uriah heep catering rider - Paradise Artists

URIAH HEEP
USA
PRODUCTION RIDER AGREEMENT 2011/12
RIDER TO CONTRACT NO ……………… DATED…………………..
BETWEEN URIAH HEEP PRODUCTIONS
F/S/O URIAH HEEP. HEREIN REFERRED TO AS THE ARTISTE,
AND …………………
HEREIN REFERRED TO AS THE MANAGEMENT
1. CONTRACTUAL SPECIFICATIONS
THIS RIDER AGREEMENT IS AN INTEGRAL PART OF THE CONTRACT TO WHICH IT IS
ATTACHED AND MUST REMAIN ATTACHED TO SUCH CONTRACT AT ALL TIMES.
ANY ALTERATION TO THE TERMS OF THIS RIDER OR THE CONTRACT HAS NO
VALIDITY AND SERVES NO PURPOSE, UNLESS AUTHORISED BY THE ARTISTE’S
REPRESENTATION.
THE FACILITIES AND GENERAL ARTISTE REQUIREMENTS SPECIFIED IN THIS RIDER
ARE TO BE PROVIDED BY THE MANAGEMENT AT NO COST TO THE ARTISTE.
THE CLAUSES CONTAINED IN THIS RIDER AGREEMENT ARE INTENDED TO ENSURE
THAT THE ARTISTE HAS ALL THE NECESSARY FACILITIES TO PRESENT A
PERFORMANCE OF THE HIGHEST PROFESSIONAL STANDARD.
IT IS APPRECIATED THAT NOT ALL OF THESE CLAUSES ARE APPROPRIATE FOR
EVERY ENGAGEMENT AND SOME COMPROMISES ARE POSSIBLE.
IF THERE ARE ANY QUERIES WHATSOEVER REGARDING THE CLAUSES CONTAINED IN
THIS RIDER AGREEMENT PLEASE CONTACT:-
PARADISE ARTISTS – JIM LENZ
Paradise Artists
Phone: 805.646.8433
Fax: 805.646.3367
jim@paradiseartists.com
1 Signed and Agreed ____

2. CONTRACTUAL SPECIFICATIONS
NO PORTION OF THE PERFORMANCE RENDERED HEREUNDER MAY BE RECORDED,
FILMED, TAPED OR EMBODIED IN ANY FORM FOR THE PURPOSE OF
REPRODUCTION, RE-BROADCAST OR ANY OTHER USE.
THE MANAGEMENT AGREES IT WILL PREVENT ANY SUCH RECORDING FROM BEING
MADE.
THE MANAGEMENT WILL ALSO POST SIGNS AT ALL ENTRANCES TO THE VENUE OR
HALL WITH REGARD TO THIS STATING THAT NO RECORDING OR FILMING IS TO BE
MADE, ANY PERSON DOING SO WILL BE REMOVED FROM THE VENUE OR HALL A
VIOLATION OF THIS CLAUSE SHALL FURNISH ABSOLUTE GROUNDS FOR THE
ARTISTE’S REFUSAL TO PERFORM THEREAFTER, AND IN THIS EVENT ALL COSTS,
INCLUDING THE ARTISTE’S GUARANTEED FEE AND PERCENTAGE OVERRIDE DUE
TO THE ARTISTE BASED ON BOX OFFICE SALES, SHALL BE BORNE BY THE
MANAGEMENT.
IN ADDITION NO PHOTOGRAPHERS SHALL BE ISSUED WITH PHOTO PASSES OR
ALLOWED BACKSTAGE BEFORE, DURING OR AFTER THE PERFORMANCE WITHOUT
THE EXPRESS PERMISSION OF THE ARTISTE TOUR / PRODUCTION MANAGER.
NO OTHER ACT MAY APPEAR ON THE SAME PROGRAMME WITHOUT THE ARTISTE’S
PRIOR CONSENT. THE ARTISTE RESERVES THE RIGHT TO DETERMINE THE LENGTH
AND NATURE OF THE OTHER ACTS PERFORMANCE.
IT IS AGREED AND UNDERSTOOD THAT NO RESPONSIBILITY FOR PUBLIC LIABILITY
RESTS WITH THE ARTISTE AND IS THE SOLE RESPONSIBILITY OF THE
MANAGEMENT AND THAT THE MANAGEMENT WILL MAINTAIN AN ADEQUATE
PUBLIC LIABILITY INSURANCE POLICY IN FULL EFFECT FOR THE DURATION OF
THIS CONCERT. NOR WILL THE ARTISTE BE HELD RESPONSIBLE FOR ANY DEATH,
ACCIDENT OR INJURY HOWSOEVER CAUSED, INCURRED BY ANY OF THE
MANAGEMENT OF THEIR EMPLOYEES DURING THE CURRENCY OF THIS
CONTRACT.
THE MANAGEMENT IS RESPONSIBLE FOR REPLACEMENT OF ARTISTES AND
ARTISTES’ SUB-CONTRACTORS EQUIPMENT STOLEN OR DESTROYED DUE TO THE
MANAGEMENT’S NEGLIGENCE.
OR ANY EQUIPMENT STOLEN OR DESTROYED WHILE HANDLED BY LOCAL STAGE
CREW OR LOCAL CONTRACTORS.
BILLING
1. THE ARTISTE SHALL RECEIVE 100% SOLE TOP BILLING AS:
URIAH HEEP
IN ALL ADVERTISING, PROMOTION AND PUBLICITY PERTAINING TO THE
ENGAGEMENT AND THE ARTISTE’S LOGO WILL BE USED WHEREVER
POSSIBLE IN ALL SUCH ADVERTISING, PROMOTION AND PUBLICITY.
ALL ARTWORK FOR ADVERTISING SHALL BE PROVIDED BY AND APPROVED
BY THE ARTISTE (UNLESS OTHERWISE SPECIFIED). ALL COPY TO BE E-
MAILED TO THE ARTISTES MANAGEMENT AT
QEDG@QEDG.CO.UK
2. THE ARTISTE’S NAME, LIKENESS OR THE NAME OF ANY INDIVIDUAL MEMBER OF
URIAH HEEP IS NOT TO BE CONNECTED IN ANY WAY WITH ANY FORM OF
SPONSORSHIP OR ENDORSEMENT OF ANY KIND INCLUDING BUT NOT LIMITED TO
COMMERCIAL OR POLITICAL, WITHOUT THE PRIOR WRITTEN AGREEMENT OF THE
ARTISTE’S REPRESENTATION.
2 Signed and Agreed ____

