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Jesus Remembered: Christianity in the Making, vol. 1

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FROM THE GOSPELS TO JESUS §8.6<br />

lier, smaller group<strong>in</strong>gs. The po<strong>in</strong>t is that we should not assume that such compositional<br />

procedures came <strong>in</strong>to <strong>the</strong> process only at a later stage of <strong>the</strong> process or<br />

only when <strong>the</strong> tradition was written down.<br />

c. Not Layers but Performances<br />

One of <strong>the</strong> most important conclusions to emerge from this review of <strong>the</strong> oral<br />

character of so much of <strong>the</strong> <strong>Jesus</strong> tradition, and of <strong>the</strong> likely processes of oral<br />

transmission, is that <strong>the</strong> perspective which has dom<strong>in</strong>ated <strong>the</strong> study of <strong>the</strong> history<br />

of Synoptic tradition is simply wrong-headed. Bultmann laid out <strong>the</strong> play<strong>in</strong>g<br />

field by conceiv<strong>in</strong>g of <strong>the</strong> <strong>Jesus</strong> tradition as 'composed of a series of layers'. 301<br />

The consequence of this literary paradigm was that each retell<strong>in</strong>g of episodes or<br />

parts of <strong>the</strong> <strong>Jesus</strong> tradition was bound to be conceived on <strong>the</strong> analogy of an editor<br />

edit<strong>in</strong>g a literary text. Each retell<strong>in</strong>g was like a new (edited) edition. And so <strong>the</strong><br />

impression of each retell<strong>in</strong>g as ano<strong>the</strong>r layer superimposed upon earlier layers<br />

became almost <strong>in</strong>escapable, especially when <strong>the</strong> literary imagery was <strong>in</strong>tegrated<br />

with <strong>the</strong> archaeological image of <strong>the</strong> ancient tell, where research proceeds by<br />

digg<strong>in</strong>g down through <strong>the</strong> historical layers. 302 The consequence has been widespread<br />

disillusion at <strong>the</strong> prospect of ever be<strong>in</strong>g able successfully to strip off <strong>the</strong><br />

successive layers of edit<strong>in</strong>g to leave some primary layer exposed clearly to view.<br />

Equally <strong>in</strong>evitable from such a perspective were <strong>the</strong> suspicion and scepticism<br />

met by any bold enough to claim that <strong>the</strong>y had been successful <strong>in</strong> <strong>the</strong>ir literary archaeology<br />

and had actually uncovered a large area of <strong>Jesus</strong>' bedrock teach<strong>in</strong>g.<br />

But <strong>the</strong> imagery is simply <strong>in</strong>appropriate. 303 An oral retell<strong>in</strong>g of a tradition<br />

is not at all like a new literary edition. It has not worked on or from a previous retell<strong>in</strong>g.<br />

How could it? The previous retell<strong>in</strong>g was not '<strong>the</strong>re' as a text to be consulted.<br />

And <strong>in</strong> <strong>the</strong> retell<strong>in</strong>g <strong>the</strong> retold tradition did not come <strong>in</strong>to existence as a<br />

k<strong>in</strong>d of artefact, to be exam<strong>in</strong>ed as by an editor and re-edited for <strong>the</strong> next retell-<br />

301. Bultmann, <strong>Jesus</strong> 12-13.<br />

302. As aga<strong>in</strong> by Crossan <strong>in</strong> his talk of 'scientific stratigraphy' (Historical <strong>Jesus</strong> xxviii,<br />

xxxi-xxxii). See also above chapter 6 n. 95. Bruce Chilton made an earlier protest aga<strong>in</strong>st this<br />

'literary fallacy' — The Temple of <strong>Jesus</strong>: His Sacrificial Program with<strong>in</strong> a Cultural History of<br />

Sacrifice (University Park: Pennsylvania State University, 1992) 114-15, 120, referr<strong>in</strong>g to his<br />

Profiles of a Rabbi: Synoptic Opportunities <strong>in</strong> Read<strong>in</strong>g about <strong>Jesus</strong> (BJS 177; Atlanta:<br />

Scholars, 1989).<br />

303. Cf. Liebenberg: 'Although it is true that all one has to work with are <strong>the</strong> canonical<br />

and non-canonical gospel texts, it rema<strong>in</strong>s methodologically unsound to work with a <strong>the</strong>ory of<br />

<strong>the</strong> gospel tradition which gives pride of place to <strong>the</strong>se texts, when it is known that <strong>the</strong>y came<br />

<strong>in</strong>to be<strong>in</strong>g <strong>in</strong> a predom<strong>in</strong>antly oral milieu, and more significantly, that <strong>the</strong> first twenty to thirty<br />

years after <strong>the</strong> life of <strong>Jesus</strong> <strong>the</strong> stories and aphorisms attributed to him were transmitted and<br />

performed orally' {Language 518).<br />

248

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