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A Working Bibliography - The University of Sydney

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64<br />

Modern Chinese Art, Texts by John Clark:<br />

Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications, 2007.<br />

Clark, John, Modernities <strong>of</strong> Chinese Art, Singapore, Institute <strong>of</strong> Contemporary Art, 2007<br />

Clark, John ‘Post-modernism and recent expressionist tendencies in Chinese oil painting’, Asian Studies Review,<br />

vol.15, no.2, November 1991.<br />

Clark, John, ‘‘Problems <strong>of</strong> Modernity in Chinese Painting’, Oriental Art, New Series, XXXII, no.3, 1986, 270-283,<br />

reprinted as Chapter Three here.<br />

Clark, John, ‘A Tale <strong>of</strong> Two Cities’ [Beijing and Taibei], Art Monthly [Australia], no.29, April 1990,<br />

Clark, John, ‘Academicism in Chinese oil painting and a nascent avant-garde in the 1980s’, in Duro, Paul, ed.,<br />

Perspectives on Academic Art, Occasional Papers III, <strong>The</strong> Art Association <strong>of</strong> Australia, 1991.<br />

Clark, John, ‘<strong>The</strong> Chinese Artists’ Association’, Art Monthly [UK], May 1986<br />

Clark, John, ‘Art and Modernism in China, 1900-97: A review and documentation’, Journal <strong>of</strong> the Oriental Society <strong>of</strong><br />

Australia, vol.29, 1997, 50-73.<br />

Clark, John, ‘Beyond Exile’ in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen, 1999;<br />

Clark, John, ‘Chinese Artists in Paris’, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao,<br />

Nanjing, no.4, 1987, 31-33].<br />

Clark, John, ‘Histories in the Modern’, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with the past:<br />

Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20<br />

Clark, John, ‘La Peinture moderne à Taiwan’ [traduit par Pierre-Étienne Will et Anne Cheng], Études Chinoises,<br />

vol.VII, no.1, Printemps, 1988, 29-63,<br />

Clark, John, ‘Liu Guosong’s: <strong>The</strong> Road <strong>of</strong> Chinese Painting’, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vols 27 & 28,<br />

1995-96, 33-56.<br />

Clark, John, ‘Modernity in Chinese Art, 1850s-1990s: some chronological materials’, Journal <strong>of</strong> the Oriental Society <strong>of</strong><br />

Australia, vol.29, 1997, 74-169, reprinted as Chapter Twenty Three here.<br />

Clark, John, ‘Official Reactions to Modern Art in China since the Beijing Massacre’, Pacific Affairs, September,<br />

1992, 334-352.<br />

Clark, John, ‘Dilemmas <strong>of</strong> (Dis-) attachment in the Chinese Diaspora’, Paroissien, Leon, ed., Visual Arts and<br />

Culture, Volume 1, Part 1 (1998)<br />

Clark, John, ‘Playing with the Stars: Guan Wei’s styles’, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu<br />

Gallery, La Salle SIA, Singapore, 2000, 6-11.<br />

Clark, John, ‘Pop goes the Maosell’, [Review <strong>of</strong> Mao Goes Pop, see Jose ed., below 1993], Art Monthly Australia,<br />

no.61, July [see also letters by Nicholas Jose & Huangfu Binghui in no.62 and Clark in no.63];<br />

Clark, John, ‘Problems <strong>of</strong> Modern Painting beyond Byzantium’, Papers in Far Eastern History, Australian National<br />

<strong>University</strong>, Department <strong>of</strong> Far Eastern History, no.41, March 1990, pages 109-123.<br />

Clark, John, ‘Realism in Revolutionary Chinese Painting’, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, July 1991.<br />

Clark, John, ‘Some sketches <strong>of</strong> Modern Chinese Painting I, Beijing; II, Hong Kong, 1981; previously unpublished.<br />

Clark, John, ‘Swimming in the Transcultural Sea: John Young’, Asian Art News, vol.4, no.3, May/June, 66-69,<br />

1994..<br />

Clark, John, ‘Taiwanese Painting and Europe’, in Shaw, Yu-ming ed., China and Europe, Institute <strong>of</strong> International<br />

Affairs, Taibei, 1986, 43-60.<br />

Clark, John, ‘Taiwanese Painting under the Japanese occupation’, Journal <strong>of</strong> Oriental Studies, XXV, no.1, 1987,<br />

63-105.<br />

Clark, John, ‘<strong>The</strong> Exile’s Return’, Far Eastern Economic Review, June 28, 1984.<br />

Clark, John, 1998 ‘Dilemmas <strong>of</strong> [dis-]attachment in the Chinese diaspora’, Visual Arts + Culture, vol.1, no.1, 1998.<br />

Clark, John, Ed., Chinese Art at the end <strong>of</strong> the Millenium, Beijing & Hong Kong, New Art Media, 2000<br />

Clark, John, Modern Asian Art, <strong>Sydney</strong>, Craftsman House & Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 1998<br />

Clark, John, Stylistics section from ‘Modernity in Chinese and Thai Art <strong>of</strong> the 1980s and 1990s: Artists, Works,<br />

Institutions; A preliminary work-in-progress report on the Chinese Case’ delivered in 1999 at the Annual<br />

Conference <strong>of</strong> the Art Association <strong>of</strong> Australia and New Zealand.<br />

Clark, John., ‘Alors, la Chine?’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23, No. 4, 2003, p.68-71.<br />

Clark, John., ‘Painting in Taiwan after 1945: A Political and Economic Background’, in Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76.<br />

JAPAN

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