A Working Bibliography - The University of Sydney

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---------------------------------------------------------------------------------------------------------------------------- EURAMERICAN THEORIES OF MODERNITY (selected) 186 Theories, Logics, Ideologies 186 Taxonomy and Evolutionary Speciation 187 Literary and Linguistic Theories 187 Cultural Hybridity and Cultural Comparison 187 Cultural Globalization 188 Theories of Art (selected) 189 Art Movements 190 Corporeal Theories (selected) 190 ---------------------------------------------------------------------------------------------------------------------------- ASIA, AFRICA, AND ISLAM IN PRE-MODERN EURAMERICAN ART 190 ---------------------------------------------------------------------------------------------------------------------------- NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY IN ART 191 General 191 Africa 191 Australia 192 Islamic World 192 Meso- and South America 192 ---------------------------------------------------------------------------------------------------------------------------- POSTCOLONIALISM AND ‘THIRD’ CRITIQUES AT THE CENTRE 193 ---------------------------------------------------------------------------------------------------------------------------- BIENNALES AND CONTEMPORARY ASIAN ART 195 Museum and Exhibition Practice 195 Asian Art: Modern and Contemporary [duplicates some sections above] 195 Australia, Art and Asia [duplicates some sections above] 195 Modern and ContemporaryExhibiton Systems 198 Museums, Art Centres and other Institutions 2000+ 199 Curatorial Practice 201 Biennales in Art Exhibition Systems 202 Art, Markets and the Economy 202 Art Dealers 203 Cultures and Commodities 204 Hybridity, Postcolonialism and Globalization [duplicates some sections above] 204 Other Theories and Histories [duplicates some sections above] 205 Biennales and Triennales by site 206 National Exhibitions at Biennales 216 Biennales from an Asian Perspective 219 Other Catalogues consulted 219 8
GENERAL WORKS ON ASIAPACIFIC AS A REGION 9 Asian-Wide Surveys ArtAsiaPacific, ed., ArtAsiaPacific Almanac 2007, vol. 2, 2007. Clark, John, ‘Inter-Asian Criteria of Institutional Modernity in Art’, 28th International Congress of the History of Art, Berlin, Kunstlerische Austausch/Artistic Exchange, Akademie Verlag, Berlin, 1993, 655-668. Clark, John, ed., Modernity in Asian Art, Sydney, Wild Peony Press, 1993. Clark, John; Peleggi, Maurizio; Sabapathy, T.K. eds., Eye of the Beholder, Sydney, Wild Peony Press, 2006. Clark, John, ‘Ajia! Ajia!’, Art Monthly Australia, April 1991. Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai’i Press, 1998 Clarke, David, ‘Contemporary Asian Art and Its Western Reception’ in Third Text, Vol. 16, Issue 3 (September 2002), pp. 237-242 ‘Contemporary Arts of the Region: Australia and South East Asia’, Special Issue, Artlink, Vol. 13, No.3&4, November-March 1993/94; Dysart, Dinah & Fink, Hannah, eds, Asian Women Artists, Sydney, Craftsman House, 1996. Japan Cultural Forum, ed, Modern Art of Asia, Toto Shuppan, Tokyo, 1961 Kirker, Anne, ‘Focus on Asian Women Artists’, Artlink, Vol. 20, No. 2, July 2000 Lent, John A., ‘Asian Comic Art.’ Art AsiaPacific issue 21 1999 Lent, John A., ed., Asian Popular Culture, Boulder, Westview, 1995 Turner, Caroline, ed., Art and Social Change: Contemporary Art in Asia and the Pacific, Canberra, Pandanus Books, 2005 Museums, Art Centers and other Art Institutions 1990s ‘A New Cure for Asian Art Curators’, Asian Art News 9:4 1999 ‘Asia and Modernity’, Special Issue of Humanities Research, 2, 1999 with articles by Clark, Lilley, Low, Labrador, Sang. ‘Asian Art: Prospects for the Future.’ International Symposium 1999 with articles by Elliott, Davenport, Mashadi, Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999. Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, Sydney, Angus and Robertson, 1974. Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/ Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997. Manton, Neil, ‘The Arts of Diplomacy’, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4, 1996. McEvilley, Thomas, ‘Arrivederci Venice’, On the ‘Third World’ Biennials, Artforum International, Vol.32, Issue 3, November 1993 Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society Galleries & Sydney, The Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta in Eyeline: contemporary visual arts, no.32, summer 1996; Art in America, Februrary 1997; Ewington, Yang, Munroe in ART AsiaPacific, no.15, 1997; Owen, Michael. ‘Contemporary Art in Asia: Traditions/Tensions.’ Third Text no.41 Winter 1997-98 Poshyananda, Apinan, ‘A new cure for Asian art curators’, Asian Art News, vol.9, no.4, 1999 Seminar on Fine Arts of Southeast Asia, Bangkok; Association of Southeast Asian Institutions of Higher Learning, 1964. Turner, C., ‘Getting the Message’ [Review of Adelaide Festival Sculpture Installations], Art & Australia, vol.32, no.1, Spring 1994. Museums, Art Centers and other Art Institutions 2000+ ‘Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations’, Forum Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Akira, Tatehatata, ‘A Trojan Horse?: Multiculturalism in International Art Exhibitions’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 ART AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Profile 63 Contemporary Asian Artists Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001. Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations; Atsuo, Yamamoto, ‘From Dualism to Oneness’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4: CONTENTS Please note that paginatio
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7: Prints 155 ------------------------
Page 11 and 12: 11 [Global Conceptualism] Global Co
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58: 57 Clark, John, ‘La peinture mode
Page 59 and 60:
59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62:
61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64:
63 Agahari, Rae, Beyond representat
Page 65 and 66:
65 General Works Clark, J., ‘Mode
Page 67 and 68:
67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70:
69 Clark, John, ‘Artist and the S
Page 71 and 72:
Smith, L.H.R., Contemporary Japanes
Page 73 and 74:
73 Abstract painting in Japan, Hokk
Page 75 and 76:
75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
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