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52 MODERN MAGIC LANTERNS. THE LANTERN BODY. 53<br />

back by which to introduce the illuminant, and a curtain<br />

should hang loosely round the back of the lantern, and<br />

cut off the stray light which would otherwise escape<br />

thence into the room. The doors usually are provided<br />

with a little window glazed with red or blue glass, so<br />

that the working of the lamp can be observed. These<br />

windows are not of much use, most operators preferring<br />

to look at the naked light itself, but they might be made<br />

more suitable by being both larger and glazed with, say, a<br />

deep red and blue, or a very dark neutral-tinted glass. This<br />

becomes a necessity with the arc lamp, which cannot be<br />

watched through the usual windows at all. With the arc<br />

lamp care must be used that at no time either carbon<br />

holder or other part conveying current is brought into<br />

contact with the metal lining of the lantern body.<br />

The base of the lantern is best a perfectly flat board, with<br />

an arrangement such as that shown in Fig 40, by which<br />

the entire apparatus can be tilted up or down. The base<br />

should be stood for<br />

use upon an equally<br />

flat surface, bearing<br />

in mind that the<br />

slightest motion of<br />

Fig. 40. TILTING STAND FOR THE LANTERN.<br />

the lantern will be<br />

enormously magnified<br />

upon the screen.<br />

The holes by which air is admitted to the lantern are best<br />

placed at the bottom of each side, and with oil lamps<br />

especially should be of ample size, and must be seen to be<br />

perfectly free. Nothing helps so much to keep a lantern<br />

cool and in the best working order as a regular and ample<br />

current of air passing right up through it, but not a draught<br />

or irregular one which may endanger the condenser.<br />

For all ordinary purposes a single lantern is sufficient.<br />

It is much the easiest to work, has less to get out of order,<br />

and is less expensive both in prime cost and in working.<br />

For photographic slides, for enlarging, and for scientific<br />

demonstrations it is all that is required. When, however, that<br />

gradual melting of one picture into another known as<br />

dissolving is desired, two lanterns, which when placed one<br />

above the other are known as a binnial (Fig 41), are necessary.<br />

The dissolving is effected with limelight by turning one<br />

jet down and the other up, with lamps, by moving a notched<br />

screen be1or3 one of the lanterns and simultaneously remov-<br />

Fig. 41. A B1UNIAL LANTERN.<br />

ing a similar screen from the other ; as shown in Fig. 42, A A<br />

being the objectives of the two lanterns. For what are<br />

called effects, in which sunlight fades into moonlight, buildings<br />

are illuminated, curtains roll up or down to display or<br />

cover up the picture, and similar things, two, and often three<br />

lanterns are employed, the latter being known as a triunial.<br />

Much work is often lavished on these structures, in the<br />

shape of bright brass rods and fittings, rendering them most<br />

costly luxuries ; but essentially they should consist of three<br />

lanterns, each possessing in itself the most desirable features<br />

of an efficient single lantern, the only really necessary extra

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