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icolage, interpretive bricolage, political bricolage, and narrative bricolage” (Kincheloe, 2005, p. 335) are applied in this project as depicted in Table 3.1. Berry succinctly describes the five dimensions as, “…bricoleurs need to access multiple theories (theoretical bricolage), research genres and conventions (methodological bricolage), ways to interpret (interpretive bricolage) and ways of reporting/telling the story (narrative bricolage)” (2006, p. 96). Combined, they provide a specific philosophical research approach used for this bricolage. Table 3.1 Five Dimensions of Bricolage Approach 78 Application in this research Methodological bricolage Critical Discourse Analysis (CDA) Visual analysis (incorporating a CDA approach to analysing images) Historical methodology Theoretical bricolage Poststructuralist analysis of texts Gramsci and Althusser: notions of ideological power and hegemony Interpretive bricolage Disclosure of researcher, incorporating aspects of personal “lived context” (Kincheloe, 2005, p. 336) Appendix A: Contexts: situating the research within its historical time period Political bricolage Gramsci and Althusser through curriculum hegemony Apple: Official Knowledge Issues of national identity through school curriculum Narrative bricolage An historical narrative is constructed aligned within a qualitative approach to report data findings 3.1.2 Contentions with bricolage as methodology. Investigating the criticisms and contentions lodged at bricolage research reveals a limitation in the quantity of published research regarding this methodology. One reason for the relative paucity of published literature available that presents criticisms of bricolage could be that it is still in relatively infant stages of its development as an accepted, mainstream research methodology; residing on the fringes of qualitative research. Bricolage is still mainly critiqued by those who use it, for example Wagner (1990) and Kincheloe (2001, 2004, 2008). The relatively small amount of published literature available on criticisms of bricolage will be seen as a contrast to that of the criticisms of CDA, which is detailed later in this chapter. A general criticism of interdisciplinary and disciplinary approaches is responded to by Kincheloe. He describes the debate surrounding rigor in research, in relation to this methodology in the following way, “…a consistent division between disciplinarians and interdisciplinarians: disciplinarians maintain that interdisciplinary approaches to analysis and research result in superficiality; interdisciplinary proponents argue that disciplinarity produces naïve overspecialization” (2004, p. 53).

Through a critique of a bricolage project undertaken on teaching, Wagner criticizes taking a narrow approach as being a “loose thread” (1990, p. 78), and instead considers that if bricolage is to be rigorous, it must incorporate more facets, including recognising the abstract in different forms of knowledge. Certainly, this project could potentially be regarded as narrow by those who take a more avant-garde approach to bricolage. However, given that it is steeped in both practical methodologies (CDA, visual analysis and historical research) and abstract theories (for example, Gramsci’s and Althusser’s notions of hegemony and ideological power), it can be seen to be making a concerted effort to construct a broad encompassing methodology, thereby incorporating concrete and abstract forms of knowledge. 3.1.3 Bricolage and this project. An important reason for adopting a bricolage approach to this research (even with CDA being the leading and dominant methodology), is because of a concerted effort to overcome potential criticisms of methodological weaknesses that could be lodged at using only a CDA approach (see, for example, Schegloff, 1997, 1998, 1999). In this way, bricolage is being used to strengthen the variety of approaches selected for this project. Ensuring that the bricolage approach used in this research is grounded in theoretical understanding avoids a potential hotchpotch of methodological ideas, with no links to each other, and sees that “the methods…serve the aims of the research, not the research serve the aims of the method” (as cited in Pink, 2001, p. 4). In many ways, bricolage is still an experimental methodology. Drawing on a variety of methodologies, theories and philosophies, the way it is being applied in qualitative research is emerging as a new frontier of knowledge construction, with increasing moves against research embedded only in positivist paradigms. Bricoleurs are thus able to undertake research “…freed from reductionistic conventions in ways that facilitate their moves not to an anything-goes model of research but to genuinely rigorous, informed multiperspectival ways of exploring the lived world” (Kincheloe, 2005, p. 337). At this point in its history, however, bricolage remains on the fringe of accepted norms of research. With increased use and adaptation it will potentially become more accepted across a number of research fields, including as already seen in social sciences, environmental studies, education, and business studies. This project therefore, presents as a modest attempt at bricolage. There is further ground to be made in order to start to integrate reconceptualisations of methodologies and improvisation into this type of research. However, by combining only a small number of 79

Through a critique <strong>of</strong> a bricolage project undertaken on teaching, Wagner criticizes taking a<br />

narrow approach as being a “loose thread” (1990, p. 78), and instead considers that if<br />

bricolage is to be rigorous, it must incorporate more facets, including recognising the abstract<br />

in different forms <strong>of</strong> knowledge. Certainly, this project could potentially be regarded as<br />

narrow by those who take a more avant-garde approach to bricolage. However, given that it is<br />

steeped in both practical methodologies (CDA, visual analysis and historical research) and<br />

abstract theories (for example, Gramsci’s and Althusser’s notions <strong>of</strong> hegemony and<br />

ideological power), it can be seen to be making a concerted effort to construct a broad<br />

encompassing methodology, thereby incorporating concrete and abstract forms <strong>of</strong> knowledge.<br />

3.1.3 Bricolage and this project.<br />

An important reason for adopting a bricolage approach to this research (even with CDA being<br />

the leading and dominant methodology), is because <strong>of</strong> a concerted effort to overcome<br />

potential criticisms <strong>of</strong> methodological weaknesses that could be lodged at using only a CDA<br />

approach (see, for example, Schegl<strong>of</strong>f, 1997, 1998, 1999). In this way, bricolage is being<br />

used to strengthen the variety <strong>of</strong> approaches selected for this project. Ensuring that the<br />

bricolage approach used in this research is grounded in theoretical understanding avoids a<br />

potential hotchpotch <strong>of</strong> methodological ideas, with no links to each other, and sees that “the<br />

methods…serve the aims <strong>of</strong> the research, not the research serve the aims <strong>of</strong> the method” (as<br />

cited in Pink, 2001, p. 4).<br />

In many ways, bricolage is still an experimental methodology. Drawing on a variety <strong>of</strong><br />

methodologies, theories and philosophies, the way it is being applied in qualitative research is<br />

emerging as a new frontier <strong>of</strong> knowledge construction, with increasing moves against<br />

research embedded only in positivist paradigms. Bricoleurs are thus able to undertake<br />

research “…freed from reductionistic conventions in ways that facilitate their moves not to an<br />

anything-goes model <strong>of</strong> research but to genuinely rigorous, informed multiperspectival ways<br />

<strong>of</strong> exploring the lived world” (Kincheloe, 2005, p. 337). At this point in its history, however,<br />

bricolage remains on the fringe <strong>of</strong> accepted norms <strong>of</strong> research. With increased use and<br />

adaptation it will potentially become more accepted across a number <strong>of</strong> research fields,<br />

including as already seen in social sciences, environmental studies, education, and business<br />

studies. This project therefore, presents as a modest attempt at bricolage. There is further<br />

ground to be made in order to start to integrate reconceptualisations <strong>of</strong> methodologies and<br />

improvisation into this type <strong>of</strong> research. However, by combining only a small number <strong>of</strong><br />

79

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