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Jesus Remembered: Christianity in the Making, vol. 1

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FAITH AND THE HISTORICAL JESUS §6.5<br />

have suffered from <strong>the</strong> false idea that 'form criticism' is <strong>the</strong> translation of Formgeschichte,<br />

<strong>in</strong> that study of <strong>the</strong> history of transmission of <strong>the</strong> tradition (from <strong>the</strong><br />

first) has been too often subverted <strong>in</strong>to a study of <strong>the</strong> forms <strong>the</strong>mselves. So too<br />

<strong>the</strong> recognition that forms have a Sitz-im-Leben (life-sett<strong>in</strong>g) diverted attention<br />

too much from <strong>the</strong> process of transmission to <strong>the</strong> communities which gave <strong>the</strong><br />

forms <strong>the</strong>ir shape. To <strong>the</strong>se matters we will have to return <strong>in</strong> §§8.3-6.<br />

The weakness of form criticism as a tool <strong>in</strong> <strong>the</strong> quest is illustrated by <strong>the</strong><br />

ease with which it succumbed to <strong>the</strong> same illusion that Kahler identified: <strong>the</strong> assumption<br />

that <strong>the</strong>re is a recoverable reality (an 'orig<strong>in</strong>al' form) beh<strong>in</strong>d <strong>the</strong> text<br />

untouched by faith. So it could <strong>in</strong>clude <strong>the</strong> work<strong>in</strong>g assumption that many of <strong>the</strong><br />

<strong>in</strong>dividual forms <strong>in</strong> effect were given <strong>the</strong>ir <strong>in</strong>itial shape and had a vital life outside<br />

<strong>the</strong> communities of faith, as though <strong>the</strong> forms were to be found <strong>in</strong> storytell<strong>in</strong>g<br />

round <strong>the</strong> campfires of travellers or <strong>in</strong> <strong>the</strong> casual conversations of <strong>the</strong> marketplace,<br />

104 as though <strong>the</strong> Evangelists hunted out tales about <strong>Jesus</strong> <strong>in</strong> <strong>the</strong> way<br />

that European composers <strong>in</strong> <strong>the</strong> first half of <strong>the</strong> twentieth century hunted out <strong>the</strong><br />

folksongs and folk tunes of <strong>the</strong>ir people for <strong>the</strong>ir own compositions. But aga<strong>in</strong><br />

we have to ask whe<strong>the</strong>r we have <strong>in</strong> <strong>the</strong> Synoptic tradition any data which are untouched<br />

by faith from <strong>the</strong> outset.<br />

d. Disciple-Response<br />

It is at this po<strong>in</strong>t that we can draw fur<strong>the</strong>r upon <strong>the</strong> <strong>in</strong>sights of postmodern literary<br />

criticism — that <strong>the</strong> mean<strong>in</strong>g of a text is <strong>in</strong> some sense <strong>the</strong> product of a creative<br />

encounter between text and reader. For though <strong>the</strong> po<strong>in</strong>t be<strong>in</strong>g made is usually<br />

with regard to <strong>the</strong> present-day reader's reception of literary texts, it actually<br />

applies also to <strong>the</strong> tradition process itself which lies beh<strong>in</strong>d <strong>the</strong> Synoptic Gospels.<br />

Here Gadamer's concept of <strong>the</strong> Wirkungsgeschickte of a text or tradition is<br />

also to <strong>the</strong> po<strong>in</strong>t, s<strong>in</strong>ce it applies also to <strong>the</strong> moment <strong>in</strong> which <strong>the</strong> tradition was itself<br />

created. There is <strong>in</strong> fact no gap to be bridged between a <strong>Jesus</strong> historically<br />

conceived and <strong>the</strong> subsequent tradition which has effected consciousness; all we<br />

104. Cf. particularly E. Trocmé, <strong>Jesus</strong> and His Contemporaries (London: SCM, 1973):<br />

'<strong>the</strong> sett<strong>in</strong>g <strong>in</strong> which <strong>the</strong> miracle stories orig<strong>in</strong>ated and were handed down for a time is not a<br />

Christian one, but must be sought <strong>in</strong> ... <strong>the</strong> village society of north-eastern Galilee or <strong>the</strong> area<br />

immediately surround<strong>in</strong>g Lake Tiberias. Story-tellers at markets and dur<strong>in</strong>g w<strong>in</strong>ter even<strong>in</strong>gs<br />

found a ready audience for narratives with no literary pretensions, but too sensational to leave a<br />

popular audience unmoved. . . . We owe to him [Mark] <strong>the</strong> <strong>in</strong>troduction of <strong>the</strong>se narratives <strong>in</strong>to<br />

a Christian sett<strong>in</strong>g' (104). The po<strong>in</strong>t is elaborated by G. Theissen, The Gospels <strong>in</strong> Context: Social<br />

and Political History <strong>in</strong> <strong>the</strong> Synoptic Tradition (M<strong>in</strong>neapolis: Fortress, 1991) 97-112; see<br />

also his stimulat<strong>in</strong>g novellistic treatment, The Shadow of <strong>the</strong> Galilean: The Quest of <strong>the</strong> Historical<br />

<strong>Jesus</strong> <strong>in</strong> Narrative Form (London: SCM, 1987).<br />

128

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