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A Working Bibliography - The University of Sydney

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96<br />

Yanagita, K., About our Ancestors: <strong>The</strong> Japanese Family System, UNESCO, Japanese Ministry <strong>of</strong> Education, 1970.<br />

Yoda, Tomiko, ‘A Roadmap to Millennial Japan’, <strong>The</strong> South Atlantic Quarterly, 99.4, Fall 2000<br />

Yoda, Tomiko, ‘<strong>The</strong> Rise and Fall <strong>of</strong> Maternal Society: Gender, Labor, and Capital in Contemporary Japan’, <strong>The</strong><br />

South Atlantic Quarterly, 99.4, Fall 2000<br />

Yoshimoto, Mitsuhiro, 1961-, ‘<strong>The</strong> <strong>University</strong>, Disciplines, National Identity: Why is <strong>The</strong>re No Film Studies in<br />

Japan?’, <strong>The</strong> South Atlantic Quarterly, 99.4, Fall 2000<br />

Modern Japanese Thought<br />

General Texts on Aesthetics:<br />

Marra, Michele, Modern Japanese Aresthetics: A Reader, Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 1999.<br />

Marra, Michael F., A History <strong>of</strong> modern Japanese Aesthetics, Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 2001.<br />

Marra, Michael F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu, <strong>University</strong> <strong>of</strong><br />

Hawai’i Press, 2002.<br />

Odin, Steve, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics, Honolulu, <strong>University</strong><br />

<strong>of</strong> Hawai’i Press, 2001.<br />

Okakura Kakuzô [Tenshin]<br />

See under Nihonga<br />

Kuki Shûzô:<br />

Kuki Shûzô, Le problème de la contingence, [tr. Omodaka Hisayuki], Tôkyô, <strong>University</strong> <strong>of</strong> Tokyo Press, 1963.<br />

Kuki Shûzô [tr. Maeno Toshiyuki], Structure de l’Iki, Tôkyô, Maison Franco-Japonaise, 1984.<br />

Kuki Shûzô, An essay on Japanese Taste: <strong>The</strong> Structure <strong>of</strong> ‘Iki’ [tr. Clark, J.; ed. Matsui Sakuko & Clark, J.], <strong>Sydney</strong>,<br />

Power Publications, 1996.<br />

Kuki Shûzô, <strong>The</strong> structure <strong>of</strong> detachment : the aesthetic vision <strong>of</strong> Kuki Shûzô, (translated by Nara Hiroshi; with essays by J.<br />

Thomas Rimer and Jon Mark Mikkelsen), Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 2004.<br />

Kuki and His Times:<br />

Clark, J., ‘<strong>The</strong> Structure <strong>of</strong> ‘Iki’ by Kuki Shûzô’, Asian Culture Quarterly, vol. XII, no.1, Spring 1984.<br />

Clark, J., ‘Sovereign Domains: <strong>The</strong> Structure <strong>of</strong> Iki’, Japan Forum, vol.10, no.2, 1998.<br />

Dale, Peter N., <strong>The</strong> Myth <strong>of</strong> Japanese Uniqueness, London, Croom Helm, 1986 & London, Routledge, 1990.<br />

Heidegger, Martin, ‘A Dialogue on Language’ in his On the Way to Language, [translated by Peter D. Hertz], New<br />

York, Harper and Row, 1971.<br />

Hosoi Atsuko & Pigeot, Jacqueline, ‘La structure d’iki’, Critique, 29, no.308, January, 1973.<br />

Kuno Akira, ‘L’esthétique de Shûzô Kuki’ in Tamba Akira, ed., L’Esthétique contemporaine du Japon, Paris, CNRS<br />

Editons, 1997.<br />

Light, Stephen, Shûzô Kuki and Jean-Paul Sartre: Influence and Counter-Influence in the Early History <strong>of</strong> Existential<br />

Phenomenology, Carbondale, South Illinois <strong>University</strong> Press, 1987.<br />

Nakano Hajimu, ‘Kuki Shûzô and <strong>The</strong> Structure <strong>of</strong> Iki’ in Rimer, J. Thomas, ed., Culture and Identity: Japanese<br />

Intellectuals during the Interwar Years, Princeton, Princeton <strong>University</strong> Press, 1990.<br />

Nomura Masaichi, ‘Sulla struttura dell’ “iki” di Kuki Shûzô e il sistema del gusto estetico giapponese’ in<br />

Gururajamanjarika: Studi in Onore di Giuseppe Tucci, Napoli, 1974.<br />

Pincus, Leslie, ‘In a Labyrinth <strong>of</strong> Western Desire: Kuki Shuzo and the discovery <strong>of</strong> Japanese being’, in Miyoshi<br />

Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke <strong>University</strong> Press, 1993.<br />

Pincus, Leslie, Authenticating Culture in Imperial Japan: Kuki Shûzô and the Rise <strong>of</strong> National Aesthetics, Berkeley,<br />

<strong>University</strong> <strong>of</strong> California Press, 1996 [review by Clark, J. Australian Journal <strong>of</strong> Art, 1997].<br />

Piovesana, G., Recent Japanese Phliosophical Thought, rev. ed., Tôkyô, Enderle, 1973.<br />

Nishida Kitarô:<br />

Adams, Robert, <strong>The</strong> feasibility <strong>of</strong> the philosophical in early Taishô Japan, PhD dissertation, <strong>University</strong> <strong>of</strong> Chicago, 1991.<br />

Feenberg, A., Arisaka Yoko, ‘Experiential ontology: <strong>The</strong> origins<strong>of</strong> the Nishida philosophy in the doctrine <strong>of</strong> pure<br />

experience’, International Philosophical Quarterly, vol.30, no.2, (June 1990), 173- 204.<br />

Nishida Kitarô, An Inquiry into the good, [tr. Abe Masao, Ives, C.], New Haven, Yale <strong>University</strong> Press, 1990.<br />

Nishida Kitarô, Über das Gute, [tr. Pörtner, Peter] Hamburg, Gesellschaft für Natur und Völkerkunde Ostasiens,<br />

1990.<br />

Watsuji Tetsurô:<br />

Befu Harumi, ‘Watsuji Tetsurô’s Ecological Approach : its philosophical foundation’, in Kalland, A. & Asquith,<br />

Pamela J., Japanese Images <strong>of</strong> nature: Cultural Perspectives, London, Curzon Press, 1997.<br />

Bellah, Robert N., ‘ Japan’s cultural identity: some reflections on the work <strong>of</strong> Watsuji Tetsurô’, Journal <strong>of</strong> Asian<br />

Studies, vol.24, no.4, (August 1965), 573-94.

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