Nabokov's Invitation to Plato's Beheading
Nabokov's Invitation to Plato's Beheading
Nabokov's Invitation to Plato's Beheading
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A. Moudrov. “Nabokov’s <strong>Invitation</strong> <strong>to</strong> Pla<strong>to</strong>’s <strong>Beheading</strong>”<br />
precision of poetry and the intuition of science” (“Good Readers” 6) <strong>to</strong> find it comparable<br />
<strong>to</strong> the spirit of Pla<strong>to</strong>’s works which merge philosophical pursuits with artistic endeavors.<br />
On the day of Socrates’ execution, a friend caught him writing poetry. One cannot<br />
imagine Socrates writing in the first place, let alone writing poetry. Socrates responds by<br />
saying that he “tried <strong>to</strong> find out the meaning of certain dreams and <strong>to</strong> satisfy my<br />
conscience in case it was this kind of art they were frequently bidding me <strong>to</strong> practice. The<br />
dreams were something like this: the same dream often came <strong>to</strong> me in the past, now in<br />
one shape now in another, but saying the same thing: ‘Socrates,” it said, ‘practice and<br />
cultivate the arts’” (60e-61a), the message which Nabokov, if only he had noticed it,<br />
would have been inclined <strong>to</strong> accept at least privately—but deny it in print.