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Jesus Remembered: Christianity in the Making, vol. 1

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§8.6 The Tradition<br />

<strong>in</strong>g. In oral transmission a tradition is performed, not edited. And as we have<br />

seen, performance <strong>in</strong>cludes both elements of stability and elements of variability<br />

— stability of subject and <strong>the</strong>me, of key details or core exchanges, variability <strong>in</strong><br />

<strong>the</strong> support<strong>in</strong>g details and <strong>the</strong> particular emphases to be drawn out. That is a very<br />

different perspective. And it allows, <strong>in</strong>deed requires, ra<strong>the</strong>r different conclusions.<br />

These <strong>in</strong>clude <strong>the</strong> likelihood that <strong>the</strong> stabilities of <strong>the</strong> tradition were sufficiently<br />

ma<strong>in</strong>ta<strong>in</strong>ed and <strong>the</strong> variabilities of <strong>the</strong> retell<strong>in</strong>gs subject to sufficient control for<br />

<strong>the</strong> substance of <strong>the</strong> tradition, and often actual words of <strong>Jesus</strong> which made <strong>the</strong><br />

first tradition-form<strong>in</strong>g impact, to cont<strong>in</strong>ue as <strong>in</strong>tegral parts of <strong>the</strong> liv<strong>in</strong>g tradition,<br />

for at least as long as it took for <strong>the</strong> Synoptic tradition to be written down. In<br />

o<strong>the</strong>r words, whereas <strong>the</strong> concept of literary layers implies <strong>in</strong>creas<strong>in</strong>g remoteness<br />

from an 'orig<strong>in</strong>al', 'pure', or 'au<strong>the</strong>ntic' layer, <strong>the</strong> concept of performance<br />

allows a directness, even an immediacy of <strong>in</strong>teraction, with a liv<strong>in</strong>g <strong>the</strong>me and<br />

core even when variously embroidered <strong>in</strong> various retell<strong>in</strong>gs. 304<br />

The concept of oral transmission, as illustrated from <strong>the</strong> Synoptic tradition<br />

itself, <strong>the</strong>refore, does not encourage ei<strong>the</strong>r <strong>the</strong> scepticism which has come to afflict<br />

<strong>the</strong> 'quest of <strong>the</strong> historical <strong>Jesus</strong>' or <strong>the</strong> lopsided f<strong>in</strong>d<strong>in</strong>gs of <strong>the</strong> neo-Liberal<br />

questers. Ra<strong>the</strong>r it po<strong>in</strong>ts a clear middle way between a model of memorization<br />

by rote on <strong>the</strong> one hand and any impression of oral transmission as a series of evanescent<br />

rem<strong>in</strong>iscences of some or several retell<strong>in</strong>gs on <strong>the</strong> o<strong>the</strong>r. It encourages<br />

nei<strong>the</strong>r those who are content with noth<strong>in</strong>g short of <strong>the</strong> historicity of every detail<br />

and word of <strong>the</strong> text nor those who can see and hear noth<strong>in</strong>g o<strong>the</strong>r than <strong>the</strong> faith<br />

of <strong>the</strong> early churches. It encourages us ra<strong>the</strong>r to see and hear <strong>the</strong> Synoptic tradition<br />

as <strong>the</strong> repertoire of <strong>the</strong> early churches when <strong>the</strong>y recalled <strong>the</strong> <strong>Jesus</strong> who had<br />

called <strong>the</strong>ir first leaders and predecessors to discipleship and celebrated aga<strong>in</strong> <strong>the</strong><br />

powerful impact of his life and teach<strong>in</strong>g.<br />

d. Oral Tradition to Written Gospel<br />

We need not follow <strong>the</strong> course of oral transmission beyond <strong>the</strong> transition from<br />

oral tradition to written Gospel. The significance of that transition can be exaggerated,<br />

as we noted above <strong>in</strong> review<strong>in</strong>g <strong>the</strong> work of Kelber (§8.3f): <strong>Jesus</strong> tradi-<br />

304.1 have struggled to f<strong>in</strong>d a suitable image to replace that of 'layers' (edited editions),<br />

and played with <strong>the</strong> model of forms somewhat like space satellites circl<strong>in</strong>g round <strong>the</strong> remembered<br />

<strong>Jesus</strong>, with <strong>the</strong> forms of <strong>the</strong> 60s and 70s not necessarily fur<strong>the</strong>r from <strong>Jesus</strong> than those of<br />

<strong>the</strong> 40s and 50s. The image is not very good, but it can be elaborated to depict John's Gospel as<br />

on a higher orbit, or to <strong>in</strong>clude <strong>the</strong> possibility of forms drift<strong>in</strong>g out of <strong>the</strong> gravity of <strong>the</strong> remembered<br />

<strong>Jesus</strong> or be<strong>in</strong>g caught by a countervail<strong>in</strong>g gravity. The earlier image of a trajectory could<br />

be fitted to this also — e.g., Q material on a trajectory lead<strong>in</strong>g to a Gospel of Thomas no longer<br />

held with<strong>in</strong> <strong>the</strong> orig<strong>in</strong>al gravity field.<br />

249

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