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2012 Year End Letter - Portland Institute for Contemporary Art

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SUPPORT PORTLAND<br />

INSTITUTE FOR<br />

CONTEMPORARY ART<br />

AT YEAR END<br />

YOUR DONATION NOW COUNTS TWICE<br />

For a limited time, all new and increased<br />

donations are matched dollar-<strong>for</strong>-dollar up<br />

to $1,000 by the Maybelle Clark<br />

Macdonald Fund.<br />

WAYS TO GIVE<br />

+Online at pica.org<br />

+By phone: 503 242 1419<br />

MORE WAYS TO SUPPORT PICA<br />

+Give a gift of stocks or securities<br />

+Donate your old vehicle<br />

+Give a PICA membership to a loved one<br />

+Check with your employer to see if they will match your gift.<br />

+Contact Roya Amirsoleymani <strong>for</strong> details at 503.242.1419 x18<br />

MATCH YOUR PICA DONATION WITH A GIFT<br />

TO THE CULTURAL TRUST<br />

Make a donation to PICA and match that amount to the Oregon<br />

Cultural Trust by December 31st to claim 100% of your Trust<br />

gift as a credit on your Oregon State income tax. Visit<br />

culturaltrust.org/give <strong>for</strong> details.


“MACH 10: HAIR ON FIRE!”<br />

A LETTER FROM THE<br />

EXECUTIVE DIRECTOR<br />

That’s how Kristy Edmunds, our<br />

fo und er, once described PICA’s<br />

ambition. We have always lived on<br />

the edge; that thin line between<br />

the pres ent and future. Propelled<br />

by fiercely loyal supporters like<br />

you, we have ne ver been afraid to<br />

step off that line and into a new<br />

world that builds on our strengths<br />

and challenges our as s umptions.<br />

This year, drawing on the wisdom<br />

accumulated over our 17-year history;<br />

guided with thought and care<br />

by our Board, staff, and fun ders;<br />

and propelled by the expl osive energy<br />

of our artists, we leapt into<br />

the next chapter of PICA’s ins piring<br />

story.<br />

We have a new home imagined by<br />

dreamers, designed by believers,<br />

and built by the sweat of a community<br />

that is eager to play a role<br />

in the creation of what comes next.<br />

We welcomed a new resident <strong>Art</strong> istic<br />

Director, Angela Mattox, who is co-<br />

m m itted to making <strong>Portland</strong> a hub<br />

<strong>for</strong> international discussions about<br />

the direction of contemporary art.<br />

We inaugurated a year-round pro -<br />

g ram of events with exhibitions,<br />

residencies, and a symposium designed<br />

as a plat<strong>for</strong>m <strong>for</strong> the world’s<br />

most daring artists and most curi -<br />

ous audiences to gather.<br />

And, we celebrated a decade of the<br />

most vibrant, challenging, and reward<br />

ing art festival in this hemi sphere.<br />

After 10 years, the Time-Based <strong>Art</strong><br />

Festival continues to be an anchor<br />

cul tural event <strong>for</strong> <strong>Portland</strong> and<br />

rem ains one of the few truly interdisci<br />

p linary contemporary art festivals<br />

in the United States.<br />

PICA is supported by a small staff<br />

of fanatics, carried by an army of<br />

volun teers, and sustained by a core<br />

of life-giving visionaries. It is your<br />

un-wavering belief in PICA’s mission<br />

that allows us—year after year—<br />

to realize the impossible. Your<br />

support extends to artists from<br />

North <strong>Portland</strong>, West Africa, South<br />

America, and East Asia. It allows<br />

them to create the work that defines<br />

the world we live in today and proposes<br />

a vision of tomorrow. Your<br />

generosity drives the engine that<br />

propels us <strong>for</strong>ward.<br />

As we stride boldly into PICA’s future,<br />

your continued investment is<br />

essential. This year you can leverage<br />

