2012 Year End Letter - Portland Institute for Contemporary Art
2012 Year End Letter - Portland Institute for Contemporary Art
2012 Year End Letter - Portland Institute for Contemporary Art
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SUPPORT PORTLAND<br />
INSTITUTE FOR<br />
CONTEMPORARY ART<br />
AT YEAR END<br />
YOUR DONATION NOW COUNTS TWICE<br />
For a limited time, all new and increased<br />
donations are matched dollar-<strong>for</strong>-dollar up<br />
to $1,000 by the Maybelle Clark<br />
Macdonald Fund.<br />
WAYS TO GIVE<br />
+Online at pica.org<br />
+By phone: 503 242 1419<br />
MORE WAYS TO SUPPORT PICA<br />
+Give a gift of stocks or securities<br />
+Donate your old vehicle<br />
+Give a PICA membership to a loved one<br />
+Check with your employer to see if they will match your gift.<br />
+Contact Roya Amirsoleymani <strong>for</strong> details at 503.242.1419 x18<br />
MATCH YOUR PICA DONATION WITH A GIFT<br />
TO THE CULTURAL TRUST<br />
Make a donation to PICA and match that amount to the Oregon<br />
Cultural Trust by December 31st to claim 100% of your Trust<br />
gift as a credit on your Oregon State income tax. Visit<br />
culturaltrust.org/give <strong>for</strong> details.
“MACH 10: HAIR ON FIRE!”<br />
A LETTER FROM THE<br />
EXECUTIVE DIRECTOR<br />
That’s how Kristy Edmunds, our<br />
fo und er, once described PICA’s<br />
ambition. We have always lived on<br />
the edge; that thin line between<br />
the pres ent and future. Propelled<br />
by fiercely loyal supporters like<br />
you, we have ne ver been afraid to<br />
step off that line and into a new<br />
world that builds on our strengths<br />
and challenges our as s umptions.<br />
This year, drawing on the wisdom<br />
accumulated over our 17-year history;<br />
guided with thought and care<br />
by our Board, staff, and fun ders;<br />
and propelled by the expl osive energy<br />
of our artists, we leapt into<br />
the next chapter of PICA’s ins piring<br />
story.<br />
We have a new home imagined by<br />
dreamers, designed by believers,<br />
and built by the sweat of a community<br />
that is eager to play a role<br />
in the creation of what comes next.<br />
We welcomed a new resident <strong>Art</strong> istic<br />
Director, Angela Mattox, who is co-<br />
m m itted to making <strong>Portland</strong> a hub<br />
<strong>for</strong> international discussions about<br />
the direction of contemporary art.<br />
We inaugurated a year-round pro -<br />
g ram of events with exhibitions,<br />
residencies, and a symposium designed<br />
as a plat<strong>for</strong>m <strong>for</strong> the world’s<br />
most daring artists and most curi -<br />
ous audiences to gather.<br />
And, we celebrated a decade of the<br />
most vibrant, challenging, and reward<br />
ing art festival in this hemi sphere.<br />
After 10 years, the Time-Based <strong>Art</strong><br />
Festival continues to be an anchor<br />
cul tural event <strong>for</strong> <strong>Portland</strong> and<br />
rem ains one of the few truly interdisci<br />
p linary contemporary art festivals<br />
in the United States.<br />
PICA is supported by a small staff<br />
of fanatics, carried by an army of<br />
volun teers, and sustained by a core<br />
of life-giving visionaries. It is your<br />
un-wavering belief in PICA’s mission<br />
that allows us—year after year—<br />
to realize the impossible. Your<br />
support extends to artists from<br />