STAGE
3. THE MANAGEMENT AGREES TO PROVIDE A STAGE OF FIRM CONSTRUCTION ON
ONE LEVEL OF AT LEAST 30 FEET (9.23 METERS) WIDE (FROM SIDE TO SIDE), 20
FEET (8.15 METERS) DEEP (FROM FRONT TO BACK, 3 FEET (0.92 METERS) HIGH
(FROM VENUE FLOOR TO STAGE FLOOR) AND HAVE A MINIMUM HEADROOM
CLEARANCE OF 30 FEET (9.23 METERS) (ABOVE THE STAGE FROM STAGE FLOOR TO
THE LOWEST POINT ABOVE THE STAGE AREA).
4. STRONG PA WINGS MUST BE PROVIDED EITHER SIDE OF THE STAGE FRONT AND AT
THE SAME HEIGHT AS THE STAGE, SUCH PA WINGS TO BE NOT LESS THAN 12 FEET
(3,69 METERS) WIDE AND 6 FEET (1.85 METERS) DEEP.
5. AN AREA AT THE SIDE OR REAR OF THE STAGE IS TO BE PROVIDED FOR THE
STORAGE OF THE ARTISTES FLIGHT CASES AND SPARE EQUIPMENT DURING THE
PERIOD OF ENGAGEMENT.
POWER SUPPLY
6. THE MANAGEMENT AGREES TO PROVIDE AT NO COST TO THE ARTISTE AND
WITHIN CLOSE PROXIMITY TO THE STAGE, AN ELECTRICITY SUPPLY TO THE
FOLLOWING SPECIFICATIONS:
A) FOR THE PA. SYSTEM AND ARTISTE’S STAGE EQUIPMENT — SINGLE PHASE OF
100 AMPS TERMINATING IN AN ISOLATOR
B) FOR THE STAGE LIGHTING SYSTEM - THREE PHASES OF 100 AMPS
TERMINATING IN AN ISOLATOR. THIS SUPPLY MUST BE ENTIRELY INDEPENDENT
FROM THAT IN A) ABOVE.
7. THE MANAGEMENT AGREES TO PROVIDE AT NO COST TO THE ARTISTE A
QUALIFIED ELECTRICIAN TO BE AT THE VENUE FROM THE TIME OF THE ARTISTE’S
EQUIPMENT ARRIVAL, TO THE TIME THAT THE ARTISTE FINISHES WITH THE
ELECTRICAL SUPPLY IN A AND B) ABOVE.
ARRIVAL / STAGEHANDS / EQUIPMENT SET-UP
8. IT IS AGREED THAT THE ARTISTE WILL HAVE EXCLUSIVE ACCESS TO THE USE OF
THE STAGE, ELECTRICAL SUPPLY, BACKSTAGE AREA AND AUDITORIUM AT
LEAST SIX (6) HOURS PRIOR TO THE ADMISSION OF THE AUDIENCE. A
REPRESENTATIVE OF THE MANAGEMENT MUST BE PRESENT AT THE ARTISTE’S
ROAD CREW’S TIME OF ARRIVAL.
9. THE MANAGEMENT AGREES TO PROVIDE AT NO COST TO THE ARTISTE FOUR
(UNLESS THE VENUE HAS STAIRS ON THE LOAD IN, IN WHICH CASE WE NEED 6)
SUITABLE, STRONG ENGLISH SPEAKING STAGEHANDS TO ASSIST WITH THE
UNLOADING, SETTING-UP, DISMANTLING, AND RELOADING OF THE ARTISTE’S
EQUIPMENT. SUCH STAGEHANDS MUST BE AVAILABLE FROM THE ROAD CREW’S
TIME OF ARRIVAL UNTIL DISMISSED BY THE ARTISTE’S ROAD MANAGER, AND
THEN AT A TIME TO BE SET BY THE ARTISTE’S ROAD MANAGER FOR EQUIPMENT
DISMANTLING AND RELOADING AFTER THE PERFORMANCE.
10. THE ARTISTE SHALL HAVE THE FIRST RIGHT OF SET-UP FOR ALL INSTRUMENTS
AND STAGE EQUIPMENT, AND THESE SHALL NOT BE MOVED, RE-LOCATED OR
USED BY ANY OTHER PERSON WITHOUT THE APPROVAL OF THE ARTISTE ROAD
MANAGER.
11. THE MANAGEMENT AGREES TO PROVIDE AT NO COST TO THE ARTISTE, A
MINIMUM OF ONE OF THE FOLLOWING, WHICHEVER IS APPLICABLE:
A) TWO EXPERIENCED ENGLISH SPEAKING FOLLOWSPOT OPERATORS WHEN THE
VENUE IS OF A STANDARD CONCERT TYPE.
B} SIX EXPERIENCED ENGLISH SPEAKING FOLLOWSPOT OPERATORS WHEN THE
EVENT IS OF A FESTIVAL/ARENA TYPE.
3 Signed and Agreed ____

DRESSING ROOMS & CREW ROOM
12. THE MANAGEMENT AGREES TO PROVIDE THE FOLLOWING EXCLUSIVE ARTISTE
DRESSING ROOM AND ROAD CREW ROOM FACILITIES
FOR THE ARTISTE - 2 ROOMS SUITABLE FOR AT LEAST SIX PERSONS IN EACH,
WITH TABLES, COMFORTABLE CHAIRS, MIRRORS, WASHING AND TOILET
FACILITIES, AND AN ELECTRICAL POWER POINT, 8 LARGE BATH TOWELS IN EACH
ROOM, LIGHTING, SUITABLE HEATING AND TO BE IN CLOSE PROXIMITY TO THE
STAGE
FOR THE CREW - A ROOM FOR GEAR TUNING, TESTING, REPAIRING, ETC. SUCH
ROOM TO HAVE A MINIMUM OF TWO ELECTRICAL POWER POINTS, TABLES OR
WORK TOPS, CHAIRS, LIGHTING, SUITABLE HEATING AND BE IN CLOSE PROXIMITY
TO THE STAGE.
THE ROOMS ABOVE MUST BE LOCKABLE AND THE KEYS GIVEN TO THE ARTISTE’S
ROAD MANAGER AT THE TIME OF HIS ARRIVAL. ACCESS FROM THE ARTISTE’S
ROOM TO THE STAGE MUST NOT ENTAIL PASSING THROUGH THE AUDIENCE.
THE PERFORMANCE
13. THE MANAGEMENT AGREES TO ENSURE THAT THERE IS A PERIOD OF AT
LEAST THIRTY MINUTES IMMEDIATELY PRIOR TO THE ARTISTE TIME OF
PERFORMANCE DURING WHICH TIME THE ARTISTE’S ROAD CREW WILL HAVE
EXCLUSIVE ACCESS TO THE STAGE FOR THE PURPOSE OF CHECKING EQUIPMENT.
14. THE ARTISTE’S PERFORMANCE IS APPROXIMATELY SEVENTY-FIVE MINUTES
PLUS ENCORES AND IT IS THE RESPONSIBILITY OF THE MANAGEMENT TO ENSURE
THAT THERE IS SUFFICIENT TIME FOR THE ARTISTE TO GIVE A FULL
PERFORMANCE WITHOUT INTERRUPTION OR CURTAILMENT FOR ANY REASON
WHATSOEVER.
A SUPPLY OF NOT LESS THAN 8 BLACK TOWELS FOR THE USE OF THE ARTIST
DURING THE PERFORMANCE ON STAGE, TO BE PLACED IN THE BANDS DRESSING
ROOM NO LATER THAN 4 HOURS PRIOR TO THE PERFORMANCE.
SOUND LEVELS
THE MANAGEMENT AGREE THAT NO RESTRICTIONS SHALL EXIST WITH REGARD
TO SOUND LEVELS AT ANYTIME UP TO AND INCLUDING THE ARTISTE’S
PERFORMANCE. IF A DB SOUND LEVEL/LIMIT HAS BEEN SET BY LOCAL
GOVERNMENT AUTHORITIES, THE PRODUCTION MANAGER SHOULD BE INFORMED
4 WEEKS IN ADVANCE OF THE PERFORMANCE AND ALL PAPERWORK WILL BE
MADE AVAILABLE.
RADIO FREQUENCIES
IF A RADIO LICENCE IS REQUIRED FOR THE USE OF ALL THE ARTIST RADIO
EQUIPMENT AS USED AS PART OF THE ARTISTS EQUIPMENT FOR THE FULFILMENT
OF THE SHOW THEN THIS SHALL BE ACQUIRED BY THE MANAGEMENT AT NO COST
TO THE ARTIST.
IF THE ARTIST NEEDS TO REPLACE ANY RADIO EQUIPMENT OR SUB RENT
ADDITIONAL RADIO EQUIPMENT FOR THE ARTIST TO PERFORM THIS WILL BE AT
THE COST OF THE MANAGEMENT AND NO COST TO THE ARTIST.
4 Signed and Agreed ____

