Ruidos y susurros de las vanguardias - Medialab Prado
Ruidos y susurros de las vanguardias - Medialab Prado
Ruidos y susurros de las vanguardias - Medialab Prado
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literary magazines with renewed restlessness.<br />
El Gran Café Social <strong>de</strong> Oriente<br />
(Located in the Glorieta <strong>de</strong> Atocha, currently Cervecería Restaurante “Dorna”<br />
serving Galician food, Tapas and Pizzas)<br />
Rafael Barradas, painter and contributor to ultraist magazines and creator of his<br />
own movement Vibracionismo, moves from Barcelona to Madrid and founds in<br />
this café nearby the Atocha train station his literary circle known as "<strong>de</strong> los<br />
alfareros", as most of the participants were contributors to the ultraist magazine<br />
"ALFAR ". This café and the figures who populated it, as well as the urban space<br />
around it, turned into the painter's motif of his work, who lived nearby.<br />
Barradas portrayed most of the protagonists of the Spanish literary life, and more<br />
specifically, the members of the ultraist movement; most of his portraits were<br />
ma<strong>de</strong> in India ink.<br />
THE "POSTISMO" IN THE "CAFÉ CASTILLA"<br />
(Located in calle Infantas, currently a luxury hotel)<br />
The "Postismo" was born in this café in Madrid around 1945, the triangular<br />
business cards distributed in this café with the name of the three foun<strong>de</strong>rs:<br />
Chicharro Jr. ("chebé"), Carlos Edmundo <strong>de</strong> Ory and Silvano Sernesi, are a proof<br />
of its creation.<br />
They were members of an association called "Versos con café" with briefs forays<br />
into the "Café Gijón", a hive of "creative youth" and their "Garci<strong>las</strong>o".<br />
Some of their performances consisted in arriving to the café with their jackets<br />
insi<strong>de</strong> out, their socks in their pockets, as a handkerchief, or wearing them in their<br />
hands as gloves and a skull or something similar un<strong>de</strong>r their arms. They jumped<br />
onto one of the tables and began to pronounce a strange recital of guttural sounds<br />
and trills accompanied with rhythmical convulsions of all their body. They even<br />
recited poems of a supposed Russian poet called Serjovich that they had<br />
invented, though the audience even believed to have read things by him. Time<br />
later, Felix Casanova <strong>de</strong> Ayala (who had atten<strong>de</strong>d the recital) asked him: "… but if<br />
the Russian does not exist, who wrote the poems", Edmundo <strong>de</strong> Ory answered<br />
"Postismo did, my friend".<br />
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