North <strong>Portland</strong>, West Africa, South<br />
America, and East Asia. It allows<br />
them to create the work that defines<br />
the world we live in today and proposes<br />
a vision of tomorrow. Your<br />
generosity drives the engine that<br />
propels us <strong>for</strong>ward.<br />
As we stride boldly into PICA’s future,<br />
your continued investment is<br />
essential. This year you can leverage<br />
your gift to accomplish even more.<br />
Give generously now and your donation<br />
may be matched by a challenge<br />
grant from the Maybelle Clark<br />
Macdonald Fund <strong>for</strong> new and increased<br />
contributions!<br />
PICA is not <strong>for</strong> the faint-of-heart. It<br />
is <strong>for</strong> lovers of ideas and dialogue,<br />
confrontation and beauty, challenge<br />
and inspiration. It is <strong>for</strong> people of<br />
vision and imagination. It is <strong>for</strong> you.<br />
PICA will continue to dream, but it<br />
is only with your generous support<br />
that we can continue to turn those<br />
ideas into reality. Thank you <strong>for</strong> moving<br />
with us into the future.<br />
See you tomorrow,<br />
Victoria Frey
PICA <strong>2012</strong>: A LOOK BACK (AND AHEAD)<br />
January-March<br />
415 Construction<br />
April 27-28<br />
Low Lives 4<br />
Featuring Linda Hutchins,<br />
Future Death Toll, Austin<br />
Adkins, and Robert Tyree<br />
June 21<br />
Per<strong>for</strong>mance<br />
Keith Hennessy<br />
Crotch<br />
August 2<br />
PICA’s 17th Birthday feat.<br />
MAXXXIMUM Volume<br />
October 13<br />
Lecture<br />
Susan Rosenberg on Trisha<br />
Brown’s Visual <strong>Art</strong> Practice<br />
April 13<br />
Grand Opening<br />
May 14-19<br />
Residency<br />
Big <strong>Art</strong> Group<br />
The People—<strong>Portland</strong><br />
June 21-24<br />
PICA Symposium:<br />
Bodies, Identities & Alternative<br />
Economies<br />
September 6-16<br />
10th Annual<br />
Time-Based <strong>Art</strong> Festival<br />
November 29<br />
Oregon Mushroom Stories:<br />
Mushroom, Mold, and Yeast<br />
Feast with EcoTrust<br />
April-June<br />
Exhibition<br />
Glen Fogel,<br />
My Apocalyptic Moment<br />
May 19<br />
TADA! Annual Gala<br />
June 23<br />
Screening:<br />
A.L. Steiner & A.K. Burns,<br />
Community Action Center<br />
September 1-29<br />
<strong>End</strong> Things at TBA:12<br />
December 8<br />
Prints For PICA<br />
April-June<br />
Resource Room Residency<br />
Alex Felton<br />
I Don’t Want to Work. But I<br />
Love the Workplace<br />
June 6-7<br />
Exhibition<br />
Alex Felton<br />
As The World Churns<br />
July-September<br />
Resource Room Residency<br />
Claudia Meza<br />
Ditch<br />
October-December<br />
Resource Room Residency<br />
Lisa Radon<br />
WHITE MOUNTAIN<br />
December 18-19<br />
Justin Vivian Bond<br />
Snow Angel
AN INVITATION FROM THE<br />
ARTISTIC DIRECTOR<br />
As I mark my first anniversary here,<br />
I would like to thank you <strong>for</strong> being<br />
part of a profound year of discovery<br />
and change <strong>for</strong> PICA as an organization,<br />
and <strong>for</strong> me as <strong>Art</strong>istic Director.<br />
It is an exciting moment <strong>for</strong> us as<br />
we settle into our new home, open our<br />
doors to the public, and launch annual<br />
programs that demonstrate our<br />
continued commitment to supporting<br />
artists and creating a dialogue<br />
around their work. I’m thrilled to be<br />