SECURITY
15. THE MANAGEMENT AGREES TO PROVIDE AT NO COST TO THE ARTISTE
SUITABLE EXPERIENCED SECURITY PERSONNEL AT ALL ENTRY POINTS TO THE
STAGE, BACKSTAGE AREA AND DRESSING ROOMS, TO ENSURE THAT ONLY
AUTHORISED PERSONS CONNECTED DIRECTLY WITH THE PRODUCTION ARE
PERMITTED ACCESS.
16. THE MANAGEMENT AGREES TO PROVIDE A STURDY BARRIER, WITH SUITABLE
SECURITY PERSONNEL, IN FRONT OF THE STAGE, SO THAT NO MEMBER OF THE
AUDIENCE CAN GAIN ACCESS TO THE STAGE.
A WELL-CONSTRUCTED SECURITY BARRIER MUST BE ERECTED 1.5MTR FROM THE
DOWNSTAGE EDGE OF THE STAGE AND RUNNING ITS ENTIRE WIDTH INCLUDING THE
PA WINGS. THE BARRIER SHOULD BE 1.25M HIGH AND SHOULD BE AN
ACOUSTIC BARRIER AT EACH END FOR SOUND TO TRAVEL. THIS BARRIER
SHOULD NOT BE ERECTED UNTIL AFTER ALL THE ARTISTE’S EQUIPMENT IS IN
PLACE (NORMALLY LATE AFTERNOON), AND IN ANY CASE NOT UNTIL THE
ARTISTE’S TOUR MANAGER/STAGE MANAGER HAS GIVEN HIS CONSENT.
THIS IS AT THE EXPENSE OF THE MANAGEMENT.
PERCENTAGE FEE
18. THE MANAGEMENT AGREES THAT IN THE EVENT OF THE ARTISTES FEE BEING
RELATED TO A PERCENTAGE OF THE RECEIPTS FROM TICKET SALES, AND THEN
THE FOLLOWING PROVISIONS SHALL APPLY:
A) ON ALL TICKETS THERE SHALL BE PRINTED THE NAME OF THE ARTISTE, DATE
AND TIME OF THE ENGAGEMENT, NAME OF THE VENUE, AND THE RESPECTIVE
TICKET’S PRICE. ALL TICKETS MUST CLEARLY DIFFERENTIATE BETWEEN THE
PRICE OF A TICKET SOLD IN ADVANCE AND ONE SOLD ON THE NIGHT.
B) ANY PERCENTAGE PAYMENT DUE TO THE ARTISTE SHALL BE CALCULATED ON
THE NUMBER OF PERSONS ADMITTED NOT INCLUDING STAFF, A MANAGEMENT
GUEST LIST OF NOT MORE THAN TWENTY (20) PERSONS AND GUESTS OF THE
ARTISTE, WHICH WILL NOT EXCEED TWENTY (20) PERSONS UNLESS PREVIOUSLY
AGREED IN WRITING BY THE MANAGEMENT.
A REPRESENTATIVE OF THE ARTISTE SHALL HAVE THE RIGHT TO BE PRESENT IN
THE BOX OFFICE AT ANY TIME BEFORE, DURING AND AFTER THE PERFORMANCE ON
THE DAY OF THE ENGAGEMENT.
IF THE ARTISTE’S FEE IS IN ANY WAY RELATED TO THE MANAGEMENT’S
PRODUCTION COSTS THEN THE MANAGEMENT SHALL FURNISH THE ARTISTE WITH A
DETAILED LIST OF PRODUCTION COSTS (CERTIFIED BY RECEIPTS) AT THE TIME OF
THE ARTISTE’S FEE BEING PAID.
THE MANAGEMENT SHALL KEEP ALL EXPENDITURE TO A MINIMUM AND SHALL BE
LIABLE FOR ALL PAYMENTS WHETHER OR NOT MENTIONED HEREIN. IF A PAYEE’S
RECEIPT IS NOT PRODUCED THEN THE MANAGEMENT SHALL BE DEEMED NOT TO
HAVE PAID THE EXPENSE CONCERNED. SHOULD THE MANAGEMENT FAIL TO MAKE
PAYMENTS TO THE ARTISTE PROMPTLY HEREUNDER THIS SHALL CONSTITUTE A
MATERIAL BREACH ENTITLING THE ARTISTE IN ADDITION TO ALL ITS OTHER
RIGHTS AND REMEDIES TO CANCEL ALL OR ANY CONCERTS HEREUNDER AT ITS
SOLE DISCRETION WITHOUT LIABILITY OR RESPONSIBILITY FOR SUCH
CANCELLATION TO THE MANAGEMENT.
E) ALL TICKET STUBS AND UNSOLD TICKETS WILL BE RETAINED BY THE
MANAGEMENT FOR A PERIOD OF NOT LESS THAN SIXTY (60) DAYS AFTER THE
ENGAGEMENT, DURING WHICH TIME THE ARTISTE SHALL BE ENTITLED ACCESS TO
SUCH STUBS AND TICKETS FOR THE PURPOSE OF EXAMINATION ARID COUNTING,
5 Signed and Agreed ____

