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76 MODERN MAGIC LANTERNS.<br />

diversity in this respect, but it is now getting customary for<br />

slides to be marked on the lines laid down by the Photographic<br />

Club a few years ago, this should always be done. The<br />

marking consists in indicating the two top corners of the<br />

slide by two spots, which are best white on a black background,<br />

or black on a white one, as shown in Fig. 43. Not<br />

only must they indicate the top of the slide, but they must<br />

act as a guide to the face of the slide, which has to go next<br />

the condenser. To ascertain this, the slide should be held<br />

up in front of a piece of white paper in the position in which<br />

it is intended to be seen upon the screen, that is to say, with<br />

any inscription it may contain reading the right way round<br />

and not backwards. The two spots, which may conveniently<br />

be cut out of stamp-paper with a punch or pair of scissors,<br />

should then be stuck on the two top corners of that side of<br />

the slide facing the observer. In putting slides into the<br />

carrier, they must be put in upside down for reasons pointed<br />

out before (chapter X.), and when to be seen by reflection on<br />

an opaque screen of any kind (Fig. 54) the spotted side must<br />

go next the condenser ; when shown on a translucent screen<br />

(Fig. 56) the spotted side of the slide must be turned away<br />

from the condenser. If this is not attended to, the picture<br />

as seen will be reversed from left to right, and any lettering,<br />

names over shop doors, and the like, will read backwards.<br />

The slides should always be rubbed over with a clean<br />

duster before being shown, any dust or finger marks upon<br />

them will be enormously magnified on the screen. For this<br />

reason they should be held by one corner on putting them<br />

into the carrier and not fingered all over.<br />

During an exhibition of slides the room should be kept as<br />

dark as possible. This seems so obvious as not to require<br />

mention, but the writer has often seen the brilliancy and<br />

beauty of a display spoilt by the amount of stray light about<br />

the room, proceeding both from the ordinary lights which<br />

were only turned down and neither quite nor almost extinguished,<br />

as they should have been, and from the back of<br />

the lantern itself. Another cause of failure is to be found in<br />

a rickety lantern-stand. We have a lively recollection of an<br />

exhibition of slides in which the lantern-stand, though firm<br />

enough in itself, was mounted on a platform of floor boards<br />

THE MANIPULATION OF THE LANTERN.<br />

insufficiently provided with supporting joists, in consequence<br />

the exertions of the lanternist in putting a fresh slide into<br />

the carrier were sufficient to make the picture on the screen<br />

wobble up and down quite a foot. Minor matters are the<br />

following :<br />

Do not omit to turn the lime, from time to time.<br />

Keep the audience away from the immediate neighbourhood<br />

of the screen ; they will see better and like<br />

it better, although as a rule they will not do it of<br />

their own accord.<br />

Make sure there is ample gas for the display, even if<br />

accidentally prolonged a little.<br />

Never allow the audience to see the bare screen<br />

illuminated with the full light of the lantern, all slides<br />

will look dull and heavy after so doing.<br />

The gas, if in bags, should be kept where it cannot<br />

be meddled with; if in cylinders, where they cannot<br />

roll or fall.<br />

Be particularly careful never to put a slide in<br />

upside down or wrong way round, unless they are<br />

those of a friend who is present and who neglects to<br />

spot them.<br />

Never leave a lime in the lantern after use. If done<br />

with throw it away, do not let it fall to pieces and<br />

fill the lantern with dust.<br />

77

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