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PDF (Whole Thesis) - USQ ePrints - University of Southern ...

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Source 5.3. Chapter II: The Britons in New syllabus history for fourth grade<br />

(Dunlop and Palfrey, 1933, pp. 44-45)<br />

5.4.2 Discourses <strong>of</strong> British conflicts.<br />

One way the category Privileging British heritages is illustrated is through discourses <strong>of</strong><br />

British conflicts. This discourse is mediated through poetry and historical narratives told as<br />

stories, <strong>of</strong>ten with the central figure as the hero <strong>of</strong> the story. Examples from Queensland<br />

Readers: Book IV (Department <strong>of</strong> Public Instruction, 1913a) are included here. The first<br />

discourse <strong>of</strong> British conflict is introduced through the poem, After Blenheim, written by<br />

Robert Southey. This poem, about a battle in Austria whereby the British defeated the<br />

French, is widely regarded as being essentially anti-war. For example, it discusses the futility<br />

<strong>of</strong> the lives <strong>of</strong> civilians and soldiers lost during war-time. However, there is evidence that<br />

despite the author’s views <strong>of</strong> armed conflict as being futile, the English are portrayed as being<br />

on the ‘right side’. This is particularly evidenced through the following extract from lines 31-<br />

32 in Stanza 6):<br />

“ It was the English,” Kaspar cried,<br />

“ Who put the French to rout ; (Department <strong>of</strong> Public Instruction, 1913a, p. 16)<br />

This is then supported in other examples from the same Reader, for example in the poem, Ye<br />

Mariners <strong>of</strong> England (Department <strong>of</strong> Public Instruction, 1913a, pp. 102-104), where<br />

156

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