UPON REASONABLE NOTICE BEING GIVEN BY THE ARTISTE.
PERCENTAGE PAYMENTS PROVIDED HEREUNDER, SHALL BE ACCOMPANIED BY A
WRITTEN STATEMENT FROM THE MANAGEMENT, WHICH SHALL BE FORWARDED
TO THE AGENCY GROUP LTD WITHIN THREE DAYS OF THE PERFORMANCE
TOGETHER WITH DETAILED ACCOUNTS SETTING OUT ALL GROSS RECEIPTS AND
INCOME FROM AN EXPENDITURE INCURRED IN CONNECTION WITH THE ABOVE
CONCERT TOUR AND SHALL MAKE AVAILABLE TO THE ARTISTE ALL DOCUMENTS,
PAPERS, VOUCHERS, RECEIPTS, TICKET BOOKS, AND ALL OTHER MATTER TO
ENABLE THE ARTISTE TO VERIFY FIGURES SUPPLIED AND THE ARTISTE OR ITS
ACCOUNTANTS OR LAWYERS SHALL BE ENTITLED AT ALL TIMES TO INSPECT THE
BOOKS AND ACCOUNTING RECORDS OF THE MANAGEMENT INSOFAR AS THEY
RELATE TO THE PRESENT TRANSACTION AND TO TAKE COPIES OR EXTRACTS
FROM THEM.
IF THE ABOVE PAYMENTS OR OTHER PAYMENTS OR MONIES WHATSOEVER IN ANY
WAY REFERABLE TO THE ABOVE CONCERT TOUR ARE SUBJECT TO ANY
GOVERNMENT, LOCAL OR OTHER DIRECT OR INDIRECT TAXES, LEVIES OR
IMPOSITIONS WHATSOEVER (WHETHER OR NOT REFERABLE TO INCOME,
WHETHER OR NOT VALUE ADDED AND SIMILAR TAXES) WHETHER AGAINST THE
MANAGEMENT, THE ARTISTE AND/OR ANY MEMBERS OF THE ARTISTE, THE
MANAGEMENT HEREBY AGREES TO BEAR THE FINAL BURDEN OF ALL SUCH
TAXES, LEVIES AND IMPOSITIONS BY PAYING THE SAME PROMPTLY TO THE
APPROPRIATE TAX AUTHORITIES AND HEREBY INDEMNIFIES THE ARTISTE AND/OR
ANY MEMBER(S) OF
THE ARTISTE AGAINST ALL LIABILITY AND ALL COSTS, EXPENSES AND PAYMENTS
WHATSOEVER IN CONNECTION WITH ANY CLAIMS OR PROCEEDINGS IN RESPECT
THEREOF.
ON NO ACCOUNT SHOULD TICKETS BE SOLD TO THE SIDES OF THE STAGE OR THE
REAR.
IN THE EVENT OF THE MANAGEMENT SELLING ANY TICKETS IN EXCESS OF THE
AGREED CAPACITY OF THE VENUE THE ARTISTE SHALL RECEIVE 100 PER CENT OF
THIS EXCESS.
MERCHANDISING
19. THE MANAGEMENT AGREES THAT THE ARTISTE WILL HAVE THE EXCLUSIVE
RIGHT TO ARRANGE FOR THE SALE OF MERCHANDISE CONNECTED WITH THE
ARTISTE DURING THE PERIOD OF THE ENGAGEMENT. THIS WILL BE AT NO COST
TO THE ARTIST.
(A) MANAGEMENT AGREES THAT HE WILL NOT SELL ANY PRODUCTS
IDENTIFIED WITH THE ARTISTE AT THE PLACE OF PERFORMANCE OR ANY
ADJACENT PLACE UNDER HIS CONTROL, NOR WILL HE LICENSE THIRD
PARTIES TO DO SO OR PERMIT SUCH SALE BY ANY THIRD PARTIES
WITHOUT THE EXPRESS AGREEMENT OF THE ARTISTE.
(B) THE ARTISTE SHALL APPOINT HIS REPRESENTATIVE TO MARKET
EXCLUSIVE MERCHANDISING PROVIDED BY THE ARTISTE. (THIS SHALL
INCLUDE, BUT NOT BE LIMITED TO THE SALE OF T-SHIRTS, BADGES, BELT
BUCKLES, POSTERS AND JACKETS). FOR THIS PURPOSE THE ARTISTE’S
MERCHANDISER WILL REQUIRE THE MANAGEMENT TO PROVIDE ADEQUATE
DISPLAY AREAS AND SALES TABLES IN THE FOYER OR ENTRANCE LOBBY
OF THE VENUE.
THE ARTISTE WILL PROVIDE MERCHANDISING SALES STAFF.
RECEIPTS FROM THE SALE OF THE ABOVE ITEMS AND PHONOGRAPHIC
RECORDS OF THE ARTISTE SHALL BELONG EXCLUSIVELY TO THE ARTISTE.
6 Signed and Agreed ____

(e) AT NO TIME SHALL ANY PERSON ENTER THE VENUE OR HALL TO SELL OR
DISTRIBUTE ANY TYPE OF MERCHANDISING WITHOUT PRIOR CONSENT OF
THE ARTIST MANAGEMENT
(f) IN THE EVENT THAT THE SHOW IS TO TAKE PLACE OUT-DOORS THEN THE
MANAGEMENT WILL SUPPLY AN ADEQUATE SITE FOR THE SALE OF THE
ARTISTS MERCHANDISE. THIS WILL CONSIST OF A COVERED TENT AREA
WITH POWER AND A ROOF.
(g) SECURITY WILL ALSO BE PROVIDED.
TRANSPORT: PERSONAL & EQUIPMENT
PERSONAL:
IN THE EVENT OF TRANSPORTATION BEING SUPPLIED BY THE
MANAGEMENT.
A LUXURY EXECUTIVE TYPE COACH MUST BE PROVIDED AT ALL TIMES FOR
LOCAL TRANSPORT OF BOTH THE BAND AND CREW THE PARTIES.
THE COACH SHOULD HAVE TOILET FACILITIES, AIR
CONDITIONING,TELEVISION, VIDEO, HI FI STEREO AND SEATING AREAS
WITH TABLES ENOUGH FOR 12 PEOPLE AS OPPOSED TO BEING A
STANDARD 56 SEATER WHICH IS UNCOMFORTABLE, PARTICULARLY ON
LONGER JOURNEYS. ANY SUCH COACH MUST BE ABLE TO TAKE A LARGE
AMOUNT OF LUGGAGE IN UNDER THE BAYS ANDA PLENTIFUL SUPPLY OF
WATER (EVIAN ) NO GAS, COKE, DIET COKE (COKE LIGHT), & BEER TO BE
SUPPLIED.
OVERNIGHT JOURNEY’S:
EQUIPMENT:
A LUXURY AIR CONDITIONED SLEEPER BUS MUST BE SUPPLIED WITH AT
LEAST 12 BUNKS ALL WITH AIRCONDITIONING VENTS, TOILET FACILITIES,
TELEVISION, VIDEO, HI FI STEREO AND SEATING AREAS WITH TABLES
ENOUGH FOR 12 PEOPLE. ANY SUCH COACH MUST BE ABLE TO TAKE A
LARGE AMOUNT OF LUGGAGE IN UNDER THE BAYS AND A PLENTIFUL
SUPPLY OF WATER (EVIAN ) NO GAS, COKE, DIET COKE (COKE LIGHT) &
BEER TO BE SUPPLIED.
MUST HAVE FACILLITIES TO MAKE COFFEE AND TEA AND A PLENTIFUL
SUPPLY OF COFFEE,TEA AND MILK ON THE BUS ( ENGLISH BREAKFAST
TEA)
IF THE ARTIST’S EQUIPMENT IS ARRIVING VIA AIR FREIGHT THEN THE
MANAGEMENT WILL ARRANGE FOR THE PICK UP AT THE POINT OF ENTRY.
EVEN IF THE POINT OF ENTRY IS IN ANOTHER COUNTRY.
ALSO TO CARRY OUT ALL INTERNAL GROUND TRANSPORTATION OF THE
ARTIST’S EQUIPMENT FROM AIRPORT TO VENUE, VENUE TO AIRPORT OR
VENUE TO VENUE, REGARDLESS OF POINT OF ENTRY. EVEN IF THE POINT
OF ENTRY IS IN ANOTHER COUNTRY.
THIS WILL BE AT THE EXPENSE OF THE MANAGEMENT.
MISCELLANEOUS
20. THE MANAGEMENT AGREES THAT HE WILL NOT COMMIT THE ARTISTE TO ANY
PERSONAL APPEARANCE, INTERVIEW OR ANY TYPE OF PROMOTIONAL ACTIVITY
7 Signed and Agreed ____

