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Chicana Ways - Aletta

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AnyBody's Concerns 6(2003)<br />

Andrea Gutenberg (University<br />

of Cologne, Germany)<br />

"Know that I do not<br />

suffer, unlike you..."<br />

- Visual and Verbal<br />

Codings of Pain in Body<br />

and Performance Art"<br />

http://www.genderforum.uni-koeln.de/anybody/articles.htm (2 van 7)31-3-2005 18:21:39<br />

Canada, Denmark and the<br />

Czech Republic.<br />

Andrea Gutenberg<br />

teaches English<br />

literature at the<br />

University of Cologne and<br />

is currently working on a<br />

research project on<br />

English modernism and the<br />

degeneration debate. She<br />

has written a PhD thesis<br />

on possible worlds theory<br />

and female-centered plot<br />

patterns in the British<br />

novel and is preparing<br />

her habilitation on<br />

narcissism as a<br />

scientific and<br />

poetological concept (c.<br />

1850-1950).<br />

emotional and interactive way<br />

as only live theatre can do.<br />

I wanted to explore how to<br />

get under the skin of the<br />

infertile subject, represent<br />

different cultural and sexualchoice<br />

perspectives and bring<br />

the bio-ethical debate on A.R.<br />

T. into a theatrical space,<br />

emotionally and deliberately<br />

in-conclusively."<br />

"This paper sets out to<br />

analyse the status of pain<br />

and its visual and verbal<br />

representations in body art<br />

with regard to gender<br />

difference. Apart from<br />

potentially gender-related<br />

intertextual/ intermedial<br />

references to cultural codes<br />

such as religion (Christian<br />

iconography, sacrifice,<br />

rituals of initiation),<br />

references to pathological<br />

spectacles such as hysteria<br />

and cultural practices such<br />

as cosmetic surgery, the<br />

analysis will include:<br />

subject-object relations<br />

during the performance<br />

itself, the scenarios of<br />

narcissism and voyeurism<br />

implied by it, genderspecific<br />

forms of painprocessing<br />

and programmatic<br />

statements or manifestoes<br />

formulated by the artists<br />

themselves."

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