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56 MODERN MAGIC LANTERNS.<br />

wood of the carrier, the first slide is in the centre of the<br />

opening In some forms the grooves are bigger, and a frame<br />

holding two slides can be pushed backwards and forwards<br />

as shown in Fig. 46. This has the drawback that the slides<br />

are inserted and taken out from alternate sides of the lantern.<br />

In the simpler pattern the slides are put in at one<br />

side and taken out<br />

at the other, a more<br />

convenient method,<br />

but still not so good<br />

as one by which they<br />

are manipulated entirely<br />

from one side.<br />

Fig. 46. A SLIDE CARRIER.<br />

This is the case<br />

with the Eclipse<br />

carrier, one of the most ingenious devices of the many which<br />

lanternists owe to Mr. R. R. Beard. The Eclipse carrier, which<br />

is shown in Fig. 47, consists of a frame with a brass runner<br />

carrying the slide. The runner being pulled out, the slide<br />

is put on it and pushed into the lantern, after which the runner<br />

Fig. 47. 1HE ECLIPSE CARRIER.<br />

is again withdrawn and a second slide inserted. On pushing<br />

this into position, it is superimposed on the first, so that the<br />

two pictures are seen mixed up on the screen, the first being<br />

withdrawn on pulling the runner out once more to put the<br />

next slide in, when the second springs up into the exact<br />

position occupied by the first, with a little click. The means<br />

THE LANTERN BODY. 57<br />

by which this is effected is extremely simple, and the only<br />

drawback the carrier possesses is one in common more or<br />

less with all othersthat it does not deal well with slides<br />

which vary much in thickness. This difficulty has been surmounted<br />

in one form of the carrier shown in Fig. 45, by the<br />

introduction of two springs which keep the slides pressed up<br />

against one side of the groove, and so prevent one slide overlapping<br />

the other when pushed through, the grooves being<br />

made sufficiently wide to accommodate the thickest glass<br />

likely to be met with ; this is due to Mr. Chadwick.<br />

Other forms of carrier are those in which the slides are<br />

actuated by a tape travelling over pulleys ; those having a<br />

shutter which cuts off all light while changing a slide ; a<br />

third variety made by Messrs. Archer, of Liverpool, has a<br />

screen of matt celluloid by which the picture is partially<br />

obscured during changing, which is done by one movement<br />

of a lever.<br />

A carrier, although apparently a simple and unimportant<br />

part of the lantern outfit, is, as regards the smoothness and<br />

success of an exhibition, one of the most vital spots. A case<br />

occurs to me where the regularity of a display was ruined<br />

while the operator was engaged in extracting a slide stuck<br />

in the carrier in consequence of a piece of its binding having<br />

become loosened. In the presence of an audience such<br />

a mishap should be impossible, the slides should pass<br />

through in an even and unbroken succession. To secure<br />

this, nothing is so effectual as the simple push-through<br />

carrier, shown in Fig. 45, provided it has springs as mentioned,<br />

and provided that the groove at the bottom is just<br />

so deep that the centre of a 3,1 x 31 slide comes in the centre<br />

of the opening, the top groove being fully one-eighth deeper<br />

than this. When this is the case, slides of varying thickness<br />

and height can be passed through without any overlapping,<br />

and without the smaller slides falling backward or<br />

forward or the bigger ones jamming.<br />

A point generally neglected, but in the case of a public<br />

display a great safeguard against accident, is the provision of<br />

some arrangement by which the slide in the carrier, just<br />

before it is passed into the lantern, can be seen, so that the<br />

Dperator may be able to tell by a glance whether it is in the

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