WITHOUT THE PRIOR WRITTEN CONSENT OF THE ARTISTE’S REPRESENTATION.
21. THE MANAGEMENT AGREES TO ENSURE THAT NO PHOTOGRAPHER’S ARE
ALLOWED ON THE STAGE OR IN THE BACKSTAGE AREA DURING THE
PERFORMANCE, UNLESS SUCH PHOTOGRAPHERS ARE SPECIFICALLY APPROVED BY
THE ARTISTE’S TOUR MANAGER.
22. THE ARTISTE SHALL HAVE THE RIGHT TO APPROVE THE MANAGEMENT’S
CHOICE OF ANY OTHER ARTISTE TO APPEAR ON THE SAME BILL AS URIAH HEEP,
TOGETHER WITH SUCH ARTISTE’S BILLING AND PERFORMANCE TIME.
23. IF THERE ARE ANY QUERIES WHATSOEVER IN RESPECT OF THE CONTRACT,
ADDITIONAL CLAUSES OR THIS RIDER, THEN THE MANAGEMENT SHOULD
CONTACT THE AGENCY GROUP OF COMPANIES IMMEDIATELY.
8 Signed and Agreed ____

URIAH HEEP CATERING RIDER
THE MANAGEMENT AGREES TO PROVIDE THE FOLLOWING ITEMS, AT NO
COST TO THE ARTISTE IN THE ROOMS SPECIFIED AND AT TIMES TO BE
ADVISED BY THE ARTISTE’S TOUR MANAGER, IAN BINTLIFF.
PLEASE NOTE, THIS RIDER IS AN INTEGRAL AND IMPORTANT PART
OF THE CONTRACT. NO CHANGES OR OMISSIONS CAN OCCUR
WITHOUT THE ADVANCED AGREEMENT OF THE TOUR MANAGER.
BANDS DRESSING ROOM
1. IN ONE OF THE DRESSING ROOMS FROM THE TIME OF THEIR ARRIVAL:
• 1 50cl BOTTLE OF GOOD QUALITY COGNAC
• 1 1 LITRE BOTTLE OF JACK DANIELS
• 1 BOTTLE OF SMIRNOFF, ABSOLUT OR FINLANDIA VODKA
• 2 LITRES OF FRESH ORANGE JUICE
• 3 BOTTLES OF QUALITY WHITE WINE, PREFERABLY BURGUNDY OR SIMILIAR
• 3 BOTTLES OF QUALITY RED WINE, PREFERABLY RIOJA OR EQUIVALENT
• 6 BOTTLES OF BUDWEISER BUDVAR, PILSNER URQUELL OR
STAROPRAMEN BEER
• 24 BOTTLES OF A GOOD QUALITY LOCAL BEER
• 24 LITRE BOTTLES OF ‘STILL’ MINERAL WATER (NO GAS) I.E. EVIAN WATER
• 6 LITRE BOTTLES OF SPARKLING WATER (WITH GAS) I.E. SAN PELLEGRINO
• 6 CANS OF DIET COKE OR DIET PEPSI OR (COLA LITE /PEPSI LITE)
• 24 CANS OF COKE OR PEPSI
• 6 CANS OR BOTTLES OF SCHWEPPS DIET TONIC WATER OR EQUIVALENT
• PLENTIFUL QUANTITY OF ICE CUBES - SUFFICIENT FOR AT LEAST 12
PERSONS
• A SMALL SELECTION OF SNACKS (PEANUTS, CASHEW NUTS, SAVOURIES ETC),
GLASSES AND LARGE PLASTIC CUPS (for the band to use on stage).
1 x PAIR OF 5lb (2kg) DUMBELLS
IN THE ARTISTES DRESSING ROOM IMMEDIATELY AFTER THE PERFORMANCE, 5
TUNA/HAM SALADS AND 4 LARGE PIZZA WITH VARIED TOPPINGS TO BE DECIDED
BY THE TOUR MANAGER (Usually 1 Ham & Pineapple, 1 Ham & mushroom, 2 spicy
meat)
IN THE ARTISTES DRESSING ROOM, 16 FRESH TOWELS - BATH SIZE I.E.
36” X 36” WHICH SHOULD BE 100% COTTON AND PRE-WASHED, 2 BARS OF SOAP
IN THE ARTISTE’S DRESSING ROOM FROM SOUNDCHECK UNTIL AFTER THE
PERFORMANCE, TEA, COFFEE, MILK, GOATS MILK, HONEY, LEMON AND SUGAR TO
BE SUPPLIED PLUS A KETTLE OR ACCESS TO BOILING WATER AND A COFFEE
PERCOLATOR.
9 Signed and Agreed ____

CREW ROOM
URIAH HEEP CATERING RIDER
• TEA
• COFFEE
• MILK
• SUGAR
• 12 CANS OR BOTTLES OF COKE OR PEPSI
• 6 CANS OR BOTTLES OF DIET COKE / COKE LIGHT OR DIET PEPSI
• 24 SMALL BOTTLES OF STILL WATER (NO GAS)
• A PLENTIFUL SUPPLY OF SANDWICHES FOR A MINIMUM OF 6
PEOPLE
• A FEW BOWLS OF POTATO CHIPS, PEANUTS AND CASHEW NUTS
• AN ASSORTED SELECTION OF CHOCOLATE BARS
THE ABOVE TO BE AVAILABLE FROM THE ROAD CREW’S TIME OF
ARRIVAL AND THROUGHOUT THE DURATION OF THE ENGAGEMENT AND
ADEQUATE FOR THE ENTIRE TOURING CREW (ARTISTES CREW, PA & LIGHTING
CREW, ETC).
LUNCH AND DINNER ARRANGEMENTS
IN THE HOTEL OR RESTAURANT CLOSE TO VENUE OR HOTEL, A
QUALITY HOT LUNCH (NOT TAKE-AWAY/CONVENIENCE TYPE
FOOD) FOR A MAXIMUM OF 12 PERSONS, AND PROPERLY
CATERED, WITH TABLES, CHAIRS, WHITE LINEN, CROCKERY,
CUTLERY, CONDIMENTS, ETC, AT A TIME TO BE SPECIFIED BY THE
ARTISTES TOUR MANAGER - IAN BINTLIFF.
IN THE HOTEL OR RESTAURANT CLOSE TO VENUE OR HOTEL, A
QUALITY THREE COURSE HOT DINNER (NOT TAKEAWAY/
CONVENIENCE TYPE FOOD) FOR A MAXIMUM OF 12
PERSONS, AND PROPERLY CATERED, WITH TABLES, CHAIRS,
WHITE LINEN, CROCKERY, CUTLERY, CONDIMENTS, ETC, AT A
TIME TO BE SPECIFIED BY THE ARTISTES TOUR MANAGER - IAN BINTLIFF -
USUALLY ABOUT 17.00 - 18.00 HRS
PLEASE NOTE, 1 MEMBER OF OUR TOURING PARTY IS LACTOSE INTOLERANT, AND
DOES NOT EAT CHICKEN.
10 Signed and Agreed ____

