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A Working Bibliography - The University of Sydney

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77<br />

Annear, J., ‘A forest <strong>of</strong> art in a Tokyo town’ [Faret Tachikawa], Art & Asia-Pacific, vol.3, no.1,<br />

Annear, J., ‘Neither inside nor outside’ (interview with Hasegawa Yûko), Art & Asia Pacific, vol.1, no.1, 1993.<br />

Clark, John, ‘<strong>The</strong> 1995 Osaka Triennale’, Art & Asia-Pacific, vol.3, no.1, 1996.<br />

Dyer, Richard. ‘Yukinori Yanagi: Union Jack Ant Farm.’ Third Text no.27 Summer 1994.<br />

Inaga Shigemi, ‘To be a Japanese artist in the so-called Postmodern Era’, Third Text, no.33, Winter 1995-96.<br />

Jana, Reena ‘A Blunt Reality.’ Asian Art News 9:5 Sept/Oct 1999 [Daido Moriyama].<br />

Kaihotsu Chie ‘De-Genderism, Art on the edge <strong>of</strong> representation’, Art AsiaPacific, no.16, 1997.<br />

Kellein, Thomas, Hiroshi Sugimoto: Time Exposed, Stuuttgart, Edition Hansjorg Mayer, 1995.<br />

Kent, Rachel, ‘Futurescape: <strong>The</strong> surreal vision <strong>of</strong> Miwa Yanagi’, Art AsiaPacific, no.35, 2002.<br />

King, Natalie ‘Fashion statements: Three Exhibitions in Japan’, Art AsiaPacific, no.16, 1997.<br />

Koplos, J., ‘<strong>The</strong> two-fold path: contemporaary art in Japan’,<br />

Koplos, Janet, ‘Goobye to Sagacho', Art in America, Vol. 90, Issue 11, November 2002<br />

Koplos, Janet, ‘Japan’s jazz-age Avant-Garde’, Art in America, Vol. 90, Issue 11, November 2002<br />

Mitsuda, Y., ‘Flowers for wounds’, Art & Asia Pacific, vol.2, no.2, 1995.<br />

Munroe, Alexandra, ‘Japanese artists in the Amercian avant garde’, in Japanese Art in America (I) Arita, Nakagawa,<br />

Sugimoto, New York, Japan Society, 1987.<br />

Muroi, Hishashi, ‘Transit Zone: Modern Japanese Art’, Art & Text 39, September 1991<br />

Muroi, Hisashi, ‘Mediating the body in contemporary Japanese art’, Art & Asia-Pacific, vol.3, no.1, 1996<br />

Nagoya Satoru, ‘Rental galleries in Tokyo’, Art & Asia-Pacific, vol.3, no.1, 1996.<br />

Nakamura Hideki, ‘Korean Art in Japan’, Art & Asia-Pacific, vol.3, no.1, 1996.<br />

Nakamura, Hideki, Report at <strong>The</strong> First Fukuoka Asian Art Trienale [<strong>The</strong> 5 th Asian Art Show], Seminar: “Asian Art –<br />

Towards the 21 st Century”, Fukuoka: Fukuoka Asian Art Museum, 1999<br />

Namba, Sachiko, ‘Facts <strong>of</strong> Life, Contemporary Japanese Art’, Art Asia Pacific, No.34, 2002.<br />

Pai, Maggie, ‘Festival <strong>of</strong> Delights’,[Tokyo International Art Festival] Asian Art News, vol. 8, no.1, Jan/Feb 1998.<br />

Sawaragi Noi, ‘Desire and Decay’ [Araki Nobuyoshi], World Art, no.2, 1995.<br />

Sei, Keiko, ‘Japanese CM’s: A Mirror for the 1990’s’, Art & Text 36, May 1990<br />

Shalala, N., ‘Censorship Silences Japanese Artists’, Asian Art News, vol.4, no.5, Sept-Oct, 1994.<br />

Shikata, Y., ‘Tokyo through the looking glass’, World Art, Inaugural Issue, Nov 1993.<br />

Shikata, Yukiko, ‘Atopic Site, On Camp/Off Base, TAZ (Tokyo Art Zone)’, Paroissien, Leon, ed., Visual Arts and<br />

Culture, Volume 1, Part 1 (1998)<br />

Shimizu, Toshio ‘Territory <strong>of</strong> the Mind: Japan and Asia in the 1990s.’ Art AsiaPacific no.19 1998.<br />

Shioda Jun’ichi; Fukunaga Osamu, “Japanese contemporary art in the 1990s; a perspective’, <strong>Sydney</strong>: Japan Culture<br />

Centre;<strong>The</strong> Japan Foundation Papers, no.1, January 1997.<br />

Takaishi, Yumi, ‘Shiseido, Art Gallery and cultural activities’, Art Asia Pacific, no.34, 2002.<br />

Tomiyama Taeko, ‘Shadows <strong>of</strong> a distant scene’, Third Text, no.33, Winter 1995-96.<br />

Watkins, Jonathan; Kataoka, Mami, Facts <strong>of</strong> life: contemporary Japanese art, London, Hayward Gallery, 2001.<br />

Yomota, Inuhiko Gorky, ‘Transformation and Stagnation: Japanese Cinema in the 1990’s’, Art & Text 39,<br />

September 1991<br />

Zhang Zhaohui, ‘From Tokyo to Shanghai’, Art AsiaPacific, 22, 1999<br />

2000+<br />

[Aida, Makoto] ‘Makoto Aida: Donki-hote’ (review), ArtAsiaPacific, no. 47, 2006; Charlesworth, J.J, ‘Makoto Aida:<br />

Man in the Holocene (at IBID Projects)’ (review), Flash Art, vol. XXXVIII, no. 244, October, 2005.<br />

[Akasegawa Genpei] review Robinson, Joel, ‘Genpei Akasegawa at SCAI <strong>The</strong> Bathhouse’, Exhibition Reviews,<br />

Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002<br />

[Animé] Chong, Doryun, ‘A supe-flat reality’, Art AsiaPacific, 32, 2001<br />

[Aoki, Ryoko] ‘Ryoko Aoki’ (review) ArtAsiaPacific, no. 48, 2006.<br />

[Aoshima, Chiho] Kandell, Susan, ‘Chiho Aoshima: Oops, I Dropped My Dumplings’, Art & Text 73, May-July<br />

2001<br />

[Aoshima, Chiho] review, Art in America, vol. 93, iss. 9, Oct 2005.<br />

[Arai Shin-ichi] Angramy, Bérénice, Social Tensions : Arai Shin-ichi – Creativity and Abject Nationalism’ in Art<br />

Asia Pacific, No. 40 (Spring 2004), pp. 70-73<br />

[Ban, Chinatsu] review, Art in America, vol. 93, iss. 9, Oct 2005.<br />

[Dumb Type] Shikata Yukiko, ‘White out’, Art AsiaPacific, 27, 2000

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