A Working Bibliography - The University of Sydney

67
Watson, Oliver ; Kimura Rieko eds., Bernard Leach: Potter and Artist, Tokyo: Cogito/Committee for Bernard Leach
Exhibition, 1997.
Williams, H.S., Naito, H., The Kamakura Murders of 1864, private publication, 1973.
Wirgman, A.T., Storm and Sunshine in South Africa, 1922
Japonisme
Baty, T., ‘The Literary Introduction of Japan to Europe’, Monumenta Nipponica, VII, 24-39;VIII, 15-46; IX, 62-82;
X, 65-80
Brandt, Kim, ‘Objects of Desire: Japanese Collectors and Colonial Korea’ in positions: east asia cultures critique,
volume 8, number 3 (winter 2000), pp. 711-746
Brooks, Van Wyck, Fenollosa: the Far East and American Culture, Yale UP, 1962
Conant, E.P., ‘The French Connection: Émile Guimet’s Mission to Japan, A Cultural Context of Japonisme’, in
Conroy, H. et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh Dickson University Press,
1984
Evett, Elisa, Critical Reception of Japanese Art in late 19th century Europe, UMI Research Press, 1982
Halén, Widar et al., Christopher Dresser and Japan, Christopher Dresser and Japan Catalogue Committee/KÔriyama
City Museum of Art, 2002.
Huish, Marcus B., ‘England’s appreciation of Japanese Art’, Transactions of the Japan Society, no.81, of Huish,
Marcus B., ‘Is Japanese Art Extinct?’, The Nineteenth Century, 3-1888, [Huish was director of The Fine Art
Society around 1875-1906, and for a time Secretary of the Japan Society of London]
Horioka, Yasuko, The Life of Kakuzo, Hokuseido Press, 1963
Impey, O., Chinoiserie, Oxford UP, 1977
Impey, O., ‘Japanese Export Art of the Edo Period and its Influence on European Art’, Modern Asian Studies, 18,
4, 1984
Impey, O., ‘Japanese Export Lacquer in the 17th Century’, in Watson, ed. Lacquer Work in Asia and Beyond, School
of Oriental and African Studies, 1981
Ives, Colta, F., The Great Wave, Metropolitan Museum of Art NY, 1974
Japan und Europa 1543-1929, Berlin, Berliner Festspiel/ARGON, 1993.
Lach, D.F., Asia in the making of Europe, 3 vols., Chicago UP, 1970, 1994
Miner, E., The Japanese Tradition in British and American Literature, Princeton UP, 1959
Myer, P.R., ‘Images and Influences of Oriental Art’, Art Journal, XX, 4, 1961
Pantzer, P., Wieninger, J., Verborgene Impressionen/ Hidden Impressions, Wien, Österreiches Museum für Angewandte
Kunst, 1990.
Sand, Jordan, ‘Was Meiji Taste in Interiors “Orientalist”?’ in positions: east asia cultures critique, volume 8, number 3
(winter 2000), pp. 637-673
Shionoya, K., Cyrano et les samourai: le théâtre japonais en France et l’effet de retour, Publications Orientalistes de France,
1986
Takashina, S., Lacambre, G., Mabuchi, A., Mathieu, C., Le Japonisme, 1988, Éditions de la Réunion des musées
nationaux (large bibliography)
Watanabe, Toshio, ‘The Western Image of Japanese Art in the Late Edo Period’, Modern Asian Studies, 18, no.4,
1984
Watanabe, Toshio, ‘Eishi Prints in Whistler’s Studio’, The Burlington Magazine, December, 1986.
Watanabe, Toshio, High Victorian Japonisme, Bern, Swiss Asian Studies vol.10,1991.
Watanabe, Toshio, Sato, T., Japan and Britain: An Aesthetic Dialogue 1850-1930, London, Barbixcan Art Gallery,
1991.
Weisberg, G., et al, Japonisme: Japanese Influences on French Art 1854-1882, Cleveland, 1975
Wevver, L., Japanese Woodblock Prints: The Reciprocal Influence between East and West, Utah, Brigham Young UP, 1979
Whitford, F., Japanese Prints and Western Painters, Studio Vista, 1977
Wichmann, S., Japonisme, Thames & Hudson, 1981
Wichmann, S., ed., Weltkulturen und moderne Kunst, Verlag Bruckmann, Munchen, 1972
Yamada, C., ed. Dialogue in Art, Japan and the West, Thames & Hudson, 1976
Yokoyama, Toshi, Japan in the Victorian Mind, Oxford, 1987
Photography
Annear, Judy., ‘Ishida and Kageyama- Japanese Photographers in Sydney’, in TAASA Review, Vol. 12, No. 4,
December 2003, p.11.