impossibilia-8-octubre-2014
impossibilia-8-octubre-2014 impossibilia-8-octubre-2014
1. he title of the ilm.2. he scren image that you want to acompany the title of the ilm.3. he kind of music you want.(XXI) Adrian always refers to his dog as the dog. Why do you think he never uses the dog’s name?(XXIV) Imagine that you are Adrian. Write a poem addresed to Pandora by completing thefolowing lines. You wil se that the irst leter of each line spels ADRIAN. Remember that Adrian is madlyin love with Pandora.A ____________________________________________________________________D ____________________________________________________________________R ____________________________________________________________________I ____________________________________________________________________A ____________________________________________________________________N ____________________________________________________________________(XXV) he dictoglos: Students are read a pasage and advised not to write anything during this time.he pasage is then read again with pauses betwen sentences for the students to write notes. he whole textis then read a third time. he text itself consists of ive sentences and the students are told to reconstruct itin ive sentences. hey know they have a certain amount of fredom in the way they choose to reconstructthe pasage. In order to be corect, the original sense of each sentence neds to be present and thereconstructed sentences have to be as grammatical as the students can manage, but the words and phrasesused do not have to be the same as the original one. While students are trying to reconstruct the text, twodictionaries (a monolingual and a bilingual) are available in the clas, and they can ask the teacher wheneverthey are stuck. he amount of reconstructing that occurs in the reconstruction of the sentences depends oneach pair (se Lasagabaster, 2002). Any extract can be selected, but the sentences should not be too long.(XXVI) Literarines: Adrian pretends to be an intelectual who enjoys reading literature a lot andinterpreting the hidden meanings of texts. However, his comments do not sem to match this image. Inpairs, talk about the folowing extracts:1. “I read a bit of Pride and Prejudice, but it was very old-fashioned. I think Jane Austen should writesomething a bit more modern.”Lasagabaster, David. “El texto literario como catalizador en la clase de inglés como lengua extranjera”.Imposibilia Nº8, Págs. 208-229 (Octubre 2014) Artículo recibido el 09/07/2014 – Aceptado el 20/08/2014 – Publicado el 30/10/2014.224
2. “Started reading Animal Farm. I think I might like to be a vet when I grow up. Finished AnimalFarm. It is dead symbolic. I cried when Boxer was taken to the vet’s. From now on I shal treat pigswith the contempt they deserve. I am boycoting pork of al kinds.”3. “I am reading Madame Bovary, by another frog (French) writer.”4. “I have writen a poem, and it only took me two minutes. Even the famous poets take longer thanthat. It is caled `he Tap´, but it isn’t realy about a tap, it’s very dep and about life and stuf likethat.”After reading(XXVI) Write a short response or your reaction to the novel and pas it along to the next student,who then writes his or her response to your irst thoughts, elaborating, questioning, contradicting oragreing. Next the third student wil do the same, until the circle ends (Pradl, 1996).(XXVI) In smal groups choose the episodes which are esential to a summary of the text (Ghosn,2002). Imagine you are about to shoot a ilm based on the novel: Which scenes would you deinitelyinclude? Why? Write them down as if they were the script of a ilm version.(XXIX) Work in smal groups and think about diferent posibilities to change the end of the novel.Discus.(XXX) Work in smal groups. Imagine you are asked to improve the diary. What changes would youmake? Would you include any other character? Would you eliminate any particular event or character?Discus.(XXXI) Write down a leter to Adrian and tel him your impresions about his diary.(XXXI) Write down a leter to Sue Townsend and tel her your impresions about her novel.(XXXI) Imagine you are a close friend of Adrian. In pairs role-play a telephone conversationbetwen Adrian and yourself.(XXXIV) Can you ind any relationship betwen Adrian Mole and Manolito Gafotas? Discus.(XXXV) Computer game. Visit the folowing website:htp:/www.funtrivia.com/trivia-quiz/Literature/he-Secret-Diary-of-Adrian-Mole-124150.htmlLasagabaster, David. “El texto literario como catalizador en la clase de inglés como lengua extranjera”.Imposibilia Nº8, Págs. 208-229 (Octubre 2014) Artículo recibido el 09/07/2014 – Aceptado el 20/08/2014 – Publicado el 30/10/2014.225
- Page 174 and 175: Este proceso de construcción de la
- Page 176 and 177: formales y técnicos de la obra. La
- Page 178 and 179: Larosa, Jorge (2003). La experienci
- Page 180 and 181: RESUMO: A temática da cultura afro
- Page 182 and 183: Art. 26-A. Nos estabelecimentos de