your gift to accomplish even more.<br />

Give generously now and your donation<br />

may be matched by a challenge<br />

grant from the Maybelle Clark<br />

Macdonald Fund <strong>for</strong> new and increased<br />

contributions!<br />

PICA is not <strong>for</strong> the faint-of-heart. It<br />

is <strong>for</strong> lovers of ideas and dialogue,<br />

confrontation and beauty, challenge<br />

and inspiration. It is <strong>for</strong> people of<br />

vision and imagination. It is <strong>for</strong> you.<br />

PICA will continue to dream, but it<br />

is only with your generous support<br />

that we can continue to turn those<br />

ideas into reality. Thank you <strong>for</strong> moving<br />

with us into the future.<br />

See you tomorrow,<br />

Victoria Frey


PICA <strong>2012</strong>: A LOOK BACK (AND AHEAD)<br />

January-March<br />

415 Construction<br />

April 27-28<br />

Low Lives 4<br />

Featuring Linda Hutchins,<br />

Future Death Toll, Austin<br />

Adkins, and Robert Tyree<br />

June 21<br />

Per<strong>for</strong>mance<br />

Keith Hennessy<br />

Crotch<br />

August 2<br />

PICA’s 17th Birthday feat.<br />

MAXXXIMUM Volume<br />

October 13<br />

Lecture<br />

Susan Rosenberg on Trisha<br />

Brown’s Visual <strong>Art</strong> Practice<br />

April 13<br />

Grand Opening<br />

May 14-19<br />

Residency<br />

Big <strong>Art</strong> Group<br />

The People—<strong>Portland</strong><br />

June 21-24<br />

PICA Symposium:<br />

Bodies, Identities & Alternative<br />

Economies<br />

September 6-16<br />

10th Annual<br />

Time-Based <strong>Art</strong> Festival<br />

November 29<br />

Oregon Mushroom Stories:<br />

Mushroom, Mold, and Yeast<br />

Feast with EcoTrust<br />

April-June<br />

Exhibition<br />

Glen Fogel,<br />

My Apocalyptic Moment<br />

May 19<br />

TADA! Annual Gala<br />

June 23<br />

Screening:<br />

A.L. Steiner & A.K. Burns,<br />

Community Action Center<br />

September 1-29<br />

<strong>End</strong> Things at TBA:12<br />

December 8<br />

Prints For PICA<br />

April-June<br />

Resource Room Residency<br />

Alex Felton<br />

I Don’t Want to Work. But I<br />

Love the Workplace<br />

June 6-7<br />

Exhibition<br />

Alex Felton<br />

As The World Churns<br />

July-September<br />

Resource Room Residency<br />

Claudia Meza<br />

Ditch<br />

October-December<br />

Resource Room Residency<br />

Lisa Radon<br />

WHITE MOUNTAIN<br />

December 18-19<br />

Justin Vivian Bond<br />

Snow Angel


AN INVITATION FROM THE<br />

ARTISTIC DIRECTOR<br />

As I mark my first anniversary here,<br />

I would like to thank you <strong>for</strong> being<br />

part of a profound year of discovery<br />

and change <strong>for</strong> PICA as an organization,<br />

and <strong>for</strong> me as <strong>Art</strong>istic Director.<br />

It is an exciting moment <strong>for</strong> us as<br />

we settle into our new home, open our<br />

doors to the public, and launch annual<br />

programs that demonstrate our<br />

continued commitment to supporting<br />

artists and creating a dialogue<br />

around their work. I’m thrilled to be<br />

part of this 17-year legacy of embracing<br />

experimentation and investing<br />

in artists, and I look <strong>for</strong>ward to<br />

on going conversations about contem -<br />

porary art and PICA’s role in the<br />

community and larger field.<br />

Coming off the tenth anniversary<br />

of the always-epic TBA Festival, I’m<br />

still responding to the myriad complex<br />

ideas and experiences. The artists<br />

we present continually help us to<br />

navigate our world and ins pire us with<br />

their courage and vision. This year,<br />

artists from around the globe shared<br />

their insights into this current moment<br />

through astoun d ing works of<br />

fearless inquiry, resoun d ing humanity,<br />