URIAH HEEP
TOURING PARTY ROOM REQUIREMENTS
NAME ROOM TYPE SMOKE / NS
BAND PARTY
MR MICK BOX DOUBLE ROOM N/S
MR TREVOR BOLDER DOUBLE ROOM N/S
MR PHIL LANZON DOUBLE ROOM N/S
MR BERNIE SHAW DOUBLE ROOM N/S
MR RUSSELL GILBROOK DOUBLE ROOM N/S
TOUR MANAGER
MR IAN BINTLIFF DOUBLE ROOM SMOKING
CREW PARTY
MR BRIAN WEST DOUBLE ROOM N/S
MR DANIEL PAINE DOUBLE ROOM N/S
MR IAN ETTERIDGE DOUBLE ROOM N/S
MR ADAM WATTS DOUBLE ROOM SMOKING
MR COLIN WOOD DOUBLE ROOM N/S
MERCHANDISER
MR PETER WEBER DOUBLE ROOM N/S
MANAGER
MR MARTIN DARVILL DOUBLE ROOM N/S
(WE WILL INFORM IN ADVANCE IF MR DARVILL OR MR WEBER ARE ACCOMPANYING US ON
THE TRIP)
HOTEL NOTES
THE PROMOTER AGREES TO PROVIDE AND PAY FOR FIRST CLASS HOTEL ACCOMMODATION
FOR THE ARTISTE COMPRISING OF 12 (TWELVE) ROOMS WITH EN-SUITE TOILET, SHOWER OR
BATH AND TO INCLUDE FULL ENGLISH BREAKFAST FOR THE DURATION OF THIS CONTRACT
PLEASE NOTE THAT DOUBLE ROOMS MEANS SPECIFICALLY THAT.
THESE ROOMS SHOULD BE LARGE AND CONTAIN DOUBLE BEDS NOT TWO SINGLE BEDS.
ROOMS ALL WITH A MINIMUM BED SIZE OF 1M 40CM FOR SINGLE OCCUPANCY
DETAILS OF HOTELS BOOKED BY PROMOTERS MUST BE PASSED BACK TO THE
PRODUCTION/TOUR MANAGER FOR APPROVAL
PLEASE MAKE SURE THAT MR BOX AND THE TOUR MANAGER’S ROOM (IAN BINTLIFF) HAS
INTERNET FACILITIES.
ALL ARRANGEMENTS TO BE MADE IN CONJUNCTION WITH AND APPROVED BY THE
ARTISTE'S TOUR MANAGER. THE ARTISTE IS TO HAVE FINAL APPROVAL OF SUCH HOTEL(S).
* A LITRE BOTTLE OF STILL WATER (NO GAS) I.E. EVIAN WATER, TO BE PLACED IN EACH
PERSONS ROOM EXCEPT FOR MICK BOX WHO NEEDS 2 LITRES
PLEASE MAKE SURE THAT ALL BAND PARTY ROOMS ARE TOGETHER ON THE SAME
FLOOR IF POSSIBLE.
11 Signed and Agreed ____

DRUMS
URIAH HEEP
ELECTRIC BACKLINE RIDER 2012
Natal or Yamaha or Pearl Drum Kit consisting of
1 x 22 x18 OR 24 x18 Kick Drum
1 x 13” Rack Tom
1 x 16” Floor Tom
2 x 14” x 6.5” Maple Snare Drums
HARDWARE
2 x Snare Drum Stands
1 x Hi Hat Stand
1 x Remote Hi Hat Stand OR Extra Hi Hat Stand
6 x Boom Stands
3 x Multi Purpose Clamps
2 x Double Kick Drum Pedals
2 x Drum Stools
CYMBALS
All Cymbals MUST BE Paiste
1 x 22” 2002 Wild Ride
1 x 15” 2002 Wild China
2 x 21” 2002 Wild China
4 x 20” 2002 Wild Crash
1 x 15” 2002 Wild Hi Hats
1 x 14” Rude Hi Hats
SKINS
Aquarian on Kick, Aquarian Response 2 coated on all toms, Aquarian Hi Energy with dot on
both snare drums
Kit must come with new skins AND Spares
BASS
AMPLIFIERS MUST BE CAPABLE OF RUNNING AT 2 OHMS
FIRST CHOICE 2 x Marshall VBA400 amps with 2 x Marshall VBA 8 x 10 Cabinets or
2 x Ampeg SVT 2 or SVT 4 Amps with 2 x Ampeg SVTE 8x10 Cabinets
GUITAR
FIRST CHOICE 2 x Marshall JMD1 100 watt heads with control pedal or
2 x Marshall JCM 800 or JCM 2000 DSL 100 watt heads
4 x Marshall 1960B straight fronted 4x12 cabinets (No Wheels on Cabinets please)
1 x multi-guitar stand for 6 guitars
12 Signed and Agreed ____

KEYBOARDS
1 x Nord C1 dual manual keyboard
1 x Korg M3 or Triton Extreme 88 weighted keyboard workstation
1 x Stereo Volume Pedal with in and out connections
1 x Latch Pedal for rotor control of C1
1 x Damper Pedal for Korg
4 x matching solid keyboard stand (heavy duty double braced scissor type)
Must be able to reach 37” high
RADIO/MICROPHONE EQUIPMENT
2 x Shure PSM 900 in-ear monitor c/w belt packs and antenna
1 x Shure UR4D dual channel receiver c/w antenna
2 x Shure UR-2 handheld transmitter c/w KSM9 Capsule
1 x Shure UR4D dual channel receiver c/w antenna for Bass Guitar
2 x Belt packs for Bass guitar c/w relevant Jack connectors
All units to be appropriately licensed
GENERAL
15 x 10m quality jack to jack cables
VERY IMPORTANT we need ten stage weights for drum and keyboard stands.
All equipment supplied must be serviced and in perfect working order and come with
all relevant power and link up cables plus spares
ANY QUESTIONS PLEASE CONTACT
Brian West Stage Manager
E. mail…brian.west09@gmail.com
Mobile… +44 7974 213934
13 Signed and Agreed ____

URIAH HEEP
LIGHTING SPECIFICATIONS
(08/01/12 supersedes all previous info)
OVERVIEW
Supplied below are different lighting specifications for different sized venues. Please note that these are
guidelines and the minimum acceptable systems for AVERAGE sized venues in each group, the local
lighting company have more knowledge of local venues, and should be consulted as to the amount of
equipment required to produce the desired effect.
There are some requirements which are constant throughout, these are as follows:
(a) Wherever possible, a minimum of two followspots should be supplied with COMPETANT
ENGLISH SPEAKING OPERATORS, the followspots should be situated at the rear of the venue,
a minimum of 3m above stage level, ideally house left and right, and be in constant communication
with the lighting operator via a WIRED comms system – NOT Walkie Talkies.
(b) The preferred console manufacturer is AVOLITE (Tiger, Pearl, Sapphire or Diamond). Other
consoles are acceptable providing they are supplied with an English speaking technician with a
FULL WORKING KNOWLEDGE of the equipment supplied. ***NO WHOLE HOGS UNDER
ANY CIRCUMSTANCES!!!***
(c) 1 or 2 (depending on stage size) HASERS will be supplied (Le Maitre MVS, DF50 or similar).
NO SMOKE MACHINES UNDER ANY CIRCUMSTANCES!!
RIG 1 – Clubs/Small Halls
Rear (upstage) Truss
A minimum of 4 x par cans per colour as follows: 158, 119, 128, 116, 101, 126
Minimum 2 x strings (8 lamps per string) ACL par 64 open white
Minimum 6 x moving spots, preferably Robe/Varilite/Martin etc
Minimum 2 x Martin Atomic 3kw Strobes
Front (downstage) Truss
Adequate par cans to produce FULL stage washes as follows: 158, 132, 116
Minimum 4 x source 4 profiles,
Minimum 4 x Molphey Audience blinders
Floor/Accessories
4 x moving spots, preferably Robe / Varilite /Martin etc positioned on cases as far upstage as possible
RIG 2 – Theatres
Rear (upstage) Truss
A minimum of 6 x cans per colour as follows: 158, 119, 128, 116, 101, 126
Minimum 3 x strings Par 64 ACL
Minimum 8 x moving spots, preferably Robe/Varilite/Martin etc (larger units i.e. Robe 700/1200)
Minimum 4 x Martin Atomic 3kw Strobes
NOTE: This equipment can be split between a back and mid truss if preferred.
Front (downstage) Truss
Adequate par cans to produce FULL stage washes as follows: 158, 132, 116
Minimum 4 x source 4 profiles,
Minimum 4 x Molphey Audience blinders
Floor/Accessories
4 x moving spots, preferably Robe/Varilite/Martin etc positioned on cases as far upstage as possible
RIG 3 – Large Festivals
It is understood that in the instance of a large festival, the lighting system has to accommodate many
different artists, I would however request that (a) as much of the above colour call/ types of luminaries, could
be incorporated into the design as possible, and (b) Uriah Heep’s lighting designer (Ian Bintliff) is allowed to
specify and position certain “specials” to be used exclusively by Uriah Heep on the day of their performance.
ANY CHANGES TO THIS SPECIFICATION, CAN ONLY OCCUR AFTER CONSULTATION AND
AGREEMENT WITH URIAH HEEP’S LIGHTING DESIGNER/TOUR MANAGER.
IAN BINTLIFF ian.bintliff@btinternet.com Tel +44(0)161 320 5480 Mob +44(0)7930 188605
14 Signed and Agreed ____

