States of America;
Antonelli College ‘Interior Design’, Ohio,
United States of America; Mount Saint Joseph
University ‘Fine Arts’, Ohio, United
States of America; Pimsleur Program
‘Japanese 1’ ‘Korean 1’, Massachusetts,
United States of America
Using waste paper and plastic, she converts
it to a flat pliable textile. Trauth hand
molds and flame sculpts each piece, miniature
original works in their own right—
both freestanding pieces and wall-hung
reliefs take shape in her hands to form her
unique assemblages.
Born in Cincinnati, Ohio, United States of
America - Works in Miami, Florida, United
States of America
Star Trauth is a an experimental fiber artist
that often creates new processes to complete
the vision of her pieces. Her art has
been in over fifty exhibitions in under five
years; including Miami Art Week, Yoko
Ono’s Arising, and The Florence Biennale.
She obtained her BFA at university in Ohio,
USA but thinks one should never stop
learning. Trauth states, “If I see an interesting
topic I’ll study it, a cool class I’ll take it.
If I want to continue to push my art I must
also push myself. I’ll never stop looking for
ways to expand my mind.” Star Trauth’s art
has been described as tribal and innovative,
art you want to touch but shouldn’t.
Her process melds ancient techniques
with signature innovations. She prefers to
use vintage, found, and new fibers in
unison to form her creations. Star prefers to
work immersed in music to keep the purity
of her vision. Trauth is meticulous when it
comes to sensory engagement. She will
often limit sight, sound, even diet, while
engaging her pieces. Each piece is inspired
by a personal experience. Her art
practice draws on the ideas of abstraction,
minimalism, Dadaism, the concept of
ikigai, anti-consumerism, and a dedication
to legacy.
94

Paula Ceroni Villanelo
BA in Aesthetics, Pontificia Universidad
Católica de Chile, Santiago, Chile (2009);
BA in Art Education, Universidad de Los
Andes, Santiago, Chile (2010).
Born in Santiago, Chile (1984) - Works in
Santiago, Chile.
Paula Ceroni (1984) is a Chilean artist obsessed
with textile art, creating new techniques,
and mixing bright colors. She was
born in Santiago, where she studied Aesthetics
and Art Education. She lived in California,
where she further developed her
skills as textile artist and photographer,
through courses in the San Francisco Art
Institute, and through mentorships with renown
artists as Victoria Mara HeilWeil. Her
artwork has been featured in several individual
and collective exhibitions, both in
Chile and abroad. In 2019 she was awarded
with the 3rd place at National Artists
contest "Artefacto" from the Municipality
of Vitacura, and the 4th place at the National
Young Artists Contest from Municipality
of Santiago. Selected Exhibitions : 1.
Individual: Entre Cuerdas, Centro de las
Tradiciones de Lo Barnechea Gallery
(2018); Piano Vivace, Centro Cultural Gabriela
Mistral GAM (2013); Allegro Pianíssimo,
Teatro del Lago Frutillar (2012). 2. Collective:
Contrasting Shapes, virtual exhibition
museutextil.com (2020); Pre Biennial
Textile WTA online (2020); El Mundo Al Instante
I, Isabel Croxatto Gallery (2020);
Artefacto, Vitacura Young Art Contest
(2019); Premio Municipal Arte Joven, Municipality
of Santiago (2019). IV Concurso
Arte Joven, Artespacio Gallery (2018);
Jóvenes Artistas, Artespacio Gallery
(2018); III Concurso Arte Joven, Artespacio
Gallery (2017); Shared Territory,
Civic Center of Vitacura (2017). IX Fobeju
Foundation Visual Arts Contest (2016);
Atmósferas, Oops! Gallery (2016) The
Oakland Super 8 Film Project, The Great
Wall of Oakland (2015); Beyond the Corner
of the Eye, Diego Rivera Gallery, San
Francisco Art Institute(2014).
Mylene Rizzo
PUC-RS, Porto Alegre , Brasil
Nasceu em 1967 em Porto Alegre, Brasil -
Trabalha em Porto Alegre, Brasil
Mylene é psicóloga, historiadora, fotógrafa
e viajante contumaz. Com mais de 60
países na bagagem sempre procurou um
ângulo inusitado em suas imagens e viagens
que foca em experiências vivenciadas
e na cultura de cada região visitada.
Numa configuração familiar eminentemente
feminina, os trabalhos manuais
sempre perpassaram as relações, conviveu
entre agulhas e linhas desde a mais
tenra infância. Com a mãe aprendeu a
desenrolar novelos e lidar com as agulhas,
com a avó o amor pelas flores e pela natureza.
Foi na fotografia bordada que encontrou
o ponto de intersecção! O enredo
que liga as linhas de construção pessoal
ao acervo que construiu. Bordando
sobre as imagens reproduz a essência
interna criando um novo matiz, baseado
em culturas diferentes e referências históricas.
95

