64 Modern Chinese Art, Texts by John Clark: Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications, 2007. Clark, John, Modernities <strong>of</strong> Chinese Art, Singapore, Institute <strong>of</strong> Contemporary Art, 2007 Clark, John ‘Post-modernism and recent expressionist tendencies in Chinese oil painting’, Asian Studies Review, vol.15, no.2, November 1991. Clark, John, ‘‘Problems <strong>of</strong> Modernity in Chinese Painting’, Oriental Art, New Series, XXXII, no.3, 1986, 270-283, reprinted as Chapter Three here. Clark, John, ‘A Tale <strong>of</strong> Two Cities’ [Beijing and Taibei], Art Monthly [Australia], no.29, April 1990, Clark, John, ‘Academicism in Chinese oil painting and a nascent avant-garde in the 1980s’, in Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, <strong>The</strong> Art Association <strong>of</strong> Australia, 1991. Clark, John, ‘<strong>The</strong> Chinese Artists’ Association’, Art Monthly [UK], May 1986 Clark, John, ‘Art and Modernism in China, 1900-97: A review and documentation’, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vol.29, 1997, 50-73. Clark, John, ‘Beyond Exile’ in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen, 1999; Clark, John, ‘Chinese Artists in Paris’, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao, Nanjing, no.4, 1987, 31-33]. Clark, John, ‘Histories in the Modern’, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with the past: Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20 Clark, John, ‘La Peinture moderne à Taiwan’ [traduit par Pierre-Étienne Will et Anne Cheng], Études Chinoises, vol.VII, no.1, Printemps, 1988, 29-63, Clark, John, ‘Liu Guosong’s: <strong>The</strong> Road <strong>of</strong> Chinese Painting’, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vols 27 & 28, 1995-96, 33-56. Clark, John, ‘Modernity in Chinese Art, 1850s-1990s: some chronological materials’, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vol.29, 1997, 74-169, reprinted as Chapter Twenty Three here. Clark, John, ‘Official Reactions to Modern Art in China since the Beijing Massacre’, Pacific Affairs, September, 1992, 334-352. Clark, John, ‘Dilemmas <strong>of</strong> (Dis-) attachment in the Chinese Diaspora’, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998) Clark, John, ‘Playing with the Stars: Guan Wei’s styles’, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu Gallery, La Salle SIA, Singapore, 2000, 6-11. Clark, John, ‘Pop goes the Maosell’, [Review <strong>of</strong> Mao Goes Pop, see Jose ed., below 1993], Art Monthly Australia, no.61, July [see also letters by Nicholas Jose & Huangfu Binghui in no.62 and Clark in no.63]; Clark, John, ‘Problems <strong>of</strong> Modern Painting beyond Byzantium’, Papers in Far Eastern History, Australian National <strong>University</strong>, Department <strong>of</strong> Far Eastern History, no.41, March 1990, pages 109-123. Clark, John, ‘Realism in Revolutionary Chinese Painting’, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, July 1991. Clark, John, ‘Some sketches <strong>of</strong> Modern Chinese Painting I, Beijing; II, Hong Kong, 1981; previously unpublished. Clark, John, ‘Swimming in the Transcultural Sea: John Young’, Asian Art News, vol.4, no.3, May/June, 66-69, 1994.. Clark, John, ‘Taiwanese Painting and Europe’, in Shaw, Yu-ming ed., China and Europe, Institute <strong>of</strong> International Affairs, Taibei, 1986, 43-60. Clark, John, ‘Taiwanese Painting under the Japanese occupation’, Journal <strong>of</strong> Oriental Studies, XXV, no.1, 1987, 63-105. Clark, John, ‘<strong>The</strong> Exile’s Return’, Far Eastern Economic Review, June 28, 1984. Clark, John, 1998 ‘Dilemmas <strong>of</strong> [dis-]attachment in the Chinese diaspora’, Visual Arts + Culture, vol.1, no.1, 1998. Clark, John, Ed., Chinese Art at the end <strong>of</strong> the Millenium, Beijing & Hong Kong, New Art Media, 2000 Clark, John, Modern Asian Art, <strong>Sydney</strong>, Craftsman House & Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 1998 Clark, John, Stylistics section from ‘Modernity in Chinese and Thai Art <strong>of</strong> the 1980s and 1990s: Artists, Works, Institutions; A preliminary work-in-progress report on the Chinese Case’ delivered in 1999 at the Annual Conference <strong>of</strong> the Art Association <strong>of</strong> Australia and New Zealand. Clark, John., ‘Alors, la Chine?’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23, No. 4, 2003, p.68-71. Clark, John., ‘Painting in Taiwan after 1945: A Political and Economic Background’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76. JAPAN
