A Working Bibliography - The University of Sydney

73
Abstract painting in Japan, Hokkaidôritsu Kindai Bijutsukan, 1992
Forty Years of Japanese Contemporary Art, Tôkyô, Tôkyô Metropolitan Fine Art Museum, 1985.
Havens, T.R.H., Artist and Patron in Post-War Japan, Princeton, Princeton University Press, 1982.
Jensen, K.W. et al, ‘Japan pa Louisiana’, Louisiana Revy, 15, nr.1-2, September 1974.
Kastner, Jeffrey, ‘Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970’
(exhibition notice), Artforum, Vol. 45, Iss. 5, 2007.
Lloyd, Fran, Consuming Bodies: Sex and Contemporary Japanese Art, London: Reaktion Books, 2002
Munro, A., et al., Scream against the sky: Japanese Art after 1945, New York, Harry N. Abrams, 1994.[Review:
Conant, E., Art & Asia Pacific, vol.2, no.2, 1995]
Munsterberg, H., The Art of Modern Japan, New York, Hacker Art Books, 1978.
Omuka Toshiharu, ‘The Emergence of a Mass Audience for Modern Art in Japan’, in eda. Eds. Clark, John,
Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art,
University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 94-110.
Terada, T., Japanese Art in World Perspective, Tôkyô, Weatherhill, 1976
1945 to mid-1960s
[Lee U-fan] Koplos, Janet, ‘Clamour and Quiet: Concurrent Museum Surveys of Work by Two Important Figures
Evoked Contrasting Impulses in Post-War Japanese Art’, 94:3, Art in America, March 2006.
[Shinohara Ushio] Koplos, Janet, ‘Clamour and Quiet: Concurrent Museum Surveys of Work by Two Important
Figures Evoked Contrasting Impulses in Post-War Japanese Art’, Art in America, 94:3, March 2006.
Altshuler, B., The Avant Garde in Exhibition, New York, Harry N. Abrams, 1994.
Bertozzi, B., ‘Gutai: The Happening People’, Flash Art, no.158, May/June 1991.
Bois, Yve-Alain, ‘ Missing in Action’, On Gutai, Artforum International, Vol.37, Issue 7, May1999
D[onald] J[udd], ‘Reviews and previews: new names this month - Yayoi Kusama’, Art News 58, no.6, October
1959.
The First Contemporary Japanese Graphics Exhibition, London, I.C.A., 1971.
Fry, E.F., Contemporary Japanese Art, New York, Solomon R.Guggenheim Museum, 1970.
Havens, Thomas R.H., Radicals and realists in the Japanese non-vrebal art: the avant-garde rejection of modernism, Honolulu,
University of Hawai’i Press, 2006
Kaido, K., Reconstructions: Avant-Garde Art in Japan 1945-1965, Oxford, Museum of Modern Art, 1985.
Kaprow, A., Assemblage, Environments and Happenings, New York, Harry N. Abrams, 1966.Kung, D., The
Contemporary Artist in Japan, Sydney, Angus and Robertson, 1966.
Lambert, Jean Clarence, Sugai, Barcelona, Ediciones Poligrafica, 1993.
Love, Joseph,’ The 10th Tokyo Biennale of Contemporary Art’, Art International, XIV, no.6, 1970.
Miller, D., New Japanese Painting and Sculpture, New York, Museum of Modern Art, 1966.
Osaki, Shinichiro, ‘Body and Place: Action in Postwar Art in Japan’ in Schimmel, Paul, ed., Out of Actions: between
performance and the object, 1949-1979, New York: Thames & Hudson, 1998
Takashina,S. et al, Art in Japan Today, Tôkyô, The Japan Foundation, 1974.
Tapié, M., Haga, T., Avant-Garde Art in Japan, New York, Abrams, 1962.
Tomii, Reiko, ‘Historicizing “Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan’ in
positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004)
Westgeest, H., Zen in the fifties: Interaction between east and west, Zwolle, Waanders Uitgevers, 1996.
Winther-Tamaki, Bert, Art in the encounter of Nations: Japanese and American artists in the early postwar years, Honolulu,
University of Hawai’in Press, 2001
Winther-Tamaki, Bert., ‘Oil Painting in Postsurrender Japan: Reconstruction Subjectivity through Deformation of
the Body’, in Monumenta Nipponica, Vol.58, No.3, Autumn 2003.
Late 1960s to 1980s
[Tanaka, Atsuko] obituary, Art in America, vol. 94, iss. 2, Feb 2006.
[Ono, Yoko] Rhee, Jieun, ‘Performing the Other: Yoko Ono’s Cut Piece’, Art History, 28:1, February 2005.
Aso, Noriko, ‘Sumptuous Re-past The 1964 Tokyo Olympics Arts Festival’, positions east asia
cultures critique, Vol. 10, Number 1, Spring 2002
‘Mieko Shiomi’, Art and Artists, October 1978.
Akira, T. ‘Mono-ha and Japans Crisis of the Modern’ in Third Text, Vol. 16, Issue 3 (September 2002), pp. 223-236
Annear, J., Zones of Love, Sydney, Museum of Contemporary Art, 1991.