11.02.2013 Views

PDF (Whole Thesis) - USQ ePrints - University of Southern ...

PDF (Whole Thesis) - USQ ePrints - University of Southern ...

PDF (Whole Thesis) - USQ ePrints - University of Southern ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

spoken about rather than by in school texts during this era, with this poem providing a more<br />

personalised view <strong>of</strong> Indigenous representations.<br />

A third literary representation comes from a popular children’s book <strong>of</strong> the time, and<br />

although not strictly a school text, was popularly used by school-aged children <strong>of</strong> the time<br />

and was held in public and school library collections. Reinforcing the position <strong>of</strong> Indigenous<br />

Australians within the natural environment are the popular artistic and literary works <strong>of</strong><br />

Brownie Downing. Of particular note are her Tinka stories, told in colourfully illustrated<br />

children’s storybooks. One such book, Tinka and his friends (Downing & Mansfield, 1964)<br />

tells the story <strong>of</strong> Tinka, a young Indigenous boy helping Shelley, a young non-Indigenous<br />

(white) girl who wants Tinka to use magic to help her blonde pigtails grow. Throughout the<br />

story, Tinka is shown to be intimately connected with the natural environment, with all his<br />

friends being native animals and Tinka himself able to work magic to make Shelley’s pigtails<br />

grow. A sample <strong>of</strong> specific references from the text which demonstrate the positioning <strong>of</strong><br />

Tinka as part <strong>of</strong> the natural environment include: ‘Tinka was a piccaninny belonging to the<br />

people who came out <strong>of</strong> the deep earth <strong>of</strong> the wide bushland which grows underneath the sun<br />

and is called Australia’ (Downing & Mansfield 1964, pp. 7, emphasis added). Tinka’s<br />

residence is described in the following way:<br />

He was known and loved by all in the bushland, for he was the child <strong>of</strong> a people<br />

whose wisdom was old when the mountains were still only ant-hills.<br />

…<br />

He lived near a big lagoon…His house was like a new moon turned upside<br />

down with a pole through the top to keep it up, and was made from the skin <strong>of</strong> a<br />

stringy-bark tree. (Downing & Mansfield 1964, pp. 8)<br />

The written text is accompanied by 42 full colour illustrations placed throughout the 42 page<br />

story. An example <strong>of</strong> how Tinka is represented visually can be viewed at Source 6.33. This<br />

reinforces the representation <strong>of</strong> Indigenous Australians as belonging to the flora and fauna <strong>of</strong><br />

the natural environment.<br />

259

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!