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OUSEION - Memorial University of Newfoundland DAI

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308 CRAIG COOPER<br />

<strong>of</strong> ancient historical literature and second to categorize fragmentary<br />

remains <strong>of</strong> that literature under these fixed genres was a concern <strong>of</strong><br />

early twentieth-century scholars. most evident in Jacoby's Die Fragmente<br />

der griechischen Historiker. 3 The conceptional framework for<br />

his collection was his notion that the genre <strong>of</strong> history developed in a<br />

linear sequence from mythography to enthnography. through<br />

chronography to contemporary history and onto horography.4 Each<br />

author was arranged according to his place in this historical development<br />

<strong>of</strong> the genre. Leo was simply part <strong>of</strong> the same phenomenon.<br />

studying the development <strong>of</strong> a genre <strong>of</strong> historiography. namely biography.<br />

according to its two literary forms and classifying the fragmentary<br />

remains <strong>of</strong> all biographical works under these fixed categories.<br />

In fact. Jacoby himself intended to gather the fragments <strong>of</strong> biographical<br />

writers in FGrHist IV: originally biography was to be<br />

treated with the history <strong>of</strong> literature and antiquarian literature with<br />

horography.5 The plan changed and Jacoby eventually envisaged the<br />

volume containing both antiquarian literature and biography. and<br />

many modern scholars have seen a close connection between the two. 6<br />

His outline <strong>of</strong> FGrHist IV <strong>of</strong> some 70 pages contained 24 rubrics under<br />

which were listed various authors and titles <strong>of</strong> works. 7 But as G.<br />

Schepens notes. several comments by Jacoby indicate that he was still<br />

uneasy about the exact place to assign the history <strong>of</strong> literature in relation<br />

to biography (somewhere between "Biographie" and "Sammlungen").8<br />

and in the notes reproduced by Schepens there are indications<br />

that Jacoby was at times uncertain how to classify particular works:<br />

would they be better assigned to the genre <strong>of</strong> biography. or to literary-history.<br />

music or "Sammelwerke"?9 This uncertainty about the<br />

exact relationship between biography. antiquarian literature and literary<br />

history. on the one hand. and where precisely or under what precise<br />

genre to locate given works. on the other. is a problem that stems<br />

not just from the fragmentary evidence which we are left to deal with<br />

but also from the modern fixation with classifying various forms <strong>of</strong><br />

3 See especially Jacoby (1909) 80-122.<br />

4 See Marincola (1999) 284-289.<br />

5 Jacoby (1909) 61-62; d. Schepens (1997) 149.<br />

6 Arrighetti (1977).<br />

7 For a detail summary <strong>of</strong> the "Entwurf" and methodological problems facing<br />

those undertaking the continuation <strong>of</strong> Jacoby's FGrHist. see Schepens (1997)<br />

144-171.<br />

8 Schepens (1997) 149.<br />

9 Schepens (1997) 152-153.

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