part of this 17-year legacy of embracing<br />
experimentation and investing<br />
in artists, and I look <strong>for</strong>ward to<br />
on going conversations about contem -<br />
porary art and PICA’s role in the<br />
community and larger field.<br />
Coming off the tenth anniversary<br />
of the always-epic TBA Festival, I’m<br />
still responding to the myriad complex<br />
ideas and experiences. The artists<br />
we present continually help us to<br />
navigate our world and ins pire us with<br />
their courage and vision. This year,<br />
artists from around the globe shared<br />
their insights into this current moment<br />
through astoun d ing works of<br />
fearless inquiry, resoun d ing humanity,<br />
and deep artistic vulnerability.<br />
Not only was <strong>2012</strong> an important<br />
milestone <strong>for</strong> the Festival, but we’ve<br />
also spent this year mounting pub-<br />
lic programs in our new home, where<br />
we are creating a plat<strong>for</strong>m <strong>for</strong> rich,<br />
dynamic experiences and inter actions.<br />
We opened this facility in April<br />
with an exhibition of paintings and<br />
a five-channel video project by<br />
Glen Fogel entitled My Apocalyptic<br />
Moment. Building on our expan -<br />
ded library space, we laun ched a<br />
Resource Room Residency prog ram<br />
with artists Alex Felton, Claudia Meza,<br />
and now Lisa Radon, exploring our<br />
collection of books and recordings.<br />
In May, we held a weeklong residency<br />
with Big <strong>Art</strong> Group to develop The<br />
People—<strong>Portland</strong>, which opened this<br />
year’s TBA Festival. And we hosted<br />
Keith Hennessy’s company in June<br />
to develop Turbulence (a dance about<br />
the economy) <strong>for</strong> its TBA premiere,<br />
and convene a weekend symposium<br />
of rigorous conversations and per<strong>for</strong>m<br />
an ces around the themes of the<br />
work. These programs are emblema tic<br />
of our year-round work supporting the<br />
creative process and connecting you—<br />
our audience—with artistic practice.<br />
PICA is a hub <strong>for</strong> the development of<br />
new work by some of today’s most<br />
compelling artists. How can we con-<br />
tinue to create public <strong>for</strong>ums in<br />
which artists, audiences, academics,<br />
activists, and others can come together<br />
and delve deeper into urgent<br />
issues? What role can PICA play in<br />
responding to our cultural moment?<br />
These questions guide our future and<br />
I’m looking <strong>for</strong>ward to exploring<br />
them in the year to come. I invite you<br />
to renew your commitment to what<br />
we stand <strong>for</strong> and help us build upon<br />
on our legacy of inquiry, provoca tion,<br />
and artistic discovery.<br />
Angela Mattox
SUPERHERO:<br />
LESLIE B. DURST<br />
UNDERWRITER: MAJOR MEDIA:<br />
ECO PRODUCTIONS, LLC.<br />
SHOWDRAPE<br />
SUPERHERO SPONSORS Leslie B. Durst; <strong>Art</strong>Place<br />
PRESENTING SPONSORS Paul G. Allen Family Foundation; National<br />
<strong>End</strong>owment <strong>for</strong> the <strong>Art</strong>s<br />
MAJOR SPONSORS The Collins Foundation; Maybelle Clark Macdonald<br />
Fund; Meyer Memorial Trust; James F. & Marion L. Miller Foundation;<br />
National Per<strong>for</strong>mance Network; Oregon <strong>Art</strong>s Commission; Regional<br />
