OPS300 User Manual (PDF) - Analog Way

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Working with Native Matrix Mode To activate the Native Matrix Mode: Mode Menu → Native Matrix mode menu You’ll find all menus from the Mixer Mode in the main menu except some specific matrix function added. To work with Native Matrix Mode, you have to use the Matrix # buttons first. For instance, if you want to put the Frame #1 on the Output #1 and the Live source #3 on the output #2: Press Matrix #1 button → Press Background Frame button → Press input #1 Press Matrix #2 button → Press Background live button → Press input #3 Press [TAKE] to view the result on both screens Don’t forget to press the correct Matrix # button before pressing the Layer selection button, in order to be sure doing the manipulation on the correct output. Working with Cut, Fade or Transitions All the transitions (Cut, Fade or Transitions) are available in the Native Matrix Mode. Although the Matrix Mode is activated, you will be able to perform powerful transition effects seamlessly. 1 background live on each output → 2 scalers used → 2 seamless transitions The background Frame and the Logos are not considered as live layers and are not counted as using a scaler. Output selection settings Same as Mixer Mode (Preview is replaced by output #2 in this case) Same as Mixer Mode Capturing Still Frames Same as Mixer Mode. Working with Frames 51
52 Capturing logos Same as Mixer Mode. Memorizing logos Same as Mixer Mode. Same as Mixer Mode. Same as Mixer Mode. Working with logos Layer transitions & effects Same as Mixer Mode. Same as Mixer Mode Same as Mixer Mode Same as Mixer Mode Creating Presets Working with Presets Working with Audio Audio configuration
Page 1 and 2: USER MANUAL Ops300 version 4.00
Page 3 and 4: 2 OPERATING THE OPS300 25 4-1. THE
Page 5 and 6: 4 INTRODUCTION 1-1. THE OPS300 OPER
Page 7 and 8: 6 HARDWARE INSTALLATION 2-1. SAFETY
Page 9 and 10: 8 INSTRUZIONI DI SECUREZZA Allo sco
Page 11 and 12: 10 INSTRUCCIONES DE SEGURIDAD Para
Page 13 and 14: 12 2-5. HARDWARE SPECIFICATIONS Inp
Page 15 and 16: 14 Inputs #7 and AUX (or 10-pin MCO
Page 17 and 18: 16 The video output generates a SDI
Page 19 and 20: 18 Pinouts • VGA STANDARD VGA 1-
Page 21 and 22: 20 CONNECTING THE OPS300 3-1. CONNE
Page 23 and 24: 22 Inputs #1 to #8 UNIVERSAL COMPUT
Page 25 and 26: 24 MAIN OUTPUT: ANALOG: 1x analog o
Page 27 and 28: 26 On/Off button The [STANDBY] butt
Page 29 and 30: 28 4-2. THE OPS300 MENU Menu naviga
Page 31 and 32: 30 Source Input selection Input sel
Page 33 and 34: 32 Working with Layers To attach a
Page 35 and 36: 34 PIP adjustment menu To have acce
Page 37 and 38: 36 Working with Frames It is possib
Page 39 and 40: 38 Capturing Logos To capture a Log
Page 41 and 42: 40 Creating Presets The OPS300 allo
Page 43 and 44: 42 Transparent Background - Transpa
Page 45 and 46: 44 For Chroma Key: Chroma Keying is
Page 47 and 48: 46 OPS300 Aspect Ratio From the Men
Page 49 and 50: 48 Using the Control Menu In the Co
Page 51: 50 Video Out In Native Matrix mode,
Page 55 and 56: 54 MODE INPUT Mixer Mode Matrix Mod
Page 57 and 58: 56 VIDEO OUT PRESET LAYOUT Connecti
Page 59 and 60: 58 LAYER (A3) Layer adjust (b1) Lay
Page 61 and 62: 60 CONTROL Audio Prelist (m1) Delay
Page 63 and 64: 62 The RCS software for your OPS300
Page 65 and 66: 64 5-2. WORKING WITH THE RCS Operat
Page 67 and 68: 66 PIP configuration 1. Click on th
Page 69 and 70: 68 Layer transitions & effects The
Page 71 and 72: 70 OPTIONAL REMOTE CONTROL SYSTEMS
Page 73 and 74: 72 EXAMPLES AND TIPS 7-1. ABOUT EXA
Page 75 and 76: 74 7-3. EXTERNAL PROGRAMMING If you
Page 77 and 78: 76 CONTACT INFORMATION HOW TO CONTA

OPS300 User Manual (PDF) - Analog Way

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