A Working Bibliography - The University of Sydney

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Clark, J., ‘The Conditions for Post-Modernity in Japanese art of the 1980s’, in Sugimoto, Y., ed., The Postmodernity
Debate and the Japanese Experience, London, Kegan Paul International, 1994.
Fumihiko Sumitomo, ‘Fluxus: Art into Life’ (review) ArtAsiaPacific, no. 46, 2005.
Gamble, S., ‘Tokyo Art Expo’, Art Monthly Australia, 40, April 1991.
Gins, Madeline, ‘Interview with Arakawa...’, Flash Art, no.133, April 1987.
Gomez, Edward, ‘Mono-ha’, Art News, volume 88, March 1989.
Gumpertz, Lyn, ‘A Distant Mirror’; Chapman, Christine, ‘Power and Patronage’; Lufty, Carol, ‘Gaining Face’;
Art News, March 1990.
Hackett, L., ‘Sculpting the elements..[Kawana Tetsunori], Asian Art News, 2, no.2, Mar/Apr 1992.
Halbreich & Kômoto & Nanjô & Sokolowski, Against Nature: Japanese Art in the 1980s, New York, New York
University Grey Art Gallery, 1989
Hara, Toshio & Fox, Howard T., A Primal Spirit, Tokyo, Hara Museum of Contemporary Art, and Los Angeles,
Los Angeles County Museum of Art, 1990.
Harris, T.G.H., ‘Nobuo Sekine: Phases of Nothingness’, Art International, XXII, 5-6 Summer 1978.
Hughes, Robert, ‘Japanese with a French Taste’, Time Magazine, January 25 1988
Hutchinson, J., Earth, Air, Fire, Water: Sculpture of Toshikatsu Endô, Dublin, Douglas Hyde Gallery 1992.
Inaga, Shigemi, ‘To Be a Japanese Artist in the So-Called Postmodern Era’, Third Text, n33, Winter 1995-6, 17-24
Karia, Bhupendra, ed., Yayoi Kusama: A Retrospective, New York, Center for International Contemporary Art,
1989.
Kobayashi, H., ed., The Eighties, Tokyo, Kobayashi Gallery, 1990.
Koplos, Janet, Contemporary Japanese Sculpture, London, The Abbeville Press, 1991.
Koplos, Janet, ‘Through the looking glass’, Art in America, July 1989
Love, Joseph, ‘Exhibition in Tokyo - Lee Ufan’, Art International, XIV, 5, June 1970.
Love, Joseph, ‘Tokyo Letter’, Art International, XIV, 10, 1970.
Love, Joseph, ‘Tokyo Letter’, Art International, XV, 5, May 1971.
Monoha, La Scuola della cose, Roma, Museo laboratorio di arte contemporanea, dell’ Università degli studi di Roma,
1988.
Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan Society & Harry N. Abrams, 2000
Nakahara, Y. et al, Art In Japan Today II, Tôkyô, The Japan Foundation, 1984.
Nakahara,Y. et al, Japan ‘89, Europalia 89, Gent, Museum van Hedendaagse Kunst, [Honda N.V. and The Japan
Foundation], 1989.
Nakamura, K., Private Visions, Japanese Video Art in the 1980s, Tôkyô,The Japan Foundation, 1990.
Nanjô, F., & Weiermair, Peter, Japanische Kunst der Achtziger Jahre, Frankfurt am Main, Edition Stemmle, 1990
Nanjô, F., ‘Situation in Japan’, Third Text, 6, Spring 1990.
Naumann, Klaus F., ‚Yamane Yuzo (1919-2001), Orientations, Volume 32, Number 5, September 2001
Okada, Takahiko & Namba, Hideo, Japanese Art Today, Tôkyô, Sezon Museum of Art, 1990
Osaki, Shinichiro, ‘Body and Place: Action and postwar Art in Japan’, Ferguson, Russell, ed., Out of Actions: between
performance and the object, 1949-1979, New York, Thames & Hudson, 1998
Seven Artists: Aspects of Japanese Contemporary Art, Santa Monica, Santa Monica Museum of Art,. 1991.
Silva, Arturo, ‘Mono-ha’, Art Forum, vol.25, January 1987.
Sourgnes, Michel & Homma, Masayoshi, Japanese Ways, Western Means, Art of the 1980s in Japan, Brisbane,
Queensland Art Gallery, 1989.
Tatehata, A., ‘Three aspects of Contemporary Japanese Art’, Art & Asia Pacific , no.1, [supplement to Art &
Australia] March 1993.
The Space: Material, Tension, Vacancy in Japanese Contemporary Art, Saitama, Museum of Modern Art, 1989
Tomii, Reiko, ‘Tokyo, 1967-1973’, in Blazwick, Iwona, ed., Century City: Art and Culture in the Modern Metropolis,
London, Tate Gallery Publishing, 2001.
Tomii, Reiko, ‘Concerning the Institution of Art: Conceptualism in Japan’, in Maraiani, Philomena, ed., Global
Conceptualism: Points of origin, 1950s-1980, New York, Queens Museum of Art, 1999.
Weisenfeld, Gennifer, “Women and Words: Two Language Artists in Contemporary Japan” in Ching, Dora, C.Y.,
ed., Persistence/Transformation: Text as Image in the Art of Xu Bing, Princeton Unversity Press, 2004
(Forthcoming)
Yamagishi, N., ‘Japanese contemporary art in the 1980s’, Art Monthly Australia, 40, 1991.
‘Zones of Love’, a Special Supplement to Art & Text, no.40, September 1991.
1990s