<strong>Art</strong>s & Culture Council, including support from the City of <strong>Portland</strong>;<br />
Clackamas, Multnomah, and Washington Counties; and Metro; Irene<br />
Gerlinger Swindells Fund of the Oregon Community Foundation; Dan<br />
Wieden; Work <strong>for</strong> <strong>Art</strong>, including contributions from more than 1500<br />
employees throughout the tri-county region<br />
MAJOR MEDIA SPONSORS Bridgetown Printing; Comcast; OPB; <strong>Portland</strong><br />
Mercury; <strong>Portland</strong> Monthly<br />
UNDERWRITER SPONSORS The Boeing Company; Eco Productions,<br />
LLC.; Linda Hutchins & John Montague; Japan Foundation; The Kinsman<br />
Foundation; Makelike; New England Foundation <strong>for</strong> the <strong>Art</strong>s; Nike;<br />
Nordstrom; Oregon Cultural Trust; Showdrape; Charles & Darci Swindells;<br />
Travel <strong>Portland</strong>; Dorie & Larry Vollum; Wieden+Kennedy<br />
CHAMPION SPONSORS John Baker & Jana Bauman; British Council;<br />
Colin & Rosine Evans; Foundation <strong>for</strong> <strong>Contemporary</strong> <strong>Art</strong>; Pink Martini/<br />
Heinz Records; Tim & Julianne Hershey; Kirk Kelley; Peter Koehler, Jr.<br />
& Noël Hanlon; LAIKA/house; Mid Atlantic <strong>Art</strong>s Foundation; Anne K.<br />
Millis Fund of the Oregon Community Foundation; Mitchell Wines; M.J.<br />
Murdock; Charitable Trust; McGraw Family Foundation; Sarah Miller<br />
Meigs & Andrew Meigs; MUTT Industries; Oregon Humanities; Jane<br />
Schiffhauer; Howard Shapiro; John Shipley; Al Solheim; Travel Oregon;<br />
Trust <strong>for</strong> Mutual Understanding<br />
PATRON SPONSORS Hugh d’Autremont; Dermott Cleary & Rachel<br />
Slavin; Ken & Amy Dice; Diana Gerding; Deborah Horrell & Kit Gillem;<br />
Jon Kellogg Inc.; Stephanie Kjar & Adam Roth; Betsy Miller; NW Natural;<br />
Bonnie Serkin & Will Emery; Thompson Street Charitable Fund; Michael<br />
Tingley & Ellen Fortin; Rose E. Tucker Charitable Trust; Twenty Four 7;<br />
WESTAF<br />
SUPPORTER SPONSORS BOORA Architects; Sid Bos; Marianne<br />
Buchwalter; By Design Legal; James & Leslie Campbell; Nora Diver &<br />
Clif<strong>for</strong>d P. Diver, Jr.; Ann & Mark Edlen; Enterprise Holdings; Victoria<br />
Frey & Peter Leitner; MK Guth & Greg Landry; Pat & Kelley Harrington;<br />
David Hidalgo & John Bischof; Walter Clay Hill and Family Foundation;<br />
Twink Hinds & Graeme Harrison; Greg Hoffman & Kirsten Brady; Susan<br />
Hoffman & Fred Trullinger; Beth Hutchins & Pete Skeggs; Philip J. Iosca;<br />
The Jackson Foundation; Sally & John Lawrence; Julie Mancini & Dennis<br />
Bromka; C. Alex Miller; Casey Mills & Carmen Calzacorta; Mitchell Wine<br />
Group; MJ. Murdock Charitable Trust Matching Gifts Program; NIKE<br />
Employee Matching Gift Program; Perkins & Co.; Eric Philps & Laura Van<br />
Houten; Evan & Jennifer Reynolds; Paul Schneider & Lauren Eulau; Ethan<br />
Seltzer & Melanie Plaut; Ann Shipley & Benjamin Dean; Singer Thurman<br />
LLC; Lori & Dick Singer; Kathleen & Leigh Stephenson-Kuhn; Susan<br />
Sterne & Peter Kellers; Jeff Stuhr & Peter Kalen; Rebecca & Alexander<br />
Stewart; Eric Wan and Michele Goodman Fund of the Oregon Community<br />
Foundation; Kricken & James Yaker<br />
PRESENTING: MAJOR:<br />
JAMES F. MILLER &<br />
MARION L. MILLER<br />
FOUNDATION<br />
ADVOCATE SPONSORS Cynthia & Steven Addams; Jane & Spencer<br />
Beebe; Martha Bergman; Bettina & Fred Blank; Kristen Bremer & Stephen<br />