65 General Works Clark, J., ‘Modernity in Japanese Painting’, Art History, vol.9, no.2, June 1986, pp.213-231. Clark, J., ‘Some Models in Japanese Art History’, <strong>The</strong> Burlington Magazine, vol.CXXVIII, no.1005, December 1986. Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only but large full colour plates have a clear English index. Kawakita, M., Modern Currents in Japanese Art, Tôkyô, Weatherhill, 1974 Kimura, Rieko, et. Al., Dance in Japanese Modern Art (Catalogue), Tochigi Prefectural Museum <strong>of</strong> Fine Arts, 2003 Lucken, Michael, L'art du Japon au vingtième siècle. Pensée, formes, résistances. Paris, Hermann, 2001. Miyagawa, T., Modern Japanese Painting, Tôkyô, Kôdansha, 1967. Mostow, Josua S.; Bryson, Norman; and Graybill, Maribeth, ed., Gender and Power in the Japanese Visual Field, Honolulu: <strong>University</strong> <strong>of</strong> Hawai’i Press, 2003 Munsterberg, H., <strong>The</strong> Art <strong>of</strong> Modern Japan, 1868-1968, New York, Hacker, 1978 Takumi, H. et al, Japanische Malerei im Westlichen Stil, Köln, Museum für Orientalische Kunst, 1985. Europeans in Meiji Japan Adams, A., Travels <strong>of</strong> a Naturalist in Japan and Manchuria, 1872 Alcock, R., <strong>The</strong> Capital <strong>of</strong> the Tycoon, 1863 Anderson, W., ‘A History <strong>of</strong> Japanese Art’, Transactions <strong>of</strong> the Asiatic Society <strong>of</strong> Japan, 7, 1879 Anderson, W., <strong>The</strong> Pictorial Arts <strong>of</strong> Japan, 1886 Antony, D.W., Healey, G.H., <strong>The</strong> Itinerary <strong>of</strong> the Iwakura Embassy to Britain, Sheffield <strong>University</strong>, Centre <strong>of</strong> Japanese Studies, 1987 Arnold, E.A., Japonica, 1892 Baelz, Erwin, <strong>The</strong> Awakening <strong>of</strong> Japan, 1932 Barr, P., <strong>The</strong> Coming <strong>of</strong> the Barbarians, London, Readers Union, 1967 Berg, A. et al. Die Preussische Expedition Nach Ost-+Asien,Bd. I, mit XII Illustrationen und II Karte, 1864;Bd. II, mit XII Illustrationen, 1866;Bd. III, mit I Karte, 1873;Bd. IV, mit XXIV Illustrationen und I Karte, 1873; Beretta, Lia, Chiossone, Indeto: Il Testamento Orgiganle e Il Primo Museo Chiossone, Tokyo: Associazione Insatsu Choyokai, 2004 Black, J.R., Young Japan, 1880-81 Blakeney, W., On the Coasts <strong>of</strong> Cathay and Cipango Forty Years Ago, 1902, (Ill. by Frederick le Breton Bedwell) Blum, R.F., ‘An Artist in Japan’, Scribner’s Magazine, 4-1893 von Brandt, M., Dreiunddreissig Jahre in Ost-Asien, 3 Banden, Leipzig, 1901 Clark, E.W., Life and Adventure in Japan, American Tract Society, 1878 Conder, J., Flower Art <strong>of</strong> Japan and the Art <strong>of</strong> Floral Arrangement, 1891 Conder, J., Landscape Gardening in Japan, 1893 Conder, J., Paintings and Studies by Kawanabe Kyosai, 1911 Cortazzi, H., Mitford’s Japan, 1985 Cortazzi, H., Victorians in Japan, London, Athlone Press, 1987 Cutler, T.W., A Grammar <strong>of</strong> Japanese Ornament, 1880 Dickson, W.G., Japan, being a sketch <strong>of</strong> the History, Government and Officers <strong>of</strong> the Empire, 1869 Dickson, W.G., Gleanings from Japan, 1889 Dixon, J.H., ‘On Some Japanese Artists <strong>of</strong> Today’, Transactions Japan Society <strong>of</strong> London, no.63 (address <strong>of</strong> 10-12-1902). Dresser, C., Japan: Its Architecture and Art Manufactures, 1882 East, A., Landscape Painting in Oil Colour, 1906 East, A., Brush and Pencil Notes in Landscape, 1914 Fenollosa, E.F., Epochs <strong>of</strong> Chinese and Japanese Art, 1912 de Fonblanque, E.B., Niphon and Pe-che-li, 1862 Fortune, R., Yedo and Peking, 1863 Fox, G., Britain and Japan 1858-1883, Oxford UP, 1969 Fraser, Mrs., A Diplomatist’s Wife in Japan, 1899 Griffis, W.E., A Maker <strong>of</strong> the New Orient: Samuel Robbins Brown, 1902 Guimet, E. (ill. Régamey), Promenades Japonaises, 1878 Hawks, F.L., Narrative <strong>of</strong> the Expedition <strong>of</strong> an American Squadron to the China Seas, 3v., 1856, 1859 Heine, P.B.W., Japan: Beiträge zur Kentniss des Landes und Seiner Bewöhner, 1873, Dresden, 1880
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media