A Working Bibliography - The University of Sydney

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Clark, J., ‘Modernism and Traditional Japanese-Style Painting’, Semiotica, vol.74-1/2, 1989, 43-60.
Clark, J., ‘Okakura Kakuzô [Tenshin] and Aesthetic Nationalism’, East Asian History, forthcoming, 2005..
Cohen, Warren I., East Asian Art and American Culture, New York, Columbia University Press, 1992.
Conant, Ellen, Nihonga: Transcending the Past, Japanese Style Painting 1868-1968, St.Louis, The St. Louis Art Museum,
1995.
Croissant, Doris, ‘Fenollosas "Wahre Theorie der Kunst" und ihre Wirkung in der Meiji-Zeit (1869-1912)’,
Saeculum, XXXVIII, Heft 1, 1987.
Croissant, Doris, ‘Das Geheimnis des Hibo Kannon’, Asiatische Studien, 2.1990.
Croissant, Doris, ‘Icons of femininity: National painting and the Paradox of modernity’ in Mostow, Joshua S.;
Bryson Norman; Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field, Honolulu, University
of Hawai’i Press, 2003.
Dower, J., Junkerman, J., ed., The Hiroshima Murals: Maruki Iri and Toshi, Tôkyô, Kôdansha, 1985.
Guth, Christine, M.E., ‘Charles Longfellow and Okakura Kakuzô: cultural cross-dressing in the colonial context’,
positions: east asian cultures critique, vol.8, no.3, winter 2000.
Horioka Yasuko, The Life of Kakuzô, author of The Book of Tea, Tokyo, The Hokuseido Press, 1963.
Koizumi, Shinya, ‘Tenshin (Okakura Kakuzo)’s View of Asia and the Position of The Ideals of the East’, Yasuko,
Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002
Nakamura, T., Contemporary Japanese Style Painting, New York, Tudor, 1969
Notehelfer, Fred, ‘On idealism and realism in the thought of Okakura Tenshin’, Journal of Japanese Studies, vol.16,
no.2, Summer 1990.
Nute, Kevin, ‘Ernest Fenollosa and the Universal implications of Japanese art’, Japan Forum, vol.7, no.1, April,
1995.
Nute, Kevin, ‘Frank Lloyd Wright and Okakura Tenshin; on the Social and Aesthetic “Ideals of the East” ‘,
Chanoyu Quarterly, no.79, 1995.
Ogura Yuki, Tôkyô, Kôdansha, 1987.
Okakura, Kakuzo, Okakura Kakuzo, Collected English Writings, 3 volumes, Tokyo, Heibonsha, 1984.
Okakura, Kakasu [Kakuzo, Tenshin], The Ideals of the East, London, John Murray, 1903
Okakura, Kakuzo, ‘Notes on Contemporary Japanese Art’, International Studio, 16, April 1902, 126-30.
Parlett, Shiori, ‘Kayama Matazô’s Nihonga’ (MPhil Thesis, University of Hong Kong, 2004)
Rimer, J. Thomas, ‘Hegel in Tokyo: Ernest Fenollosa and his 1882 Lecture on the Truth of Art’ in Marra, Michael
F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu, University of Hawai’i Press,
2002.
Wattles, M., ‘The 1909 Ryûtô and the aesthetics of affectivity’, Art Journal, vol.55, no.3, Fall 1996.
Wong, Aida-yuen, ‘A new life for literati painting in the early 20 th century:Eastern art and modernity, a
transnational narrative?’, Artibus Asiae, vol.60, no.2, 2000, 297-236.
Wong, Aida-yuen, ‘The East, Nationalism and Taishôdemocracy; Naitô Konan’s History of Chinese Painting,
Sino-Japanese Studies vol.11, no.2, May 1999, 2-23.
Yokoyama, Taikan, ‘The spirit of Japanese Art’ [Address to visiting Hitler Jugend], Cultural Nippon, vol.3,
November 1938.
Prints since Meiji
Ajioka, Chiaki et al, Hanga: Japanese Creative Prints, Sydney: Art Gallery of New South Wales, 2001.
Clark, J., Japanese Nineteenth Century Copperplate Prints, London, British Museum, 1993.
Goodall-Christante, H; Brown, K.H. Shin-Hanga: New Prints in Modern Japan, Los Angeles: Los Angeles County
Museum, 1996.
Kawakita, M., Contemporary Japanese Prints, Tôkyô, Kôdansha, 1967.
Keene, D., Konishi, S., Impressions of the Front, Philadelphia Museum, 1983.
Kuwabara, Setsuko, Emil Orlik und Japan, Heidelberger Schriften zur Ostasienkunde, Frankfurt am Main, Haag +
Herchen, 1987.
Kuwayama,G., Contemporary Japanese Prints, Los Angeles County Museum of Art, 1972
Merritt, H., Modern Japanese Woodblock Prints, Honolulu, University of Hawaii Press, 1990.
Merritt, H., Yamada H., Guide to Modern Japanese Prints, Honolulu, University of Hawaii Press, 1992.
Munakata Shikô 1903-1975, Sydney, Art Gallery of New South Wales, 1987
Munakata Shikô Tôkyô, National Museum of Modern Art, 1985
Pekarkik, J.M., The World of The Meiji Print, New York, Weatherhill, 1986.
Smith, L.H.R., The Japanese Print since 1900, London, British Museum, 1983.