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A Working Bibliography - The University of Sydney

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63<br />

Agahari, Rae, Beyond representation and difference: identity, migration, practice, A study <strong>of</strong> Eleven Asian Artists in Australia,<br />

B.A.Honours <strong>The</strong>sis, Power Department <strong>of</strong> Fine Arts, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1994.<br />

Barmé, G., ‘Travelling Heavy: <strong>The</strong> Intellectual Baggage <strong>of</strong> the Chinese Diaspora’, Problems <strong>of</strong> Communism, Volume<br />

XL, January-April 1991.<br />

Chang, Y.C. ed., China-Paris [1918-1960], Taibei, Taibei Fine Arts Museum, 1988<br />

Chiang, Yenchou, ‘Charting his Own Course”,[Lee Kar-siu in Paris], Asian Art News, vol.4, no.1, Jan-Feb 1994.<br />

Chiba Shigeo in “Chûgoku”: Ajia no Nami, Fan Zhongming, Cai Guoqiang, Wang Xinping, Tôkyô, Tôkyô Gallery,<br />

11-23 March 1991.<br />

Chiba Shigeo in Seisei 15-Nen, Chûgoku Gendai Bijutsu no Ayumi, Tôkyô, Tôkyô Gallery,29 November to 18<br />

December, 1993. [Huang Rui, Ma Desheng, Wang Keping, Ai Weiwei, Yang Yiping, Yan Li; exhibition text<br />

by Li Xianting}.<br />

China Dream – Another Flow <strong>of</strong> Chinese Modern Art (Catalogue on Chinese Trade Painting) Fukuoka Asian Art<br />

Museum, 2004<br />

Chiu, Melissa., ‘Asian Contemporary Art in New York: A Curator’s Perspective’, in Yishu: Journal <strong>of</strong> Contemporary<br />

Chinese Art, Vol. 2 No. 2, June 2003, p.111.<br />

Clark, J., ‘Chinese Painters drawn to the magnet <strong>of</strong> Paris’, Far Eastern Economic Review, 18-12-1986<br />

Clark, John, ‘Dilemmas <strong>of</strong> (Dis-) Attachment in the Chinese Diaspora’, Visual Arts + Culture, vol.1, no.1, 1998.<br />

Cohen, J.L., ‘China’s Artists Testing Wings in the West’, Asian Wall Street Journal, 20/21-1-1984<br />

Ducrest, Jean-Pierre, ‘La peinture chinoise contemporaine et la France’ special issue <strong>of</strong> Bulletin Association Française<br />

des amis de l’Orient, no.44, Hiver 1999.<br />

Endô Nozomi, ‘<strong>The</strong> Asian Art Show: Problems involved in the planning <strong>of</strong> Exhibitions <strong>of</strong> Contemporary Asian<br />

Art, Tôkyô’, in Dai 4-Kai Ajia Bijutsuten [translated by Anderson, Stanley], Tôkyô ,Setagaya Bijutsukan,<br />

1995.<br />

Findlay, I., ‘In from Exile’, [James Chan Leong], Asian Art News, vol.4, no.6, Nov-Dec 1994.<br />

Findlay, Ian, ‘Against the grain’ [Hoo Mojong], Asian Art News, vol.5, no.3, Jul/Aug 1995.<br />

Fukunaga Osamu, Miyatake Hiroshi, Obigane Akio, Uchida Hideo eds., Creativity in Asian Art Now: Part 3, Asian<br />

Installation Work [ translated by McClintock, Margaret], Hiroshima, Hiroshima City Museum <strong>of</strong><br />

Contemporary Art & Tôkyô , Asahi Shimbun, 1984.<br />

Garrett, Louise, ‘Living in Time, Contemporary Artists from China’ (Germany), Art Asia Pacific, No.34, 2002.<br />

Hacker, Arthur, ‘In search <strong>of</strong> tranquility’, [Christopher Cheung], Asian Art News, vol.7, no.5, September /<br />

October 1997.<br />

Hay, J., ‘Ambivalent Icons: works by five Chinese artists based in the United States’, Orientations, 23, no.7, July<br />

1992.<br />

Hou Hanru, Uncertain Pleasure: Chinese Artists in the 1990s, Vancouver, Art Beatus, 1997 [Review: Tsang, Henry, Art<br />

AsiaPacific, no.17, 1998]<br />

Huangfu Binghui, In and Out: Contemporary Art from China and Australia, Singapore, LaSalle -SIA College <strong>of</strong> the<br />

Arts, 1997 [Review: Art AsiaPacific, no.17, 1998].<br />

Jana, R., ‘Assimilation or Alienation?’, Asian Art News, vol.4, no.6, Nov-Dec 1994.<br />

Kayser, Christine, ‘In search <strong>of</strong> ultimate things’ [Zao Wou-ki /Zhao Wuji], Asian Art News, vol.6, no.4,<br />

July/August, 1996<br />

Kember, Patricia, ‘Hairlooms’ [Gu Wenda], Asian Art News, vol.7, no.5, September / October 1997.<br />

Levin, G., ‘Changing Cultures: <strong>The</strong> recent immigration <strong>of</strong> Chinese artists to the U.S.’, Asian Art News, vol.4, no.5,<br />

Sept-Oct 1994.<br />

Liu, Manni & Park, Jung E., ‘Bridging the old and new worlds’, [Lampo Leung], Asian Art News, vol.7, no.5,<br />

September / October 1997.<br />

Magnan, K.F., ‘Blending Myth and Reality’ [Tony Wong], Asian Art News, vol.4, no.6, Nov-Dec 1994.<br />

Millichap, John, ‘Moments <strong>of</strong> Time’ [Yang Diu in Paris], Asian Art News, vol.6, no.5, September / October, 1996.<br />

Pierquin-Tian, O., Peintres et Sculpteurs Chinois a Paris, 1947-1987, Paris, Centre Chine, Maison des Sciences de<br />

l’Homme, 1987<br />

Su Ruiping,ed., Overseas Chinese Artists Exhibition / Haiwai Yishujia Zhuanji, Taibei, Taibei Fine Arts Museum, 1984.<br />

<strong>The</strong>a, Carolee., ‘On the Mid-ground: Hou Hanru: Selected Texts’ (book review), in Art AsiaPacific, Issue 38, Fall<br />

2003, p.88.<br />

Yang, Alice, Why Asia? Contemporary Asian and Asian American Art, New York, New York <strong>University</strong> Press, 1999.<br />

Zhang Zhaohui, ‘Seeking a Spirit from history’, Asian Art News, vol. 15, no. 1, 2005.

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