and deep artistic vulnerability.<br />

Not only was <strong>2012</strong> an important<br />

milestone <strong>for</strong> the Festival, but we’ve<br />

also spent this year mounting pub-<br />

lic programs in our new home, where<br />

we are creating a plat<strong>for</strong>m <strong>for</strong> rich,<br />

dynamic experiences and inter actions.<br />

We opened this facility in April<br />

with an exhibition of paintings and<br />

a five-channel video project by<br />

Glen Fogel entitled My Apocalyptic<br />

Moment. Building on our expan -<br />

ded library space, we laun ched a<br />

Resource Room Residency prog ram<br />

with artists Alex Felton, Claudia Meza,<br />

and now Lisa Radon, exploring our<br />

collection of books and recordings.<br />

In May, we held a weeklong residency<br />

with Big <strong>Art</strong> Group to develop The<br />

People—<strong>Portland</strong>, which opened this<br />

year’s TBA Festival. And we hosted<br />

Keith Hennessy’s company in June<br />

to develop Turbulence (a dance about<br />

the economy) <strong>for</strong> its TBA premiere,<br />

and convene a weekend symposium<br />

of rigorous conversations and per<strong>for</strong>m<br />

an ces around the themes of the<br />

work. These programs are emblema tic<br />

of our year-round work supporting the<br />

creative process and connecting you—<br />

our audience—with artistic practice.<br />

PICA is a hub <strong>for</strong> the development of<br />

new work by some of today’s most<br />

compelling artists. How can we con-<br />

tinue to create public <strong>for</strong>ums in<br />

which artists, audiences, academics,<br />

activists, and others can come together<br />

and delve deeper into urgent<br />

issues? What role can PICA play in<br />

responding to our cultural moment?<br />

These questions guide our future and<br />

I’m looking <strong>for</strong>ward to exploring<br />

them in the year to come. I invite you<br />

to renew your commitment to what<br />

we stand <strong>for</strong> and help us build upon<br />

on our legacy of inquiry, provoca tion,<br />

and artistic discovery.<br />

Angela Mattox


SUPERHERO:<br />

LESLIE B. DURST<br />

UNDERWRITER: MAJOR MEDIA:<br />

ECO PRODUCTIONS, LLC.<br />

SHOWDRAPE<br />

SUPERHERO SPONSORS Leslie B. Durst; <strong>Art</strong>Place<br />

PRESENTING SPONSORS Paul G. Allen Family Foundation; National<br />

<strong>End</strong>owment <strong>for</strong> the <strong>Art</strong>s<br />

MAJOR SPONSORS The Collins Foundation; Maybelle Clark Macdonald<br />

Fund; Meyer Memorial Trust; James F. & Marion L. Miller Foundation;<br />

National Per<strong>for</strong>mance Network; Oregon <strong>Art</strong>s Commission; Regional<br />

<strong>Art</strong>s & Culture Council, including support from the City of <strong>Portland</strong>;<br />

Clackamas, Multnomah, and Washington Counties; and Metro; Irene<br />

Gerlinger Swindells Fund of the Oregon Community Foundation; Dan<br />

Wieden; Work <strong>for</strong> <strong>Art</strong>, including contributions from more than 1500<br />

employees throughout the tri-county region<br />

MAJOR MEDIA SPONSORS Bridgetown Printing; Comcast; OPB; <strong>Portland</strong><br />

Mercury; <strong>Portland</strong> Monthly<br />

UNDERWRITER SPONSORS The Boeing Company; Eco Productions,<br />

LLC.; Linda Hutchins & John Montague; Japan Foundation; The Kinsman<br />

Foundation; Makelike; New England Foundation <strong>for</strong> the <strong>Art</strong>s; Nike;<br />

Nordstrom; Oregon Cultural Trust; Showdrape; Charles & Darci Swindells;<br />

Travel <strong>Portland</strong>; Dorie & Larry Vollum; Wieden+Kennedy<br />

CHAMPION SPONSORS John Baker & Jana Bauman; British Council;<br />

Colin & Rosine Evans; Foundation <strong>for</strong> <strong>Contemporary</strong> <strong>Art</strong>; Pink Martini/<br />

