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Jesus Remembered: Christianity in the Making, vol. 1

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§8.1 The Tradition<br />

of analogy (§6.3c). The po<strong>in</strong>t was, as Kahler makes clear, that <strong>the</strong> orig<strong>in</strong>al<br />

questers were attempt<strong>in</strong>g to write biographies on <strong>the</strong> model of <strong>the</strong> n<strong>in</strong>eteenthcentury<br />

biography, with its <strong>in</strong>terest <strong>in</strong> <strong>the</strong> personal life and development of <strong>the</strong><br />

biographical subject. 60 So what Bultmann was actually decry<strong>in</strong>g was <strong>the</strong> attempt<br />

to write a modern biography of <strong>Jesus</strong>.<br />

S<strong>in</strong>ce <strong>the</strong> 1970s, however, <strong>the</strong> question of <strong>the</strong> Gospels' genre has come under<br />

<strong>in</strong>creas<strong>in</strong>gly close scrut<strong>in</strong>y, and it has become much clearer that <strong>the</strong> Gospels<br />

are <strong>in</strong> fact very similar <strong>in</strong> type to ancient biographies (Greek bioi; Lat<strong>in</strong> vitae). 61<br />

That is, <strong>the</strong>ir <strong>in</strong>terest was not <strong>the</strong> modem one of analys<strong>in</strong>g <strong>the</strong> subject's <strong>in</strong>ner life<br />

and trac<strong>in</strong>g how an <strong>in</strong>dividual's character developed over time. Ra<strong>the</strong>r, <strong>the</strong> ancient<br />

view was that character was fixed and unchang<strong>in</strong>g; 62 and <strong>the</strong> biographer's<br />

concern was to portray <strong>the</strong> chosen subject's character by narrat<strong>in</strong>g his words and<br />

deeds. 63 Which is just what we f<strong>in</strong>d <strong>in</strong> <strong>the</strong> Synoptic (<strong>in</strong>deed all <strong>the</strong> canonical)<br />

Gospels, 64 though not, it should be noted, <strong>in</strong> <strong>the</strong> o<strong>the</strong>r Gospels now frequently<br />

drawn <strong>in</strong>to <strong>the</strong> neo-Liberal quest. 65 Moreover, it is clear that common purposes<br />

of ancient bioi were to provide examples for <strong>the</strong>ir readers to emulate, to give <strong>in</strong>formation<br />

about <strong>the</strong>ir subject, to preserve his memory, and to defend and promote<br />

his reputation. 66 Here aga<strong>in</strong> <strong>the</strong> Gospels fit <strong>the</strong> broad genre remarkably<br />

well. 67 Of course, it rema<strong>in</strong>s true that <strong>the</strong> Gospels were never simply biographical;<br />

<strong>the</strong>y were propaganda; <strong>the</strong>y were kerygma. But <strong>the</strong>n nei<strong>the</strong>r were ancient biographies<br />

wholly dispassionate and objective (any more than modern biographies).<br />

68 In o<strong>the</strong>r words, <strong>the</strong> overlap between Gospel and ancient biography<br />

rema<strong>in</strong>s substantial and significant.<br />

In short, <strong>the</strong> genre itself tells us at once that <strong>the</strong>re was a considerable historical<br />

<strong>in</strong>terest <strong>in</strong> <strong>the</strong> formulat<strong>in</strong>g, retell<strong>in</strong>g, and collect<strong>in</strong>g <strong>in</strong>to Gospel format of<br />

<strong>the</strong> material which now comprises <strong>the</strong> Synoptic Gospels. 69 This should hardly<br />

60. Kahler, Historical <strong>Jesus</strong> 55, 63.<br />

61. See particularly D. Aune, The New Testament <strong>in</strong> Its Literary Environment (Philadelphia:<br />

Westm<strong>in</strong>ster, 1987) chs. 1 and 2; R. A. Burridge, What Are <strong>the</strong> Gospels? A Comparison<br />

with Graeco-Roman Biography (SNTSMS 70; Cambridge: Cambridge University, 1992), both<br />

with fur<strong>the</strong>r bibliography; Burridge reviews <strong>the</strong> earlier protests aga<strong>in</strong>st <strong>the</strong> critical dogma (<strong>the</strong><br />

Gospels not biographies) <strong>in</strong> ch. 4; D. Frickenschmidt, Evangelium als Biographie. Die vier<br />

Evangelien im Rahmen antiker Erzählkunst (Tüb<strong>in</strong>gen: Francke, 1997).<br />

62. Aune, Literary 28, 63; though note also Burridge, Gospels 183-84.<br />

63. Aune, Literary 30; Burridge, Gospels 144, 150-52, 176-77, 186-88.<br />

64. Aune, Literary 57; Burridge, Gospels particularly 205-206, 211-12.<br />

65. See above, §§4.7 and 7.8.<br />

66. Aune, Literary 36, 62; Burridge, Gospels 150-52, 186-88.<br />

67. Aune, Literary 57-58; Burridge, Gospels 214-17.<br />

68. Recall aga<strong>in</strong> <strong>the</strong> attempts to 'expla<strong>in</strong>' Hitler (above, chapter 6 n. 28).<br />

69. F. G. Down<strong>in</strong>g has argued that <strong>in</strong> terms of <strong>the</strong> features of <strong>the</strong> ancient bios (biography)<br />

adduced by Burridge, Q itself can be designated a bios ('Genre for Q and a Socio-Cultural<br />

185

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