96

B I B L I O G R A F I A
B I B L I O G R A P H Y
97

98

ARANHA, Maria Lúcia de Arruda e MARTINS, Maria Helena Pires. Filosofando; Introdução à
filosofia. São Paulo: Moderna, 1988.
CARROLL, Noël. Filosofia da arte. Lisboa: Texto & Grafia, 2010.
KANDINSKY, Wassily. Do espiritual na arte. São Paulo: Martins Fontes, 1996.
VICENS, Frances. Arte abstrata e Arte figurativa. Rio de Janeiro: Salvat Editora do Brasil S.A.,
1979.
99

100

Í N D I C E D E A R T I S T A S
A R T I S T S I N D E X
101

102

Os números que seguem o artista são referentes aos dados da obra, às ilustrações de suas
obras, a excessão do último número que indica as notas biográficas.
The numbers that follow the artist refer to the data of the artwork, the illustrations of his/her
artworks, the exception of the last number that indicates the biographical notes.
Andrea Myers, 42, 43, 84
Ariadna Pastorini, 38, 39, 85
Brankica Zilovic Chauvain, 40, 41, 86
Carolina Martins Vaz, 54, 55, 89
Jessica Gonçalves Costa, 70, 71, 93
João Bruno Videira, 62, 63, 92
Julie Sarloutte, 74, 75, 93
Katherine Hunt, 72, 73, 90
Kathy Sirico, 76, 77, 92
Kristina Penhoet, 44, 45, 86
Laura del Valle Ramírez García, 46, 47, 91
Maite Izquierdo, 36, 37, 85
Marie Pourchot, 60, 61, 83
Mylene Rizzo, 56, 57, 95
Natsuko Hattori, 34, 35, 84
Paula Ceroni Villanelo, 78, 79, 95
Preta Wolzak, 48, 49, 87
Renato Camasmie Dib, 64, 65, 89
Sarah Krespin, 68, 69, 90
Sophia Ruppert, 52, 53, 88
Star Strauth, 66, 67, 94
Vanessa Freitag, 58, 59, 83
Veronica Gonzalez Ugarte, 50, 51, 88
103

104

C R É D I T O S F O T O G R Á F I C O S
P H O T O G R A P H I C C R E D I T S
105

106

As imagens das obras reproduzidas neste livro foram enviadas pelos próprios artistas. O
número indica a página correspondente a obra.
The images of the artworks reproduced in this book were sent by the artists themselves. The
number indicates the page corresponding to the artwork.
Andrea Myers, 43
Ariadna Pastorini, 39
Brankica Zilovic Chauvain, 41
Carolina Martins Vaz, 55
Juliana Souza, 71
João Bruno Videira, 63
Julie Sarloutte, 75
Katherine Hunt, 73
Kathy Sirico, 77
Kristina Penhoet, 45
Laura del Valle Ramírez García, 47
Maite Izquierdo, 37
Marie Pourchot, 61
Mylene Rizzo, 57
Natsuko Hattori, 35
Paula Ceroni Villanelo, 79
Preta Wolzak, 49
Renato Camasmie Dib, 65
Sarah Krespin, 69
Sophia Ruppert, 53
Star Strauth, 67
Vanessa Freitag, 59
Veronica Gonzalez Ugarte, 51
107

Museu Têxtil
textilmuseu@gmail.com
www.museutextil.com
Redes Sociais: @museutextil
Formato:
Capa Dura
Papel Couchê 150g
Formato A4 (210mm x 297mm)
Colorido

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