Heinz Records; Tim & Julianne Hershey; Kirk Kelley; Peter Koehler, Jr.<br />

& Noël Hanlon; LAIKA/house; Mid Atlantic <strong>Art</strong>s Foundation; Anne K.<br />

Millis Fund of the Oregon Community Foundation; Mitchell Wines; M.J.<br />

Murdock; Charitable Trust; McGraw Family Foundation; Sarah Miller<br />

Meigs & Andrew Meigs; MUTT Industries; Oregon Humanities; Jane<br />

Schiffhauer; Howard Shapiro; John Shipley; Al Solheim; Travel Oregon;<br />

Trust <strong>for</strong> Mutual Understanding<br />

PATRON SPONSORS Hugh d’Autremont; Dermott Cleary & Rachel<br />

Slavin; Ken & Amy Dice; Diana Gerding; Deborah Horrell & Kit Gillem;<br />

Jon Kellogg Inc.; Stephanie Kjar & Adam Roth; Betsy Miller; NW Natural;<br />

Bonnie Serkin & Will Emery; Thompson Street Charitable Fund; Michael<br />

Tingley & Ellen Fortin; Rose E. Tucker Charitable Trust; Twenty Four 7;<br />

WESTAF<br />

SUPPORTER SPONSORS BOORA Architects; Sid Bos; Marianne<br />

Buchwalter; By Design Legal; James & Leslie Campbell; Nora Diver &<br />

Clif<strong>for</strong>d P. Diver, Jr.; Ann & Mark Edlen; Enterprise Holdings; Victoria<br />

Frey & Peter Leitner; MK Guth & Greg Landry; Pat & Kelley Harrington;<br />

David Hidalgo & John Bischof; Walter Clay Hill and Family Foundation;<br />

Twink Hinds & Graeme Harrison; Greg Hoffman & Kirsten Brady; Susan<br />

Hoffman & Fred Trullinger; Beth Hutchins & Pete Skeggs; Philip J. Iosca;<br />

The Jackson Foundation; Sally & John Lawrence; Julie Mancini & Dennis<br />

Bromka; C. Alex Miller; Casey Mills & Carmen Calzacorta; Mitchell Wine<br />

Group; MJ. Murdock Charitable Trust Matching Gifts Program; NIKE<br />

Employee Matching Gift Program; Perkins & Co.; Eric Philps & Laura Van<br />

Houten; Evan & Jennifer Reynolds; Paul Schneider & Lauren Eulau; Ethan<br />

Seltzer & Melanie Plaut; Ann Shipley & Benjamin Dean; Singer Thurman<br />

LLC; Lori & Dick Singer; Kathleen & Leigh Stephenson-Kuhn; Susan<br />

Sterne & Peter Kellers; Jeff Stuhr & Peter Kalen; Rebecca & Alexander<br />

Stewart; Eric Wan and Michele Goodman Fund of the Oregon Community<br />

Foundation; Kricken & James Yaker<br />

PRESENTING: MAJOR:<br />

JAMES F. MILLER &<br />

MARION L. MILLER<br />

FOUNDATION<br />

ADVOCATE SPONSORS Cynthia & Steven Addams; Jane & Spencer<br />

Beebe; Martha Bergman; Bettina & Fred Blank; Kristen Bremer & Stephen<br />

Moore; Cargo; Philip Cole; Jon & Jan DuClos; Jennifer Dunn; Kevin<br />

Easton; Christy Eugenis & Stan Amy and the North Star Foundation;<br />

Karen & Randy Feldhaus; Lourri Hammack; Joan Hoffman; Robert &<br />

Terri Hopkins; Dave Holt & Karen Babbitt; Holst Architects; Kay Alys<br />

Hutchinson; IBM Corporation Matching Grants Program; John & Janet Jay;<br />

Jan Johnson; Michael & Kristen Kern; Paul King & Walter Jaffe; Kathleen<br />

Lewis; Tom Maher & Kacey Baxter; Meyer Memorial Trust Matching Gift<br />

Program; PDX <strong>Contemporary</strong> <strong>Art</strong>; Barry Pelzner & Deborah Pollack; Chris<br />

