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A Working Bibliography - The University of Sydney

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81<br />

Itoi, Kay, ‘<strong>The</strong> Elegance <strong>of</strong> Silence: Contemporary Art from East Asia’ (review), ArtAsiaPacific, no. 46, 2005.<br />

Kataoka Mami et al, Roppongi Crossing, Tokyo, Mori Art Museum, 2004.<br />

Kondo, Kenichi ‘MOT Annual 2006 – No Border, Museum <strong>of</strong> Contemporary Art Tokyo’ (exhibition review),<br />

ArtAsiaPacific, no. 50, 2006.<br />

Koplos, Janet, ‘Report from Tokyo’, Art in America, February 2002.<br />

Koplos, Janet, 'Korea and Japan mend fences', Art in America, Vol. 91, Issue 4, April 2003<br />

Kozl<strong>of</strong>f, Max, ‘Tokyo Togs’, Art in America, March 2002.<br />

Kuroda, Raiji, ‘Adventure <strong>of</strong> Communication in the Age <strong>of</strong> Stagnation: Japanese Art in the mid-1990’s’, Kuroda,<br />

Raiji, <strong>The</strong> First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />

Kuroda, Raiji, Report at <strong>The</strong> First Fukuoka Asian Art Trienale [<strong>The</strong> 5 th Asian Art Show], Seminar: “Asian Art –<br />

Towards the 21 st Century”, Fukuoka: Fukuoka Asian Art Museum, 1999<br />

Lee, Yvonne, ‘Renga- <strong>The</strong> Japanese Art <strong>of</strong> Collective Creation: Chained Painting Project by Hitori Nakayama’<br />

(review), in Vehicle: Contemporary Visual Arts, No.10, 2003, p.16-17.<br />

Lloyd, Fran ; Roberts, Melanie eds., Sex & Consumerism: Contemporary Art in Japan, (curator: Siumee Keelan),<br />

Brighton: <strong>The</strong> <strong>University</strong> <strong>of</strong> Brighton, 2001.<br />

Mami, Kataoka, et al, Roppongi Crossing: New Visions in Contemporary Japanese Art 2004, Tokyo, Mori Art Museum,<br />

2004.<br />

Matsui, Midori, ‘Tokyo’, Artforum, vol. 44, Iss. 4, 2005.<br />

Nagoya, Satoru, ‘No Statement?’ (review), Flash Art, vol. XXXIX, no. 250, Oct, 2006.<br />

Nagoya, Satoru, ‘<strong>The</strong> Elegance <strong>of</strong> Silence – Mori Art Museum, Tokyo’ (review), Flash Art, vol. XXXVIII, no. 243,<br />

July-September, 2005.<br />

Nagoya, Satoru, ‘Yokohama and Fukuoka Triennials Report’, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006.<br />

Nicholls, Christine, ‘Exhibition Round-up: Japan’, Art and Australia, vol. 43, no. 2, 2005.<br />

Nonomura, Fumihiro, ‘<strong>The</strong> city, art and the garden’, Art AsiaPacific, 25, 2000<br />

Robinson, Joel, ‘My Home is Yours/ Your Home is Mine at Tokyo Opera City Art Gallery, Exhibition Reviews,<br />

Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002<br />

Tolman, Norman, ‘Enduring Voices’, Asian Art News, vol. 15, no. 5, 2005.<br />

Turner, Caroline, ‘<strong>The</strong> enigma <strong>of</strong> Japanese contemporary art’, Artlink, Vol. 20, No. 2, July 2000<br />

New Media<br />

[exonemo] Shikata, Yukiko, ‘exonemo’ in Art Asia Pacific, Issue 37 (2003), p. 82<br />

[Miyajima Tatsuo] Auping, Michael, Tatsuo Miyajima: Big Time, London, Hayward Gallery & Forth Worth, Modern<br />

Art Museum <strong>of</strong> Fort Worth, 1996-7; Fouser, Robert J. ‘Life without zero: an interview with Miyajima<br />

Tatsuo’, Art AsiaPacific, no.17, 1998; Miyajima Tatsuo interview with Lynne Cooke and Mark Francis, in<br />

Carnegie International 1991, vol.I, Pittsburgh, <strong>The</strong> Carnegie Museum <strong>of</strong> Art & New York, Rizzoli, 1991;<br />

Odom, Michael, ‘Tatsuo Miyajima’, Artforum International, Vol.35, Issue 8, April 1997; Miyajima Tatsuo: Big<br />

Time, London, <strong>The</strong> South Bank Board, 1997 [review Kent, Art AsiaPacific,no.18, 1998]; Nakamura, Nobuo<br />

and Miyake, Akiko, ed., CCA Artist’s Book Series, Tatsuo Miyajima, Whole Relitivity <strong>of</strong> the Cosmos 133651,<br />

Kitakyushu: Center For Contemporary Art, 1998; Parkett, ‘Insert- Tatsuo Mijajima’, Parkett, No. 34, 1992;<br />

Gookin, Kirby, ‘Tatsuo Miyajima’, Artforum International, Vol.39, Issue 7, March 2001<br />

[Mori Mariko] Blair, Dike, ‘We’ve got twenty years’, Purple Prose, 9, Summer 1995; Magnan, Kathleen, F., ‘<strong>The</strong><br />

artist as model - Mori Mariko’, Art & Asia Pacific, vol.3, no.2, 1996; Bryson, Norman, ‘Cute Futures:<br />

Mariko Mori’s Techno Enlightment’, Parkett, no.54, 1998-1999; Goodeve, Thyrza Nichols, ‘Mariko Mori’s<br />

Cyborg Surrealism’, Parkett, no.54, 1998-1999; Nakazawa, Shin’ichi, ‘No Angels Here, Yet She Lives’,<br />

Parkett, no.54, 1998-1999; Celant, Germano, ‘External present’ in Mariko Mori: Dream Temple, Milano,<br />

Fondazione Prado, 2000; Molon, Dominic, ‘Countdown to ecstasy’, Chicago, Museum <strong>of</strong> Contemporary<br />

Art & London, Serpentine Gallery, 1998; Sugiura Kunie, ‘Interview with Marioko Mori’, Journal <strong>of</strong><br />

Contemporary Art, 1998, http://www.jca-onnline.com/mori.html; Ueno Toshita, ‘Techno-orientalism and<br />

media-tribalism: on Japanese animation and rave culture’, Third Text, 47, Summer 1999.<br />

[Moriyama Daido] Zdenek, Felix, ed., Daido Moriyama: Shinjuku 19XX-20XX, Hatje Cantz, Ostfildern, 2006; Jana,<br />

Reena, ‘A blunt reality’, Asian Art News, vol.9, no.5, 1999; Levi Strauss, David, ‘Daido Moriyama’, Artforum<br />

International, Vol.38, Issue 7, March 2000<br />

[Nakamaura Masato] Shikata Yukiko ‘Sign <strong>of</strong> the Times: Masato Nakamura and Command N.’ Art Asia Pacific<br />

24:1999<br />

[Yamaguchi Center for Arts and Media] ‘Inaugural Projects’ (Review) in Art Asia Pacific, No. 40 (Spring 2004), pp.<br />

82-83

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