- Page 184 and 185: signicações do texto verbal. Elas
- Page 186 and 187: se apresenta, em sua abordagem de a
- Page 188 and 189: Como sugestão de trabalho com a ob
- Page 190 and 191: O profesor, também, poderá chamar
- Page 192 and 193: circulação da cidade ou dispor no
- Page 194 and 195: Seting eyes in sleping dols. Lewis
- Page 196 and 197: 1. INTRODUCCIÓNUna de las caracter
- Page 198 and 199: que atrapar la vida solo es posible
- Page 200 and 201: yendo y viniendo por el aire como u
- Page 202 and 203: espacio, no heredarlo, este camino
- Page 204 and 205: encarna. Simboliza la experiencia d
- Page 206 and 207: BIBLIOGRAFÍAArcipreste de Hita (19
- Page 208 and 209: Blaencwm carnival. Geof CharlesEl t
- Page 210 and 211: que, por tanto, produzca cierta ret
- Page 212 and 213: Este tipo de presentación reducida
- Page 214 and 215: La atención a la lengua conleva pr
- Page 216 and 217: trabajo en equipo y la autoestima;
- Page 218 and 219: misma, la estrategia de servirnos d
- Page 220 and 221: ealy weird depresing a bit puzlinga
- Page 222 and 223: vi. (Adrian had a dead good dream)
- Page 226 and 227: Here you wil ind an interesting qui
- Page 228 and 229: que estas habilidades son en demasi
- Page 230 and 231: Two young girls reaching for a toy
- Page 232 and 233: El traspaso de un texto literario e
- Page 234 and 235: LAS APLICACIONES DIGITALES E INTERA
- Page 236 and 237: historia con nuestros contactos; al
- Page 238 and 239: lamadas al lector se facilita la na
- Page 240 and 241: La adaptación de los álbumes impr
- Page 242 and 243: parecen confundirse, no se produce
- Page 244 and 245: Brian Main (2013). Lil' Red. Una hi
- Page 246 and 247: Pajares, S. (1997). Las posibilidad
- Page 248 and 249: RESUMEN: El slam ha democratizado l
- Page 250 and 251: particular propuesto a la poesía,
- Page 252 and 253: aulas. Dos de los profesores recuri
- Page 254 and 255: eacción del público; sólo tres d
- Page 256 and 257: Esta reconstrucción-tipo muestra l
- Page 258 and 259: Mais y’a personne qui me consoleJ
- Page 260 and 261: En lo que se reiere a las palabras
- Page 262 and 263: autorizados a tener su texto a la v
- Page 264 and 265: 3.2.3 Un objeto de estudio paradój
- Page 266 and 267: principales medios. En cuanto a la
- Page 268 and 269: OCDE. (2011). Enseignement supérie
- Page 270 and 271: Aspects of Amman Valey life before
- Page 272 and 273: NICANOR PARRA (1904 -)El antipoeta
1. he title of the ilm.2. he scren image that you want to acompany the title of the ilm.3. he kind of music you want.(XXI) Adrian always refers to his dog as the dog. Why do you think he never uses the dog’s name?(XXIV) Imagine that you are Adrian. Write a poem addresed to Pandora by completing thefolowing lines. You wil se that the irst leter of each line spels ADRIAN. Remember that Adrian is madlyin love with Pandora.A ____________________________________________________________________D ____________________________________________________________________R ____________________________________________________________________I ____________________________________________________________________A ____________________________________________________________________N ____________________________________________________________________(XXV) he dictoglos: Students are read a pasage and advised not to write anything during this time.he pasage is then read again with pauses betwen sentences for the students to write notes. he whole textis then read a third time. he text itself consists of ive sentences and the students are told to reconstruct itin ive sentences. hey know they have a certain amount of fredom in the way they choose to reconstructthe pasage. In order to be corect, the original sense of each sentence neds to be present and thereconstructed sentences have to be as grammatical as the students can manage, but the words and phrasesused do not have to be the same as the original one. While students are trying to reconstruct the text, twodictionaries (a monolingual and a bilingual) are available in the clas, and they can ask the teacher wheneverthey are stuck. he amount of reconstructing that occurs in the reconstruction of the sentences depends oneach pair (se Lasagabaster, 2002). Any extract can be selected, but the sentences should not be too long.(XXVI) Literarines: Adrian pretends to be an intelectual who enjoys reading literature a lot andinterpreting the hidden meanings of texts. However, his comments do not sem to match this image. Inpairs, talk about the folowing extracts:1. “I read a bit of Pride and Prejudice, but it was very old-fashioned. I think Jane Austen should writesomething a bit more modern.”Lasagabaster, David. “El texto literario como catalizador en la clase de inglés como lengua extranjera”.Imposibilia Nº8, Págs. 208-229 (Octubre <strong>2014</strong>) Artículo recibido el 09/07/<strong>2014</strong> – Aceptado el 20/08/<strong>2014</strong> – Publicado el 30/10/<strong>2014</strong>.224