Rauschenberg & Janet Stein; Steve & Susan Rupert; Jaymi & Francis<br />

Sladen; Kim Sordyl & John McCalla; Cathy Sparks & Peter Vandenijsel;<br />

Ken & Mary Unkeles<br />

ENTHUSIAST SPONSORS Mark Allyn; Anonymous; Luisa Adrianzen<br />

Guyer & Leigh Guyer; ATC Marching Gift; Kathy & Jeff Bennett; David<br />

Billing; Claudia & Harry Bray; Peter Bro; Cabazon Studio; Judy & Doug<br />

Cushing; Cathy Edwards; Mary Elliott & Mark Friedman; David Finkelman<br />

& Alysa Rose; Danielle Flagg; Dick & Vicki Frey; Charles Froelick & Bryce<br />

Dugan; Kyle & Charles Fuchs; Amy Greenstadt & Sean Green; Lorraine<br />

Guthrie & Erik Kiaer; Charles Hartman & Heather Frazier; Kelly &<br />

Gretchen Hibler; IBM Corporation Matching Grants Program; Christopher<br />

Israel & Jason Bell; Dennis Johnson; Michael & Kristen Kern; Whitney &<br />

Drew Klonsky; Denise Krueger; Joan & Dan Kvitka; Le Happy; Pamela<br />

Lloyd & Renny Gleeson; Carter & Jenny MacNichol; Sara & Chris Merten;<br />

Denise Mullen; Steven Neighorn; Patrick & Heidi O’Neill; Mark Russell &<br />

Jennifer Goodale; Tad & Georgia Savinar; Jessica Scarborough; Sylvia &<br />

George Sterne; Andrew & Michone Stevenson; Brian Stief & Andrew Lintz;<br />

Kim Thomas & John Morrison; Nancy & George Thorn; Joe & Annette<br />

Thurston; Tom & Margaret Tuchmann; Sharon Urry & J. Scott Soutter;<br />

Wendy Wells Jackson; Andrea & Jess Wetsel<br />

ADDITIONAL SUPPORT Ace Hotel; ADX; Al Amir Restaurants; Joel<br />

Barber; Bright Like Light Studios; Clear Channel Outdoor; Countryside<br />

Nursery; Christiana Millinger; Dennis Uni<strong>for</strong>ms; Ellen Fortin Design<br />

Architecture; Full Sail Brewing Co.; Gamblin <strong>Art</strong>ists Colors; Georgia<br />

Straight; Golden Rule Design; Half/Drop Repeats; Hotel Fifty; InFocus;<br />

Alan Jones, North Country Distribution; Kaye Security; Ademar Matinian,<br />

W+K Studio; The Mark Spencer Hotel; Mitchell, Lewis, and Staver; Noetic<br />

Design, Inc.; North Country Productions; Parrilli Renison; Port of <strong>Portland</strong>;<br />

PVS In-Store Graphics; Simpatica Catering; Stone Enterprise; Stumptown<br />

Coffee Roasters; The Harver Company; The Mac Store; Tonky Designs;<br />

Utrecht <strong>Art</strong> Supplies; VISO Beverage Company<br />

CONSTRUCTION SPONSORS Andersen Construction; Lease Crutcher<br />

Lewis; Walsh Construction; Howard S. Wright; SERA Architects; Singer<br />

Properties; American Heating; Anning Johnson; Cherry City Electric;<br />

Cochran Telecommunications; Culver Glass; D&F Plumbing; Dynalectric;<br />

Electrical Construction Co.; Forest Color; Harlen’s Drywall; HSI Security<br />

Systems; Interior Tech; IR Security; Jon Kellogg, Commercial Realty<br />

Advisors; Kohler; KPFF Consulting Engineers; PAE Consulting Engineers;<br />

Pental Granite & Marble; Raleigh Hills Upholstery; Solus Lighting;<br />

Vanillawood; Viridian

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