A Working Bibliography - The University of Sydney

72
The Reorganization of the Imperial Academy of Fine Arts in 1935, Western-Style painting of the Era in Japan, Korea and
Taiwan, Tokyo Metropolitan Teien Museum, 1992 [plates list and short essays in English: Fisher East Asian
6013].
Tipton, Elise; Clark, John, eds, Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney,
Australian Humanities Research Foundation and Honolulu, University of Hawaii Press, 2000, contents:
Mizusawa Tsutomu, ‘Artists Start to Dance’; Clark, John, ‘Indices of Modernity: changes in popular
graphic representation’; Omuka Toshiharu, ‘Formation of the audiences for Modern Art in Japan’;
Kashiwagi Hiroshi, ‘On rationalization and Modern life-style: Japanese design in the 1920s and
1930s’;Weisenfeld, Gennifer, ‘Japanese Modernism and consumerism; forging the new field of shôgyô
bijutsu (Commerical art)’; Sand, Jordan, ‘The cultured life of contested space; dwelling and discourse in the
1920s’; Tipton, Elise, ‘The Café; contested space of modernity in inter-war Japan’; Satô, Barbara Hamill,
‘An alternate informant: Women in Mass Magazines in 1920s Japan’, Aoyama Tomoko, ‘The divided
appetite: eating in the literature of the 1920s’; Wilson, Sandra, ‘The past in the present: war in narratives of
modernity in the 1920s and 1930s’; Mackie, Vera, ‘Modern selves and modern spaces: an overview’;
Appendix: Clark, John: Japanese printing, publishing and prints, 1860s-1930s’
Vlasos, Stephen, (ed.) Mirror of Modernity: Invented Traditions of Modern Japan, Berkeley, University of California
Press, 1998.
Weisenfeld, G., ‘Mavo’s conscious constructivism: art, individualism, and daily life in interwar Japan’, Art Journal,
vol.55, no.3, Fall 1996.
Weisenfeld, G., Mavo: Japanese artists and the avant-garde 1905-1931, Berkeley, University of California Press, 2002.
Wolf, Tom, Yasuo Kuniyoshi’s Women, San Francisco, Pomegranate Art Books, 1993.
War: 1930s-1940s
Clark, John, ‘The Art of Modern Japan Three Wars’, Bulletin of the Japanese Studies Association of Australia, vol.11,
no.2, August 1991, 38-42.
Cook, Haruko Taya ‘The Many Lives of Living Soldiers: Ishikawa Tatsuz and Japan’s War in Asia’, in Mayo,
Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia,
1920-1960, Honolulu, University of Hawai’i Press, 2001, p.149-175.
Duncan, Michael, 'Hideo Date at the Japanese American National Museum', Art in America, Vol. 91, Issue 1,
January 2003
Kimura Rieko et al, Dance in Japanese Modern Art, Utsunomiya, Tochigi Prefectural Museum of Fine Arts, 2003.
Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia,
1920-1960, Honolulu, University of Hawai’i Press, 2001
Park, Sang Mi, ‘The Making of a Cultural Icon for the Japanese Empire: Choe Seung-hui's U.S. Dance Tours and
"New Asian Culture" in the 1930s and 1940s’ positions, vol 14, no. 3, 2006.
Rimer, J. Thomas, ‘Paris in Nanjing: Kishida Kunio Follows the Troops’, in Mayo, Marlene J., Rimer J. Thomas,
Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu,
University of Hawai’i Press, 2001, p.176-187.
Sandler, Mark H., ‘A Painter of the “Holy War”: Fujita Tsuguji and the Japanese Military’, in Mayo, Marlene J.,
Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-1960,
Honolulu, University of Hawai’i Press, 2001, p.188-211.
Sandler, Mark, ‘The living artist: Matsumoto Shunsuke’s reply to the state’, Art Journal vol.55, no.3, Fall 1996.
Sato, Barbara., The New Japanese Woman, Modernity, Media, and Women in Interwar Japan, Durham and London: Duke
University Press, 2003.
Weisenfeld, Gennifer, ‘Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues’ in
positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 747-793
Wendelken, Cherie, ‘Pan-Asianism and the Pure Japanese Thing: Japanese Identity and Architecture in the Late
1930s’ in positions: east asia cultures critique, volume 8, number 3 (winter 2000)
Winther-Tamaki, Bert, ‘Embodiment/Disembodiment: Japan painting during the fifteen-year war’, Monumenta
Nipponica, 55: 2, Summer 1997
Yiengpruksawan, Mimi Hall, ‘Japanese War Paint: Kawabata Ryushi and the emptying of the modern’, Archives of
Asian Art, 46, 1993
Art since 1945, In General
[Hiroshi Teshigahara] Ashton, Dore, The Delicate Tread: Teshigahara’s Life in Art, Tokyo: Kodansha International,
1997