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LaChuecaedición20aniversario6

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front of people and set, a lot of ideas arise,<br />

then is necessary take advantage of that,<br />

having a plan, a route in order to brand you<br />

as director.<br />

What format did you use?<br />

John Agudelo: We filmed on digital format<br />

using two cameras: A Black Magic Cinema<br />

and a Sony A7RII which are video cameras,<br />

the format was 2k for projection in large<br />

screen, the purpose of this decision was<br />

improving the quality of the film.<br />

Sony camera is smaller and handy, it can<br />

be introduced in nooks, it was used to film<br />

indoors. While Black Magic was used to<br />

film outdoors offering a favorable light exposition.<br />

We filmed in this format because<br />

is standard quality for projection in cinemas,<br />

the equipment was gotten thanks to<br />

alliances with different sponsor enterprises<br />

in Bucaramanga.<br />

“The aim for next year is attract<br />

distributors, our short film is a<br />

little long, and that’s a topic we<br />

have to talk with distributors in<br />

order to check different processes,<br />

every process is unique and it’s<br />

not possible be bounded by the<br />

demands of distributors.”<br />

world) not jeopardy for the production.<br />

At the end we achieved all the objectives<br />

without improvisation.<br />

How long was the work with the actors<br />

and what method did you use?<br />

John Agudelo: It was simple working with<br />

professional actors who have wide experience<br />

in Films, Theater and Television. I<br />

met them before filming, we talk, visualize<br />

the characters, read the script and gave<br />

them instructions for the different scenes. I<br />

said them for example: “You are sad because…<br />

your past was…” We created together<br />

profiles to look actors more natural, despite<br />

the story wasn’t shown in any moment of<br />

the short. I handled characters’ design.<br />

When we were filming, we know the purpose<br />

of every scene, they should work and I<br />

only gave them some advices: “Silence here”<br />

“Don’t look over there, look at the camera<br />

please”, and stuff like that.<br />

How was production phase?<br />

Irene del Castillo: It was a pretty fulfilling<br />

experience, but a little complex because the<br />

place was far from the city. Jordan Sube it’s<br />

like a “ghost town”, we had the budget to<br />

realize the short film, however “La Cineteca”<br />

made a big effort .<br />

What obstacles did you face during the<br />

filming?<br />

John Agudelo: There were many. First, a director’s<br />

work requires leadership, in this way<br />

is necessary be able to lead with a big team<br />

of work, coordinate their minds and bodies<br />

pursuing a common goal. Then is necessary<br />

setting times of each person, transport,<br />

food, lodging, and a lot of things more<br />

which sometimes slip through your fingers.<br />

We had some delays (but not out of this<br />

And what about INI?<br />

Irene del Castillo: In their last two pro-

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