Moore; Cargo; Philip Cole; Jon & Jan DuClos; Jennifer Dunn; Kevin<br />
Easton; Christy Eugenis & Stan Amy and the North Star Foundation;<br />
Karen & Randy Feldhaus; Lourri Hammack; Joan Hoffman; Robert &<br />
Terri Hopkins; Dave Holt & Karen Babbitt; Holst Architects; Kay Alys<br />
Hutchinson; IBM Corporation Matching Grants Program; John & Janet Jay;<br />
Jan Johnson; Michael & Kristen Kern; Paul King & Walter Jaffe; Kathleen<br />
Lewis; Tom Maher & Kacey Baxter; Meyer Memorial Trust Matching Gift<br />
Program; PDX <strong>Contemporary</strong> <strong>Art</strong>; Barry Pelzner & Deborah Pollack; Chris<br />
Rauschenberg & Janet Stein; Steve & Susan Rupert; Jaymi & Francis<br />
Sladen; Kim Sordyl & John McCalla; Cathy Sparks & Peter Vandenijsel;<br />
Ken & Mary Unkeles<br />
ENTHUSIAST SPONSORS Mark Allyn; Anonymous; Luisa Adrianzen<br />
Guyer & Leigh Guyer; ATC Marching Gift; Kathy & Jeff Bennett; David<br />
Billing; Claudia & Harry Bray; Peter Bro; Cabazon Studio; Judy & Doug<br />
Cushing; Cathy Edwards; Mary Elliott & Mark Friedman; David Finkelman<br />
& Alysa Rose; Danielle Flagg; Dick & Vicki Frey; Charles Froelick & Bryce<br />
Dugan; Kyle & Charles Fuchs; Amy Greenstadt & Sean Green; Lorraine<br />
Guthrie & Erik Kiaer; Charles Hartman & Heather Frazier; Kelly &<br />
Gretchen Hibler; IBM Corporation Matching Grants Program; Christopher<br />
Israel & Jason Bell; Dennis Johnson; Michael & Kristen Kern; Whitney &<br />
Drew Klonsky; Denise Krueger; Joan & Dan Kvitka; Le Happy; Pamela<br />
Lloyd & Renny Gleeson; Carter & Jenny MacNichol; Sara & Chris Merten;<br />
Denise Mullen; Steven Neighorn; Patrick & Heidi O’Neill; Mark Russell &<br />
Jennifer Goodale; Tad & Georgia Savinar; Jessica Scarborough; Sylvia &<br />
George Sterne; Andrew & Michone Stevenson; Brian Stief & Andrew Lintz;<br />
Kim Thomas & John Morrison; Nancy & George Thorn; Joe & Annette<br />
Thurston; Tom & Margaret Tuchmann; Sharon Urry & J. Scott Soutter;<br />
Wendy Wells Jackson; Andrea & Jess Wetsel<br />
ADDITIONAL SUPPORT Ace Hotel; ADX; Al Amir Restaurants; Joel<br />
Barber; Bright Like Light Studios; Clear Channel Outdoor; Countryside<br />
Nursery; Christiana Millinger; Dennis Uni<strong>for</strong>ms; Ellen Fortin Design<br />
Architecture; Full Sail Brewing Co.; Gamblin <strong>Art</strong>ists Colors; Georgia<br />
Straight; Golden Rule Design; Half/Drop Repeats; Hotel Fifty; InFocus;<br />
Alan Jones, North Country Distribution; Kaye Security; Ademar Matinian,<br />
W+K Studio; The Mark Spencer Hotel; Mitchell, Lewis, and Staver; Noetic<br />
Design, Inc.; North Country Productions; Parrilli Renison; Port of <strong>Portland</strong>;<br />
PVS In-Store Graphics; Simpatica Catering; Stone Enterprise; Stumptown<br />
Coffee Roasters; The Harver Company; The Mac Store; Tonky Designs;<br />
Utrecht <strong>Art</strong> Supplies; VISO Beverage Company<br />
CONSTRUCTION SPONSORS Andersen Construction; Lease Crutcher<br />
Lewis; Walsh Construction; Howard S. Wright; SERA Architects; Singer<br />
Properties; American Heating; Anning Johnson; Cherry City Electric;<br />
Cochran Telecommunications; Culver Glass; D&F Plumbing; Dynalectric;<br />
Electrical Construction Co.; Forest Color; Harlen’s Drywall; HSI Security<br />
Systems; Interior Tech; IR Security; Jon Kellogg, Commercial Realty<br />
Advisors; Kohler; KPFF Consulting Engineers; PAE Consulting Engineers;<br />
Pental Granite & Marble; Raleigh Hills Upholstery; Solus Lighting;<br />
Vanillawood; Viridian