URIAH HEEP FOH AND MONITORS RIDER
WE WILL REQUIRE A MODERN, HIGH QUALITY SOUND REINFORCEMENT SYSTEM,
CAPABLE OF PROVIDING DISTORTION FREE COVERAGE ACROSS THE ENTIRE VENUE /
FESTIVAL.
VOCAL INTELLIGIBILITY IS PARAMOUNT. PLEASE BE AWARE THAT URIAH HEEP IS A
ROCK ACT THAT PLAYS AT HIGH VOLUME.
PLEASE SUPPLY ACCORDINGLY.
ALLOW FOR GENEROUS SUB BASS.
2. FOR THEATRE VENUES WE REQUIRE A MODERN ARRAY TYPE
SPEAKER SYSTEM THAT IS FLEXIBLE ENOUGH TO GROUND
STACK OR FLY AS REQUIRED.
3. FOR ARENA AND LARGER VENUES WE WILL REQUIRE A MODERN
LINE-ARRAY SPEAKER SYSTEM THAT IS FLOWN WITH
APPROPRIATE GROUND FILLS AND SUB BASS TO SUIT.
THE SOUND COMPANY SHALL PROVIDE SUITABLY QUALIFIED SYSTEM ENGINEERS TO RIG
AND SET UP THE SYSTEM PRIOR TO THE URIAH HEEP SOUND CHECK AND TO REMAIN
AVAILABLE THROUGHOUT THE SOUND CHECK AND PERFORMANCE.
ACCEPTABLE SOUND SYSTEMS:
D&B (WITH B2 SUB BASS)
L’ACOUSTICS (WITH AURA SUB - BASS) NEXO ALPHA, EV
LINE ARRAY
EAW.
TURBOSOUND FLASH/FLOODLIGHT/ASPECT MEYER MSL4
(WITH R650 SUB - BASS)
THE SYSTEM TO BE DRIVEN BY SUITABLE QUALITY AMPLIFICATION
WITH POWER SUPPLIED WELL SEPARATED FROM ANY LIGHTING
POWER.
THE SYSTEM MUST HAVE ENOUGH HEADROOM TO DELIVER
MOMENTARY PEAKS OF 112DB (A) UNDISTORTED AT THE FOH POSITION.
PLEASE NOTE: IF THERE IS A LEGAL REQUIREMENT TO OPERATE WITH
A DEFINED SOUND PRESSURE LIMIT, WE MUST BE ADVISED AT LEAST 14
DAYS PRIOR TO THE ENGAGEMENT. A CALIBRATED METER MUST BE
SUPPLIED AT THE FOH MIXING POSITION FOR THE USE OF OUR SOUND
ENGINEER.
15 Signed and Agreed ____

IMPORTANT:
INFILL SPEAKERS WILL BE REQUIRED FOR FRONT ROW AUDIENCE.
WE WILL REQUIRE 4 IN-FILLS WITH STANDS (MEYER UPA OR
SIMILAR)
ACROSS THE FRONT OF THE STAGE IN THE PIT THIS IS FOR
VOCALS,
THESE WILL BE DRIVEN FROM AN AUX OUTPUT ON THE FOH
CONSOLE.
OUTFILL AND DELAY SPEAKERS IF REQUIRED FOR
AUDIENCE
COVERAGE.
FOH MIXING DESK AND CONTROL.
A MINIMUM OF 40 INPUTS AND 8 AUXILIARY SENDS
WITH FULL
PARAMETRIC EQ, VCA AND TALK TO STAGE
MICROPHONE.
1 X CD PLAYER
1 X CLEARCOM INTERCOM SYSTEM TO
MONITOR POSITION. TALK TO STAGE
MICROPHONE
DIGITAL
SOUNDCRAFT Vi6
MIDAS Pro-6
YAMAHA PM5D
DIGIDESIGN D-Show/Profile
ANALOGUE
MIDAS HERITAGE SERIES,
MIDAS XL3, XL200.
YAMAHA PM3000, 4000, 5000.
SOUNDCRAFT MH4
FOH EFFECTS / CONTROL (for analogue desks)
2 X 31 BAND 1/3 OCTAVE GRAPHIC EQ. KLARK
TEKNIK OR BSS. NO VARICURVE PLEASE
4 X CHANNELS NOISE GATES. DRAWMER OR BSS.
8 X CHANNELS COMPRESSORS. DBX, DRAWMER OR BSS.
1 x DIGITAL DELAY (TC Electronic D-2, TC 2290 or Roland
SDE 3000) 1 X LEXICON PCM 70, 81 OR 91.
2 X YAMAHA SPX 990 OR 900, 1000, 2000.
ALL RACKS AND DESK TO BE WELL ILLUMINATED.
16 Signed and Agreed ____

URIAH HEEP
STAGE RISER REQUIRMENTS 2012
IF YOU REQUIRE US TO MOVE OUR EQUIPMENT BETWEEN SOUND CHECK
AND SHOW TIME THEN BOTH THE KEYBOARDS AND DRUMS MUST BE SET
UP ON ROLLING RISERS WITH ADEQUATE SPACE OFFSTAGE TO ENABLE
US TO STORE OUR EQUIPMENT SAFELY EITHER BEHIND THE BACKDROP
OR IN THE STAGE WINGS
KEYBOARD RISER
ONE RISER OF DIMENSIONS
2 METRES WIDE X 2 METRE DEEP X 30cm HIGH
CARPET COVERED
BLACK DRAPE AROUND RISER
DRUM RISER
ONE RISER OF DIMENSIONS
2 METRES WIDE X 2 METRE DEEP X 60cm HIGH
CARPET COVERED
BLACK DRAPE AROUND RISER
IF FOR ANY REASON THERE IS A PROBLEM WITH THIS YOU MUST
CONTACT URIAH HEEP NO LATER THAN 10 DAYS PRIOR TO THE SHOW
DATE.
Brian West Stage Manager
E. mail brian.west09@gmail.com
Mobile +44 7974 213934
17 Signed and Agreed ____

