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Ruidos y susurros de las vanguardias - Medialab Prado

Ruidos y susurros de las vanguardias - Medialab Prado

Ruidos y susurros de las vanguardias - Medialab Prado

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literary magazines with renewed restlessness.<br />

El Gran Café Social <strong>de</strong> Oriente<br />

(Located in the Glorieta <strong>de</strong> Atocha, currently Cervecería Restaurante “Dorna”<br />

serving Galician food, Tapas and Pizzas)<br />

Rafael Barradas, painter and contributor to ultraist magazines and creator of his<br />

own movement Vibracionismo, moves from Barcelona to Madrid and founds in<br />

this café nearby the Atocha train station his literary circle known as "<strong>de</strong> los<br />

alfareros", as most of the participants were contributors to the ultraist magazine<br />

"ALFAR ". This café and the figures who populated it, as well as the urban space<br />

around it, turned into the painter's motif of his work, who lived nearby.<br />

Barradas portrayed most of the protagonists of the Spanish literary life, and more<br />

specifically, the members of the ultraist movement; most of his portraits were<br />

ma<strong>de</strong> in India ink.<br />

THE "POSTISMO" IN THE "CAFÉ CASTILLA"<br />

(Located in calle Infantas, currently a luxury hotel)<br />

The "Postismo" was born in this café in Madrid around 1945, the triangular<br />

business cards distributed in this café with the name of the three foun<strong>de</strong>rs:<br />

Chicharro Jr. ("chebé"), Carlos Edmundo <strong>de</strong> Ory and Silvano Sernesi, are a proof<br />

of its creation.<br />

They were members of an association called "Versos con café" with briefs forays<br />

into the "Café Gijón", a hive of "creative youth" and their "Garci<strong>las</strong>o".<br />

Some of their performances consisted in arriving to the café with their jackets<br />

insi<strong>de</strong> out, their socks in their pockets, as a handkerchief, or wearing them in their<br />

hands as gloves and a skull or something similar un<strong>de</strong>r their arms. They jumped<br />

onto one of the tables and began to pronounce a strange recital of guttural sounds<br />

and trills accompanied with rhythmical convulsions of all their body. They even<br />

recited poems of a supposed Russian poet called Serjovich that they had<br />

invented, though the audience even believed to have read things by him. Time<br />

later, Felix Casanova <strong>de</strong> Ayala (who had atten<strong>de</strong>d the recital) asked him: "… but if<br />

the Russian does not exist, who wrote the poems", Edmundo <strong>de</strong> Ory answered<br />

"Postismo did, my friend".<br />

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