A Working Bibliography - The University of Sydney

http://www.musabi.co.jp/list.html Musashino Bijutsu list of contributors http://www.momat.go.jp/search/
National Museum of Modern Art collection database
http://plaza.bunka.go.jp/index.html new media, need to register (for free)
http://www.mecenat.or.jp/doko/doko.html Association for Corporate Support of the Arts (Mecenat) list of
newspaper articles about art but no links directly to the articles.
http://www.asiasociety.org/arts/japan_guide/ The Asia Society’s introduction to Japanese art page.
http://www.art-museum.city.yokohama.jp/bizyutu/bizy03.html gallery& museum information.
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Modern Japanese Art: Texts by John Clark
‘Modernity in Japanese Painting’, Art History, vol.9, no.2, June 1986, 213-231
‘Yôga in Japan: Model or Exception? Modernity in Japanese art, 1850s-1940s: an international comparison’, Art
History, vol.18, no.2, June 1995, 253-285.
‘Modernism and Traditional Japanese-style Painting’, Semiotica, 1, 1989, 1-18;
‘Charles Wirgman (1832-1891), recent discoveries and re-evaluations’, Proceedings of the 1988 Japan Studies Colloqium,
London, The British Library, 1990, 261-276.
‘Charles Wirgman’, in Daniels, G., editor, Britain and Japan: Themes and Personalities, 1859-1991, [Japan Society of
London Centennial Volume], London, Routledge and Kegan Paul, The Japan Society, 1991, 54-63
Japanese Exchanges in Art [with other contributions by Luke Gartlan, Colin Osman, and John Fraser], Sydney,
Power Publications, 2001.
‘Indices of Modernity: Changes in Popular Reprographic representation’, in Elise K. Tipton and John Clark eds.,
Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney, Australian Humanities Research
Foundation & Honolulu, University of Hawai’i Press, 2000, 25-49.
‘Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s’, in Elise Tipton, ed., Society and the
State in Interwar Japan, London, Routledge, 1997.
[translation, unpublished] Kumasaka Atsuko, ‘Sanshirô and British Painting’, 1985, [Japanese original in Nihon
Joshidagaku Kiyô, no.34, March 1985].
‘Surrealism in Japan’, in Surrealism: Revolution by Night, Lloyd, M., Gott, T., Chapman, C., Australian National
Gallery, Canberra, 204-215.
‘Dilemmas of Selfhood: Public and Private discourses of Japanese Surrealism in the 1930s’, published as ‘Artistic
Subjectivity in the Taisho and early Showa avantgarde 1945’, chapter for Monroe, Alexandra, ed., Scream
against the sky: Japanese Art after 1945, New York, Abrams & The Guggenheim Museum, 1995, 40-53.
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935 Sydney, Art Gallery of New South Wales, 1998.
[originator of exhibition concept, writer of catalogue texts, translator of catalogue texts].
Surrealism in Japan, [a consolidation of the two earlier papers with extensive, previously unpublished materials]
Occasional paper no 28, of Japan Studies Centre, Monash Asia Institute, 1997, 80 pages.
‘The Art of Modern Japan Three Wars’, Bulletin of the Japanese Studies Association of Australia, vol.11, no.2, August
1991, 38-42.
‘Surface and Subterranean monuments in Modern Japanese Art’ for The Nature of the Masterpiece in Europe and
Japan, Sainsbury Centre of the University of East Anglia, Norwich, September 1997 [to date only published
in Japanese translation].
[Translation] Akasegawa Genpei’s ‘The art that destroyed itself’ in Reconstructions, Oxford, Museum of Modern
Art, 1985;
[Translation] Iida Yoshikuni, ‘Sense of liberation in a black-market age’, [unpublished paper for Reconstructions
Exhibition Symposium, as above].
‘Obscenity Deleted’, 1979, [unpublished lecture to Institute of Contemporary Art on Japanese pornographic
comics].
‘The Conditions for Post-Modernity in Japanese Art of the 1980s’, shortened version without tables in Sugimoto,
Y., & Arnanson, ed., The Postmodernity Debate and the Japanese Experience, London, Kegan Paul International,
1994, 154-175;; French translation of a shortened form as ‘Modernisme et postmodernisme au Japon
(Quelques notes à propos des années 1980)’ in Tamba Akira ed., L’Esthétique contemporaine du Japon, Paris,
CNRS Editions, 1997, 139-146.
Review of the ‘Ôsaka Triennale’, Art & Asia Pacific, 1996, vol.3, no.1.
‘Modernities, Histories: the Japanese Case’, 1995 [unpublished original of following shortened version];
‘Modernités, Histoires; le cas japonais’, [traduit par Lacoste, J.) in Harry Belleter, ed., Face à l’Histoire , Paris,
Centre Georges Pompidou, 1996,.