VOWELS IN STANDARD AUSTRIAN GERMAN - Acoustics ...
VOWELS IN STANDARD AUSTRIAN GERMAN - Acoustics ...
VOWELS IN STANDARD AUSTRIAN GERMAN - Acoustics ...
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189<br />
Vowels in Standard Austrian German<br />
as the output in the first case is inconsistent. The reason for this inconsistency lies in the<br />
fact that the speaker deliberately tries to change the plan: the output target is to depart<br />
from a neutral vocal tract configuration only as much as is absolutely necessary a) that<br />
the utterance is understood and b) that the listener(s) do not notice. This is an extremely<br />
difficult task and requires high attention. Therefore, a quick way to find out whether<br />
articulatory avoidance has been performed is to compare the beginning (high attention)<br />
and the end (low attention) of the recording. In the case where the speaker articulates<br />
with higher precision and more phonological and phonetic consistency at end of the<br />
session 124 , i.e. when he or she is already tired and inattentive, articulatory avoidance can<br />
be assumed. Since attention is higher at the beginning of a recording session, under<br />
normal conditions less backgrounding processes are applied at the beginning (Vanecek<br />
& Dressler 1977, Moosmüller 1997d) as compared to the end of a recording session.<br />
It has already been stated that in articulatory avoidance, the intended output target<br />
is the neutral vocal tract configuration. This is also performed by some speakers. The<br />
result is no change in the articulatory configuration as the speaker moves from phoneme<br />
to phoneme, and, consequently, there is also no change in formant frequencies over<br />
time. Changes in time can only be observed for the fundamental frequency. What is left<br />
is a sort of singsong which is thought to denote the sentence.<br />
Not to articulate at all is of course a very salient method when it is one’s aim to<br />
avoid articulation. It is rather unwise to expose no articulation at all, because this is of<br />
course immediately revealed by the listener. Therefore, a wiser strategy is to show some<br />
articulation, as in the performance of a speaker of Portuguese based Crioulo, as spoken<br />
in Guinea Bissau. The speaker is asked to repeat a list of sentences, and the list is read<br />
to him four times. So, a certain timespan has passed till he hears sentence 1 again.<br />
Figures 6.4 shows the spectrogram of the four utterances of the word “ntene” (I have)<br />
from the sequence “ntene centu i cincu” (I have hundred and five) from the four<br />
124 This holds only if the speaker does not know the end of the session. If he or she does,<br />
attention increases again at the end (Vanecek & Dressler 1977).