STAGE PLOT AND CHANNELS TO FOLLOW
THE ABOVE PAGES CONSTITUTES THE SOLE, COMPLETE AND
BINDING AGREEMENT BETWEEN THE PARTIES HERETO. NO
ALTERATIONS MAY BE MADE TO ANY PART OF THIS CONTRACT
WITHOUT WRITTEN PERMISSION FROM THE ARTISTE.
ANY BREACH OF THIS AGREEMENT AND/OR RIDER WILL RESULT IN
THE NON-APPEARANCE OF THIS ARTISTE AND THE ARTISTE SHALL
BE ENTITLED TO HIS FULL CONTRACTED FEE.
SIGNED AND AGREED………………………………………………………
DATED…………………………………………………………
18

Fly Show
reduced
channels
URIAH HEEP Channel List - December 2011
Full
touring
spec
+48V Full Spec with
own Backline
Microphone
preference
1 1 Kick 1 in Beta 91 Gate 1
Compressor
Gates Contacts:
2 2 Kick 1 out Beta 52 Gate 2 FOH Engineer - Daniel Paine
3 Kick 2 in Beta 91 Gate 3 dan@spinaudio.co.uk / +44 (0)7968 782067
4 Kick 2 out Beta 52 Gate 4 Monitor Engineer - Ian (Mole) Ettridge
3 5 Snare Top Beta 57 molenum1@aol.com / +44 (0)7931 808098
4 6 Snare Bot SM57
5 7 Hi Hat 1 SM81
6 8 Tom 1 Beta 98 Gate 5 Front of House Requirements
7 9 Tom 2 Beta 98 Gate 6
10 Gong Drum Beta 52 Must have VCA'S, 4 Band EQ with Variable Q
11 Hi Hat 2 SM81/AKG451 Will consider most Analogue and Digital (40+
8 12 Ride SM81/AKG451 Channel) Consoles with Prior consultation.
9 13 OH SR SM81 Preferred: Midas Heritage, BSS/Drawmer
10 14 OH SL SM81 31 Band EQ. D&B, L'Acoustics, Meyersound
11 15 Bass DI DI Comp 3
12 16 Bass Mic SM57
13 17 Gtr 1 SM57 Monitor System Requirments
14 18 Gtr 2 E609
15 19 Acoustic 1 Di Must have 8 x Aux, 4 Band EQ, 32 Channels
16 20 Acoustic 2 Y-Split Ac1 Analogue Consoles preferred (Midas)
17 21 Keys 1 L Di Only Yamaha MC7CL digital board considered
18 22 Keys 1 R Di 8 x 31 Band EQ - Must be inserted on Sends
19 23 Keys 2 L Di 8 x 15"+2" Bi-amped Wedges, 1 x Drum Sub
20 24 Keys 2 R DI 2 x Full Range Side Fills
21 25 SR Vox SM58 Comp 4
22 26 C Vox KSM9 Radio Comp 5 Mix 1 - Stage Right Floor Mix
23 27 SL Vox SM58 Comp 6 Mix 2 - Stage Left Floor Mix
24 28 Keys Vox SM58 Comp 7 Mix 3 - Keyboard Mix
25 29 Drum Vox Head mic Mix 4 - Drum Send to Personal Mixer
26 30 C Spare Vox KSM9/SM58 Comp 8 Mix 5 - Drum Sub
27 31 Track DI Mix 7 - Side Fill Stage Right
32 32 Talk to Stage SM58 Mix 8 - Side Fill Stage Left
33 34 33 34 Drum Reverb TC M3000/SPX Mix 9 - In Ears Mix mono (Backup)
35 36 35 36 SFX/Reverb TC M3000/SPX
37 38 37 38 Vox Reverb SPX 990/2000
39 39 Mono Delay TC D2/2290 8 x Short Boom Stands
Group 1 Group 1 Group 1 Comp 1 10 x Tall Boom Stands
Group 2 Group 2 Group 2 Comp 2 2 x Tall Stands for Radio Antennas
We Carry most mics (with the exception of reduced Fly Shows)

SIDE
FILL
GUITAR CAB
GUITAR CAB
DRUM SUB
DRUM RISER
2m x 2m x 60 cm HIGH
3 m
Riser positioned approx
30cm each side of centre
KEYBOARD RISER
2m x 2m x 30cm HIGH
BASS CAB BASS CAB
URIAH HEEP STAGE PLOT 2012
PLEASE DESTROY ANY EARLIER COPIES
For more info contact Brian West Stage Manager brian.west09@gmail.com
SIDE
FILL

DRUMS
URIAH HEEP
ACOUSTIC BACKLINE RIDER 2012
Natal or Yamaha or Pearl Drum Kit consisting of
1 x 22 x 18 OR 24 x 18 Kick Drum
1 x 13” Rack Tom
1 x 16” Floor Tom
2 x 14” x 6.5” Maple Snare Drums
HARDWARE
2 x Snare Drum Stands
1 x Hi Hat Stand
1 x Remote Hi Hat Stand OR Extra Hi Hat Stand
6 x Boom Stands
3 x Multi Purpose Clamps
2 x Double Kick Drum Pedals
2 x Drum Stools
CYMBALS
All Cymbals MUST BE Paiste
1 x 22” 2002 Wild Ride
1 x 15” 2002 Wild China
2 x 21” 2002 Wild China
4 x 20” 2002 Wild Crash
1 x 15” 2002 Wild Hi Hats
1 x 14” Rude Hi Hats
SKINS
Aquarian on Kick, Aquarian Response 2 coated on all toms, Aquarian Hi Energy with dot on
both snare drums
Kit must come with new skins AND Spares
BASS
2 x AER Basscube Acoustic Amplifiers ( one as spare )
2 x Single Guitar Stands
GUITAR
1 x AER Domino Acoustic Amplifier
1 x Fender Acutronics Acoustic Amplifier
2 x Single Guitar Stands
1x multi guitar-stand to hold 6 guitars
15 x 10m Quality Jack to Jack signal cables

KEYBOARDS
1 x Nord C1 dual manual keyboard
1 x Korg M3 or Triton Extreme 88 weighted keyboard workstation
1 x Stereo Volume Pedal with in and out connections
1 x Latch Pedal for rotor control of C1
1 x Damper Pedal for M3
4 x matching solid keyboard stand (heavy duty double braced scissor type)
Must be able to reach 37” high
RADIO/MICROPHONE EQUIPMENT
2 x Shure PSM 900 in-ear monitor c/w belt packs and antenna
1 x Shure UR4D dual channel receiver c/w antenna
2 x Shure UR-2 handheld transmitter c/w KSM9 Capsule
1 x Shure UR4D dual channel receiver c/w antenna
2 x Belt packs for Bass guitar c/w relevant Jack connectors
All units to be appropriately licensed
VERY IMPORTANT we need ten stage weights for drum and keyboard stands
All equipment supplied must be serviced and in perfect working order and come with
all relevant power and link up cables plus spares
ANY QUESTIONS PLEASE CONTACT
Brian West Stage Manager
E. mail…brian.west09@gmail.com
Mobile… +44 7974 213934